Mini-Movie Review: Aliens Take Over a Very Gray Chicago in the Intermittently Promising ‘Captive State’

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CREDIT: Parrish Lewis/Focus Features

Starring: Ashton Sanders, John Goodman, James Ransone, Jonathan Majors, Machine Gun Kelly, Vera Farmiga, Alan Ruck, Kevin Dunn, David J. Height, Madeline Brewer, Ben Daniels, D.B. Sweeney, Kevin J. O’Connor, KiKi Layne, Marc Grapey

Director: Rupert Wyatt

Running Time: 110 Minutes

Rating: PG-13 for Occasional Explosions and Minorly Disturbing Sci-Fi Flourishes

Release Date: March 15, 2019

Captive State reminds me of 2010’s Skyline, a pretty awful movie that was at least fascinating for how it attempted to craft a genuinely compelling alien invasion with a fairly small budget. Captive State is a little more competent, but it has that same vibe of a director who is burning with a unique vision that he simply must deliver to the world no matter what the handicaps. That director is Rupert Wyatt, and his vision is a version of Chicago enslaved by aliens who want humans to pretend that this is actually an arrangement of unity. There’s clearly some commentary about conformism at play here, which in past instances in this genre has been about the likes of communism and consumerism. But in this case, it is not clear what the target is. (Maybe blind patriotism?) And that really sums up Captive State as a whole. You can feel that there is a plentiful mix of ideas, and even an admirably ambitious combination of genres (chase-filled actioner, paranoid thriller, even a bit of a heist flick), and the surprisingly robust cast is here to give it what they’ve got. But alas, the overall effort never quite coalesces into something with a fully fleshed-out overarching purpose.

Grade: 2.5 out of 5 Implant Trackers

This Is a Movie Review: Moonlight

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moonlight-movie-water

What sticks with me from Moonlight? Mostly, it is the small, intimate moments: Juan (Mahershala Ali) holding Little (Alex Hibbert) in the water – an image that has already become iconic. Teresa (Janelle Monáe) setting the table and doing all the talking for her and Chiron (Ashton Sanders). Black (Trevante Rhodes) admitting to Kevin (André Holland) that he’s the only man who’s ever touched him. And I can’t go this whole review without singling out Naomie Harris (miles away from Moneypenny) for giving her all as Chiron’s mom Paula. Moonlight deserves plenty of credit for allowing black and gay voices to be heard, but more than that, the storytelling is right on as well.

I give Moonlight 18 Gold Grills out of 20 Evasive Facial Expressions.