Entertainment To-Do List: Week of 10/2/20

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Hubie Halloween (CREDIT: Scott Yamano/Netflix)

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
Possessor (Select Theaters) – Body horror from Brandon Cronenberg.
Hubie Halloween (October 7 on Netflix) – Adam Sandler in a Halloween movie. Now give him some candy!

TV
Saturday Night Live Season 46 Premiere (October 3 on NBC) – They’re back in Studio 8H!
black-ish Election Special (October 4 on ABC)
The Good Lord Bird Series Premiere (October 4 on Showtime) – Ethan Hawke as John Brown and Daveed Diggs as Frederick Douglass.
Soulmates Series Premiere (October 5 on AMC)
Doctor Who: The Faceless Ones Premiere (October 7 on BBC America)

Music
-William Shatner, The Blues

Podcasts
With Gourley and Rust (October 2 on Patreon, October 9 on all other platforms) – Matt Gourley and Paul Rust talking horror movies.

‘Possessor’ Review: The Cronenbergian Energy is Strong with This One

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Possessor (CREDIT: Neon)

Starring: Andrea Riseborough, Christopher Abbott, Jennifer Jason Leigh, Tuppence Middleton, Sean Bean, Rossif Sutherland

Director: Brandon Cronenberg

Running Time: 104 Minutes

Rating: Unrated (with R-Level Gore, Sex, and Disturbia)

Release Date: October 2, 2020 (Select Theaters and Drive-Ins)

Human beings are not meant to house two brains in one head. We’ve seen it attempted in various sci-fi movies, and it never works out peacefully. In Possessor, the result is about as rancorous as it’s ever been. Tasya Vos (Andrea Riseborough) is a brilliant assassin, and like a lot of brilliant assassins, her days are numbered. In her case, that’s because she infiltrates other people’s bodies while committing the deeds and her latest host, corporate drone Colin Tate (Christopher Abbott), is violently resisting her presence. If you’re in the mood for some internal body horror, you’ve come to the right place.

Possessor was written and directed by Brandon Cronenberg, son of body horror master David Cronenberg, and the maxim “like father, like son” certainly applies here. A sex scene is intercut with a stabbing, while a murder sequence features close-ups of an eyeball and teeth getting poked out with a fire poker. You can imagine that this is the kind of movie that the senior Cronenberg would have been making had he come of age during a more digitized era. Which is all to say, Brandon is proudly carrying on the family tradition. With Possessor, he paints us a picture of how violent and blood-splattered it can get when a host fights off a virus. It’s disturbing physically, psychologically, and ethically, but all presented so wonderfully baroquely that you can’t help but be entranced.

Possessor is most satisfying with its aesthetic accomplishments. Various sequences are presented in a monochromatic palette, and a varying monochrome at that. Some mustard yellow here, some blood red there, all contributing to a beautifully distorted sense of reality. One eternally unforgettable image is the mask of Tasya (as seen on the poster) that Colin is attempting to rid himself of, thus conveying a slippery lack of separation between the physical and the mental. The plot is a little harder to parse, but it has enough suspenseful intrigue to keep you engaged. There’s some dialogue that’s difficult to make out, especially from the mumble-prone Abbott, but I imagine that that may be intentional. Possessor feels like exactly the sort of movie that wants you to lean in for you to hear it only to then throw the next highly shocking image right in your face. To which I say, keep leaning in.

Possessor is Recommended If You Like: Devs, Videodrome, The bathhouse fight in Eastern Promises

Grade: 3.5 out of 5 Assassinations