‘The Housemaid’ Delivers on Its Promise of Twisty and Shocking Thrills

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They were maid for this (CREDIT: Daniel McFadden/Lionsgate)

Starring: Sydney Sweeney, Amanda Seyfried, Brandon Sklenar, Michele Morrone, Elizabeth Perkins, Indiana Elle

Director: Paul Feig

Running Time: 131 Minutes

Rating: R for Sex, Nudity, A Shocking Amount of Violence, and Other Disturbing Behavior (Including Sexual Assault)

Release Date: December 19, 2025 (Theaters)

What’s It About?: Millie Calloway (Sydney Sweeney) is desperate for a job, any job, especially one that’ll guarantee a roof over her head. She’s an ex-con out on parole who’s been living in her car, you see. So it feels like a miracle when she’s hired by Nina Winchester (Amanda Seyfried) as a live-in housemaid for her gated suburban mansion. Nina’s husband Andrew (Brandon Sklenar) and seven-year-old daughter Cecelia (Indiana Elle) are a little puzzled at first by their new roommate, but it’s really Nina that Millie has to watch out for, despite their promising start. Her behavior becomes increasingly unstable as she constantly gaslights Millie. Meanwhile, Andrew is lifesavingly eager to protect his new employee. But as you might suspect, The Housemaid is the type of movie where these characters aren’t exactly who they initially seem to be.

What Made an Impression?: History Repeating Itself: Is Sydney Sweeney basically just Amanda Seyfried but a decade younger? If we thoroughly compare and contrast their personalities and career arcs, it probably won’t be an exact match. But in this movie, their already similar faces and hair are styled about as closely as they possibly can be. And that is surely intentional in pretty much every way you can possibly conceive of.
Can We Be Real?: The Housemaid is a movie that you’ve got to be patient with, and director Paul Feig trusts that his audience will be okay with a two hour-plus runtime despite the breeziness of the trappings. Furthermore, you have to be willing to accept that until the final act, Seyfried is pretty much the only actor who’s not suppressing her emotions. But the payoff is worth it, because the climax is climactic all over the place. And before we get there, it’s not completely devoid of entertainment value, especially thanks to some especially droll line readings, like “Juice is a privilege, not something you drink out of a dirty glass.”
Broke is What They’re Going For: Throughout this review, I’ve been teasing just how twisty and revelatory this movie’s conclusion is. So of course I’m going to conclude by teasing that aspect once again. Obviously, now’s not the time for spoilers, but I will say that The Housemaid spends its last 45 minutes or so earning its R rating, and then some. Covers are dropped, old wounds are revealed, new wounds are poked, and just desserts are delivered forcefully. Folks, if you’re planning on seeing this, you gotta do so in a crowded theater full of stunned ooh’s and ah’s.

The Housemaid is Recommended If You: Wished that Conclave had been more like The Stepford Wives

Grade: 3.5 out of 5 Fake Resumes

It’s Time to Accept a Message Request From ‘Drop’

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They certainly dropped Drop like it’s hot (CREDIT: Universal Pictures)

Starring: Meghann Fahy, Brandon Sklenar, Violett Beane, Jacob Robinson, Reed Diamond, Gabrielle Ryan Spring, Jeffery Self, Ed Weeks, Travis Nelson

Director: Christopher Landon

Running Time: 95 Minutes

Rating: PG-13 for Chekhov’s Poison (and Gun and Knife) and Flashbacks of Abuse

Release Date: April 11, 2024 (Theaters)

What’s It About?: Widowed mother Violet (Meghann Fahy) is finally ready to start dating again a few years after the dissolution of her abusive marriage. So she calls up her sister Jen (Violett Beane) to babysit her 5-year-old son Toby (Jacob Robinson) so that she can finally meet up with Henry (Brandon Sklenar), the hunky, sensitive photographer that she’s been messaging with. They settle in for dinner at a fancy high-rise spot, and the vibes are totally right… until someone starts anonymously sending Violet messages demanding that she kill Henry if she doesn’t want her son to die instead. As she desperately seeks an escape from this entrapment, she starts playing detective to identify the criminal puppetmaster: could it be the seemingly sweet bartender (Gabrielle Ryan Spring), the older gentleman getting back out there on a blind date (Reed Diamond), the totally extra waiter (Jeffery Self), the skeevy piano player (Ed Weeks), the rando she keeps bumping into (Travis Nelson), or maybe even one of the teenagers on a post-prom excursion?

What Made an Impression?: It’s So Much Fun Watching Someone in Danger!: Drop is the sort of propulsive, dread-inducing thriller that never lets up long enough for you to get hung up on how much it strains credulity. Although, now that I’ve watched it and I’m writing my review, I’m more than happy to raise some questions! Most pressingly, does the AirDrop feature really allow you to be this intrusive into someone who’s not in your contacts? I’ve never been an iPhone user, although to be fair to Drop, Violet’s tormentor is actually using an AirDrop stand-in called “DigiDrop.” I could go on to nitpick even further, but here’s the thing: I didn’t care about any of that! This movie establishes its rules of play and never cheats, so its twists and zooms feel earned, no matter how ridiculous they may be rendered upon forensic examination.
Escaping the Grip of the Past: As Violet constantly flits around and makes odd requests to the waitstaff, Henry can’t help but assume that she really isn’t quite yet in the right frame of mind for romance. He suggests that they try this another time, but since she really needs him to say, she tries the gambit of explaining that she’s been distracted because her abusive ex still has her in her grip. It may not be the immediate reason that her mind is elsewhere, but it’s not like it’s not true. What follows is a genuine, thoughtful conversation about how abuse warps our sense of reality. I wasn’t expecting Drop to be so astutely therapeutic, but I certainly appreciate it. It all adds up to a simple trick for effective storytelling: clearly establish your main characters’ backstories, and then treat their psychology with respect.

Drop is Recommended If You Like: Red Eye probably (I’ve never seen it in its entirety, but based on chatter I’ve heard, the comparison fits), Hitchcock thrillers about protagonists who suddenly find themselves in over their heads (Rear Window, North by Northwest, etc.), The Invisible Man

Grade: 4 out of 5 Threats

August Movie Review Catch-Up: The Heat Dissipates

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CREDIT: Warner Bros. Pictures (CREDIT: Screenshot)

I saw a bunch of movies in August 2024 that I haven’t released my full thoughts about yet, as it’s been too hot to say too much about any one movie. So I waited until September in the hopes that it would cool down at least a little bit and that I wouldn’t overheat from all this film analysis.

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