‘Together’ We Can Take Our ‘First Steps’ (And Many More Steps to Come)

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July at the Picture House (CREDIT: Germain McMicking/NEON; Marvel Entertainment/Screenshot)

Together

Starring: Alison Brie, Dave Franco, Damon Herriman

Director: Michael Shanks

Running Time: 102 Minutes

Rating: R

Release Date: July 30, 2025 (Theaters)

The Fantastic Four: First Steps

Starring: Pedro Pascal, Vanessa Kirby, Ebon Moss-Bachrach, Joseph Quinn, Julia Garner, Ralph Ineson, Sarah Niles, Mark Gatiss, Paul Walter Hauser, Natasha Lyonne

Director: Matt Shakman

Running Time: 114 Minutes

Rating: PG-13

Release Date: July 25, 2025 (Theaters)

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Robbie Williams Devolves in the Cheeky Rock Biopic ‘Better Man’

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Man! I feel like a Better Man (CREDIT: Paramount Pictures)

Starring: Robbie Williams, Jonno Davies, Steve Pemberton, Kate Mulvany, Alison Steadman, Damon Herriman, Raechelle Banno, Jake Simmance, Liam Head, Jesse Hyde, Chase Hollenweider, Tom Budge, Leo Harvey-Elledge

Director: Michael Gracey

Running Time: 135 Minutes

Rating: R for Sex, Drugs, and Pop Rock ‘n’ Roll

Release Date: December 25, 2024 (Limited Theaters)/January 10, 2025 (Wide Theaters)

What’s It About?: Based on my understanding, Robbie Williams is one of those fellows who’s a whole heck of a lot more popular on the other side of the pond than he ever was in the US of A. I know him best for his pre-Y2K hit “Millennium,” which I have plenty of fond memories of, but he never seemed like the kind of superstar who would get swarmed by rabid fans. But apparently he is in his native land of Merry Ol’ England! His career kicked off in the early 90s as a member of the boy band quintet Take That, and then he eventually broke off for a solo career. In the process, he endured all those vices endemic to the rock star lifestyle: addiction, rocky home life, rollercoaster romances. And eventually, he lived a life worthy of a biopic in which he’s portrayed as a chimp-human hybrid.

What Made an Impression?: Going Ape: Better Man is one of those biopics where the subject plays himself, which you might be surprised about considering what I just said in the last paragraph. To be thorough, though, he didn’t do it on his own! He mostly narrates as his future wiser self, while Jonno Davies provides the bulk of the visual performance with a motion capture routine to set up the CG chimpanzee animation. (Carter J. Murphy contributed child Robbie’s vocals, while Adam Tucker is credited with “additional vocals.”) If you enjoyed the recent LEGO-animated Pharrell documentary Piece by Piece, chances are you’ll also find something to appreciate about Better Man. The narrative is undeniably straightforward and maybe even a little bit cliché, but committing to the chimp gimmick the whole way through is nevertheless a simple and effective trick to increase the freshness a thousandfold.
Single Male Chimp Seeking…: While I was grateful to see Chimpanzee Robbie, I guess it also made me a little greedy, because I couldn’t help but wonder: why wasn’t everyone else a primate? While that may have made for a more visually diverse experience, I must accept that that wasn’t the movie that this creative team wanted to make. Instead, we got what we got because Robbie felt adrift as an ape-man in a sea of ostensibly more normal humans. Still, there was plenty of room for even more flights of fancy. One climactic highlight consists of a concert turning into a chimpanzee battle royale in which Robbie vanquishes various parts of his psyche, and there could have been more of that. The overall gimmick didn’t disappoint, but it did get subsumed into a fairly traditional story. It may have been an honest telling of Robbie’s experience (and perhaps even effective therapy for him), but you kind of get the feeling that Better Man wanted to burst through with even more unbound creativity.

Better Man is Recommended If You Like: Behind the Music, Animal Planet, non-London English accents

Grade: 3 out of 5 Chimpanzees

‘The Bikeriders’ Review: Looking for Whatever Comes Their Way

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Going whole hog (CREDIT: Kyle Kaplan/Focus Features. © 2024 Focus Features. All Rights Reserved.)

Starring: Jodie Comer, Austin Butler, Tom Hardy, Mike Faist, Michael Shannon, Norman Reedus, Boyd Holbrook, Damon Herriman, Beau Knapp, Emory Cohen, Karl Glusman, Happy Anderson

Director: Jeff Nichols

Running Time: 116 Minutes

Rating: R for Fist Fights, Knife Fights, and a Few Guns

Release Date: June 14, 2024 (Theaters)

What’s It About?: In 1960s Chicago, a man named Johnny (Tom Hardy) starts hearing the Call of the Hog. He then founds the Vandals MC motorcycle club, and pretty soon his motley crew are devoting their entire social lives to the open road and brawl-filled picnics. Threatening to upend it all is a hothead named Benny (Austin Butler), who holds an irresistible pull over the outsider Kathy (Jodie Comer). Everyone tried to warn Kathy away from Benny, but they just can’t help but marry each other. The Bikeriders was inspired by a book of the same name by photojournalist Danny Lyon, so the movie is framed by Mike Faist as Danny interviewing the major players in this subculture.

What Made an Impression?: Just Something to Do: Strangely enough, Johnny never appears to be particularly enthralled by motorcycles. Instead, he seems to have been attracted by what they represent, and even that motivation is rather haphazard. One day, he just happened to be watching the 1953 biker flick The Wild One, which features Marlon Brando infamously uttering “Whaddya got?” when someone asks him what he’s rebelling against. Johnny doesn’t seem particularly constrained by his suburban life as a husband and father (from what little we see of him in that role), but he’s nevertheless inexplicably and unmistakably drawn to the siren song of rebellion. Meanwhile, Benny at least clearly relishes his time cruising down the street, but that love is surely too elemental for him to ever explain where it comes from. At least Michael Shannon as Zipco offers some sort of life philosophy in the form of resenting his “pinko” brother. But that characterization is just as mystifying when you realize that “pinko” to him doesn’t mean “Communist” so much as “attends college” and “doesn’t do enough hard labor.”
No Way to Fathom It: The contrast between Johnny and Benny had me thinking of the yin-yang dynamic between the Salvatore Brothers on The Vampire Diaries. If you’ve never seen that CW bloodsucker series, here’s what you need to know: Damon Salvatore is the dangerous Benny, while Stefan Salvatore is the less frightening Johnny. Eventually, though, in both TVD and The Bikeriders, our initial assumptions get flipped on our head. The analogue is far from a perfect one-to-one match, but the point is that The Bikeriders left me flummoxed by the seeming randomness of its characters’ fates. Some of the Vandals who are perpetually in Death’s crosshairs somehow survive, while others who are ostensibly impenetrable bite the dust, and yet others reform themselves out of nowhere or at least disappear. It’s all fairly believable, but too thoroughly matter-of-fact to leave much of an impression.

The Bikeriders is Recommended If You Like: Laconic conversations, Wild accent swings, Impulsiveness

Grade: 3 out of 5 Motorcycles

Movie Review Awful People in History Edition: The Nightingale

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CREDIT: IFC Films/YouTube Screenshot

Brutal. So brutal. Has there ever been a movie as brutal as The Nightingale?

It is undoubtedly well-crafted and undeniably well-acted, but is that good enough to justify the brutality? Could it ever possibly be good enough?

Here’s what happens: an Irish woman who’s been convicted of theft and taken to Tasmania, Australia in 1825 is raped multiple times by the English officer who is basically her slave master. Then she watches as her husband and baby are suddenly killed. With the help of an Aboriginal tracker, she then sets out on a revenge mission, and along the way, there are more rapes and murders, as well as a liberal dash of stabbing and blunt force trauma. The total disregard for the lives of women, people of color, and young children is stunning, but considering human history, not exactly shocking. But thankfully it is clear that writer/director Jennifer Kent is giving narrative precedence to the abused and exploited. Ultimately, this fits in a cinematic tradition that is fundamentally unenjoyable but an important corrective for those whose stories have been wiped out.

I give The Nightingale My Understanding for Why It Must Exist.