3-in-1 Movie Review: Robin, Leviticus, and the Girls Arrive on June 19

June 16, 2026

jmunney Cinema, Movie Reviews , , , , , , , , , , , , , , , , , , , , , , , , , 1 Comment

CREDIT: Aidan Monaghan/A24

The Death of Robin Hood

Starring: Hugh Jackman, Jodie Comer, Bill Skarsgӓrd, Murray Bartlett, Noah Jupe, Faith Delaney, Jade Croot

Director: Michael Sarnoski

Running Time: 122 Minutes

Rating: R for A Decent Amount of Blood

Release Date: June 19, 2026 (Theaters)

CREDIT: Courtesy of Focus Features / © 2026 FOCUS FEATURES LLC

Girls Like Girls

Starring: Maya da Costa, Myra Molloy, Zach Braff, Levon Hawke

Director: Hayley Kiyoko

Running Time: 95 Minutes

Rating: R for Teen Partying and Some Language

Release Date: June 19, 2026 (Theaters)

CREDIT: NEON

Leviticus

Starring: Joe Bird, Stacy Clausen, Mia Wasikowska, Jeremy Blewitt, Ewen Leslie, Davida McKenzie, Nicholas Hope, Zamira Newman, Edwina Wren

Director: Adrian Chiarella

Running Time: 88 Minutes

Rating: R for Disturbing Horror Violence and Some Sexual Content

Release Date: June 19, 2026 (Theaters)

Welcome to all of you who just can’t wait for the Summer Movie Season! And also welcome to those of you who absolutely can’t resist the lure of the multiplex no matter what time of the year it is. If you enjoy reading about any and all new releases, well you’re in luck, because this is one of those times when I review more than one movie in a single post. They’re all set to debut in theaters on June 19, and their names are The Death of Robin Hood, Girls Like Girls, and Leviticus. They all promise to provide very different tones from each other, but they also all have one thing in common: none of them is Toy Story 5.

The Death of Robin Hood hands off the famous outlaw’s bow and arrow to Hugh Jackman, with Pig auteur Michael Sarnoski writing and directing. This is one of those revisionist takes that strips away the most recognizable elements of a very famous character, which is to say that this Robin doesn’t do a whole lot of stealing from the rich and giving to the poor. So what does he do instead? Honestly, not much. This is certainly a movie that lives up to its title, with Robin essentially just lying around and making amends until he expires. In the course of his demise, he’s tended to by a nun (Jodie Comer) and kind of befriends a leper (Murray Bartlett). So it’s not totally event-less, but I still ultimately came to the conclusion that it took away the most interesting part of the character and didn’t really replace it with anything else interesting.

Girls Like Girls similarly lives up to the promise of its title, but in this case employing a strategy that’s presumably much safer for pleasing its target audience. It’s the directorial debut of singer-songwriter Hayley Kiyoko, based on her novel of the same name that was in turn based on her song of the same name. It follows the teenage Coley (Maya da Costa) in 2006 as she moves in with her dad (Zach Braff) following the death of her mom and finds herself spectacularly smitten with her new friend Sonya (Myra Molloy). You get the sense that this is the first time that Coley has ever felt this deeply for a girl, or anybody at all really. That’s the key to this movie’s power: the bigness of the feelings are contagious. We’ve all endured the struggles of uncertain love (no matter how queer or not queer), and we’re all looking for the support that Coley’s looking for promising that it’s all going to be okay.

We’ve actually got one more queer love story on the docket, although Leviticus doesn’t exactly offer much in the way of anything resembling a happy promise. Instead, this Australia-set supernatural chiller finds teenage boys Naim (Joe Bird) and Ryan (Stacy Clausen) spooked by an entity threatening to kill them after an encounter with a “Deliverance Healer” (Nicholas Hope), which is essentially the most evil case of “pray the gay away” that you can imagine. The entity takes the form of the person you’re most romantically obsessed with, so Naim and Ryan are screwed by any attempts at solidarity. Comparisons to It Follows are inevitable, but the despair I clocked has more to do with the geographical dispersion of Down Under. Truly, this is a nightmare worthy of the Outback.

Grades:
The Death of Robin Hood: 2.5 out of 5 Arrows
Girls Like Girls: 3.5 out of 5 AIM Messages
Leviticus: 3.5 out of 5 Doppelgangers

Movie Review Awful People in History Edition: The Nightingale

August 26, 2019

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CREDIT: IFC Films/YouTube Screenshot

Brutal. So brutal. Has there ever been a movie as brutal as The Nightingale?

It is undoubtedly well-crafted and undeniably well-acted, but is that good enough to justify the brutality? Could it ever possibly be good enough?

Here’s what happens: an Irish woman who’s been convicted of theft and taken to Tasmania, Australia in 1825 is raped multiple times by the English officer who is basically her slave master. Then she watches as her husband and baby are suddenly killed. With the help of an Aboriginal tracker, she then sets out on a revenge mission, and along the way, there are more rapes and murders, as well as a liberal dash of stabbing and blunt force trauma. The total disregard for the lives of women, people of color, and young children is stunning, but considering human history, not exactly shocking. But thankfully it is clear that writer/director Jennifer Kent is giving narrative precedence to the abused and exploited. Ultimately, this fits in a cinematic tradition that is fundamentally unenjoyable but an important corrective for those whose stories have been wiped out.

I give The Nightingale My Understanding for Why It Must Exist.