I’m Not Entirely Sure What to Say About ‘The Whale,’ But I’ll Do My Best

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Starring: Brendan Fraser, Hong Chau, Sadie Sink, Ty Simpkins, Samantha Morton

Director: Darren Aronofsky

Running Time: 117 Minutes

Rating: R for Profanity Borne of Anger and Frustration

Release Date: December 9, 2022 (Theaters)

What’s It About?: Charlie (Brendan Fraser) spends all of his days sitting on his couch, teaching an online English class and ordering delivery. Hardly anyone ever sees him, including his students, as he keeps his laptop camera disabled. He tells them it’s broken, but really, he just doesn’t want to have to deal with their reactions to the fact that he weighs 600 pounds. This may just be the last week of his life, as he’s enduring congestive heart failure and refusing to go to a hospital. So instead he’s looked after by his no-nonsense friend Liz (Hong Chau), who’s also a nurse. They’re occasionally interrupted by door-to-door missionary Thomas (Ty Simpkins), who becomes obsessed with counseling Charlie through what he believes is the impending apocalypse. And in the meantime, Charlie also does his damnedest to reconnect with his estranged teenage daughter, the disaffected and manipulative Ellie (Sadie Sink).

What Made an Impression?: I’m really not quite sure how to react to The Whale. And I’m not even talking about the controversy that tends to always surround fat suit prosthetics. As far as I can tell, the physical demands of playing someone this big actually demand an actor who’s fit and hardy. So if you are going to make a movie with a character who weighs as much as Charlie, the only way to do it is with someone who doesn’t weigh anywhere near as much as he does. This is all to say: I certainly get the criticism around this sort of casting, but I also understand why it was made the way it was made.

But that doesn’t mean I understand everything about this movie. It’s based on a play by the film’s screenwriter, Samuel D. Hunter, and that theatrical pedigree is present every which way. The action is limited to one location, and the emotion is delivered all the way to Pluto. That overwrought style can be fine, you just have to convince the audience to buy into it. And on that point of whether or not I’m convinced? I’m confounded.

Charlie is a supremely frustrating character. He likes to see the good in everybody, especially Ellie, who he insists is just wonderful, despite pretty much all evidence to the contrary. Part of that is just what a long-absent dad would typically say when trying to reconnect to his kid. But at a certain point, you think he ought to admit that she’s not exactly what we call friendly. To anybody. At all. He does value honesty above just about everything else, though, even when it’s brutal. But to that point, we viewers might want him to confront the brutality in his own life, particularly the loss of a boyfriend that led to his reclusiveness and disordered eating. Fraser undoubtedly gives it all, as he wrings just about every note he can out of what he’s asked to do. But while I recognized the ambition, I was also left ultimately responding, “Well, gee… Hmm.”

The Whale is Recommended If You Like: Distorted optimism

Grade: 3 out of 5 Moby Dicks

Best Film Directors of the 2010s

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CREDIT: YouTube Screenshots

I’ve got another extra-innings Best of the 2010s for ya. This time, the focus is on Film Directors, those folks who hang out behind the camera and let everyone know how they would like the movie to go.

Based on the eligibility rules of the poll that I submitted my list to, each director had to have at least two films come out between 2010 and 2019 to be considered. I made my selections based on a combination of how much I enjoyed their output and how much they influenced the medium and the culture at large.

My choices, along with their 2010s filmography, are listed below.


This Is a Movie Review: mother!

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I don’t want to get into too many specifics, or really any specifics at all about mother!, even though I could just include a spoiler alert, and I imagine plenty of people reading this review have already seen it anyway. The plain truth is, this movie benefits particularly from going into it with as few preconceived notions as possible, perhaps more so than any other movie ever (give or take a Cabin in the Woods). The marketing has been so vague that anyone who feels like they’ve been misled really shouldn’t feel that way. For those who knew that they were getting into something unpredictable, there have been some criticisms that it is too heavy-handed, too unsubtle, and/or too cacophonous to effectively work as metaphor. And that may well be, but the whole thing is too deliriously energetic to not be enjoyable. This is… cinema.

One more note: if she weren’t already famous with her SNL persona, Kristen Wiig could easily establish a reputation as a character actress specializing in publicist/agent/manager roles.

I give mother! my acknowledgement that it exists.