‘Christy’ Movie Review, AKA ‘Wow, They’re Sure Are a Lot of Boxing Biopics, Aren’t There?’

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Think Pink? (CREDIT: Black Bear/Screenshot)

Starring: Sydney Sweeney, Ben Foster, Merritt Wever, Katy O’Brian, Ethan Embry, Coleman Pedigo, Jess Gabor, Chad L. Coleman, Tony Cavalero

Director: David Michôd

Running Time: 135 Minutes

Rating: R

Release Date: November 7, 2025 (Theaters)

If you’ve been reading my reviews for a while, then perhaps you are already familiar with my approach of asking myself, “Would I like to live in the world of this movie and/or be the protagonist?” In the case of the sports biopic Christy, in which Sydney Sweeney stars as pioneering boxer Christy Salters Martin, the answer is a definitive split decision of “Yes in some ways” and “No in other ways.” On the one hand, professional athletic glory sounds like something I’d love to bask in. But on the other hand, being a queer woman in a homophobic world who’s married to a controlling and abusive man sounds much less appealing. So since that strategy didn’t result in a singular response, I’ll instead think of this movie as an advertisement for what a great friend Christy surely is to all those who have the good fortune to be a part of her life now and in the future.

Grade: 5 Belts out of 8 Mullets

‘The King’ is a Slog Through Shakespearean Henriad History

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CREDIT: Netflix

Starring: Timothée Chalamet, Joel Edgerton, Robert Pattinson, Ben Mendelsohn, Sean Harris, Lily-Rose Depp, Tom Glynn-Carney

Director: David Michôd

Running Time: 133 Minutes

Rating: R for Messy War Combat

Release Date: October 11, 2019 (Limited Theatrically)/November 1, 2019 (Streaming on Netflix)

Once more unto the breach, dear friends? It’s awfully muddy in that breach. That seems to be the big advantage of turning Shakespeare’s Henry IV (Parts 1 and 2!) and Henry V into a movie in 2019: you can make it as muddy as you need it to be! And director David Michôd sure wanted that breach to be muddy. And Falstaff (Joel Edgerton, who co-wrote the script with Michôd) won’t let us forget it. Not that we would have been able to miss it anyway.

I majored in English literature in my undergraduate days, so watching The King is like revisiting old friends for me, but excessively grim versions. I know right from the get-go that wary-of-the-crown Prince Hal will soon enough become King Henry V, Beloved War Hero. But even if I’d never read one verse of Shakespeare, I would have been able to figure that out easily enough. That’s how these narratives tend to play out after all, and also Timothée Chalamet is so hot right now. But that predictability is not necessarily a problem. Shakespeare did not establish his reputation on twisty plots, but rather on wonderfully poetic language. Alas, The King does not have the wit to match. I of course do not demand nor expect that every new Shakespeare adaptation feature iambic pentameter, but if there is going to be as much dialogue as there is in The King, it would be nice if it were at least somewhat exciting. But alas, it seems that war is not only hell, it’s also boring.

As we make our way through the muck into the Battle of Agincourt, The King eventually comes alive somewhat in the form of Robert Pattinson as the Dauphin, the French side’s secret weapon, at least in terms of charisma. He seems to have been warped by the warring status quo between France and England into some sort of almost inhuman, devious little sprite. He is less interested in victory or survival than he is into sucking out the life force of his rivals. I haven’t seen any of those Twilight movies, so for me, this feels like the first time Pattinson has ever played a vampire on screen. If only the other combatants had the verve to match.

The King is Recommended If You Like: Shakespeare minus the poetry

Grade: 2 out of 5 Chainmail Suits