‘By Any Means’ is a Thrilling But Disturbing Chronicle of the Real-Life Pursuit of Justice

September 3, 2026

jmunney Cinema, Movie Reviews , , , , , , , , , , , 1 Comment

Should you see this movie by any means? (CREDIT: Paramount Pictures)

Starring: Yahya Abdul-Mateen II, Mark Wahlberg, Nicole Beharie, Giancarlo Esposito, Josh Lucas, David Straitharn, Ethan Embry, LisaGay Hamilton, LaChanze, Stephen Bass

Director: Elegance Bratton

Running Time: 107 Minutes

Rating: R for Unbridled Violence and Language

Release Date: September 4, 2026 (Theaters)

What’s It About?: By Any Means wades into the powder keg that was 1960s Mississippi during the civil rights struggle. The FBI took up some terrifying investigations down there, including the murder of activist Vernon Dahmer (Giancarlo Esposito) at the hands of the Ku Klux Klan. Special Agent Wayne Strider (Yahya Abdul-Mateen II), who was close with Dahmer, is assigned to lead the investigation. But because this case is expected to be particularly violent and intractable, Strider’s superiors inform him that he will be unofficially working alongside a mysterious man named Gregory Scarpa (Mark Wahlberg), who sure seems to be a mafia hitman. Scarpa has no qualms about showering fists and bullets into anyone who stonewalls the investigation. While Strider is stunned by this level of carte blanche, it seems like the only way for them to make any progress, although it doesn’t appear to be doing much to stop the cycle of violence in this crucial fight for justice.

What Made an Impression?: Consequences Be Damned: Like a lot of movies based on true events, By Any Means left me wanting to research the real story. Usually that’s because the onscreen version is so inspiring, and I want that feeling to last with more intimate knowledge. But in this case, it’s kind of the opposite. It might be satisfying in the moment to see someone like Scarpa let loose on a bunch of racists, but surely it’s only adding more fuel to the fire. It would be nice to learn that the real Scarpa was more reined in, though I’m not exactly holding out hope that that was the case.
How Do We Live With All This?: I’d love to tell you that we’re supposed to feel conflicted about the extreme titular means justifying the ends, but I’m not really sure what the filmmakers want us to feel. Director Elegance Bratton delivers it all in an unflinching package that leaves little room for reflection by any of the characters. However, there’s room for us to be reflective as audience members, at least, as we’re not directly implicated in the worst of it. You won’t feel guilty for being entertained, either. I certainly wasn’t. It just would have been nice to have a more direct acknowledgement about the discomfiting nature of it all.
At Least It Sounds Cool: One thing I’m not ambiguous about is the absolutely rousing score from Terence Blanchard. If you heard the logline for this movie and thought, “We need the same composer that they had for BlacKkKlansman,” well, that’s exactly what happened. Blanchard is your man when you need a music package that is going to give your audience’s soul an exhausting jazz workout. It’s invigorating, overpowering, and a little exhausting. So not too different from the investigation itself.

By Any Means is Recommended If You Like: Prosthetic noses

Grade: 3 out of 5 Badges

‘Scream 7’ is Caught at the Crossroads

February 26, 2026

jmunney Cinema, Movie Reviews , , , , , , , , , , , , , , , , , , , 2 Comments

Here we go again (CREDIT: Paramount Pictures and Spyglass Media Group)

Starring: Neve Campbell, Isabel May, Joel McHale, Courteney Cox, Jasmin Savoy Brown, Mason Gooding, Anna Camp, Michelle Randolph, Jimmy Tatro, McKenna Grace, Asa Germann, Celeste O’Connor, Sam Rechner, Mark Consuelos, Timothy Simons, Ethan Embry, Matthew Lillard

Director: Kevin Williamson

Running Time: 114 Minutes

Rating: R for Some Rough Language and All the Usual Stabbings, Even Gorier Than Usual

Release Date: February 27, 2026 (Theaters)

What’s It About?: Sidney Prescott (Neve Campbell) is totally over it, you guys. She doesn’t even go by “Prescott” anymore! Instead, she’s running a coffee shop and living with her husband Mark (Joel McHale) and teenage daughter Tatum (Isabel May) in the humble town of Pine Grove, Indiana, where everybody knows her by her married name of Sidney Evans. Except of course they also know her by her maiden name as well, as her life story and the killers who follow her keep inspiring lurid movies and tabloid documentaries and copycat killers. Also, she did name her daughter after her best friend who died in the first Scream, so it’s not like she’s completely let go of Woodsboro, California either. Not like she ever could even if she tried. Especially not now, as Tatum is about the same age as her mom was when the first massacre happened, which the latest Ghostface(s) use as an opportunity to spook Sidney and her family with freakishly rendered reminders of her bloody past so as to air their grievances or become the star of their own movie or whatever the heck their motivations are this time.

What Made an Impression?: I’m Screaming Inside: Scream is my favorite horror movie franchise (and possibly my favorite franchise of every genre), but I had severe misgivings going into this seventh outing, given its tortured production history. After the success of the fifth and sixth ones, this chapter was originally going to again focus on Melissa Barrera and Jenna Ortega’s characters from those two chapters, but then Barrera was fired following pro-Palestine comments she made on social media, and Ortega soon dropped out in solidarity. Multiple directors left the project as well, and a retooling led to original Scream screenwriter Kevin Williamson stepping in as director and Neve Campbell returning once again to play Sidney, after previously sitting out Scream VI because of a lowball salary offer. None of this backstory is acknowledged within the story of Scream 7 itself, but I can’t accurately and comprehensively review it without fully acknowledging my conflicted headspace.
(Retroactive) Welcome to New York!: While the narrative of Scream 7 may not directly address the behind-the-scenes drama, it does play around with it a bit by making one of its major messages be: “Sidney, you should have been there for the last one!” Seriously, other characters keep telling her how much she was missed in NYC when the most recent Ghostfaces decided to terrorize the Big Apple. Ultimately, this sequel is kind of like an alternate Scream 5, if it had focused primarily on Sidney instead of the new generation of victims and survivors. That makes for an uncanny status quo, and a franchise uncertain of what exactly direction it wants to be heading in.
Stuck In or Rejecting the Past: Scream 7‘s other message appears to be: “We heartily reject artificial intelligence!”, as (ostensible) deepfakes of former villains become the latest weapon in Ghostface’s repertoire. The delivery of that theme feels a little half-baked, though probably genuine, considering the existential crisis that AI is for so many creative professionals. Alas, it also feels strikingly at odds with one of the movie’s promotional pushes.
So What Else Is Going On?: Now that I’ve gotten all the major headlines out of the way, please allow me to talk for a bit about something that was totally unexpected. Before the mayhem fully kicks into gear, Tatum and her friends are just regular teenagers doing regular high school things. In their case, that means rehearsing for a play about fairies and the like. Timothy Simons wrings out some laughs in this section as the awe-inspiringly pompous drama teacher directing the whole affair. It’s quite the bizarre digression.
And Then We Finally Face the Ghost: While I spent the first half of Scream 7 feeling skeptical and tepid, the final act reminded me that this series has an unstoppable knack for delivering consistently killer climaxes. The Ghostface motivation this time around is probably the most nonsensical we’ve seen thus far, but it nevertheless made for a thrilling conclusion. It also against all odds made me excited for the next chapters to come, although I would still really like to see some apologies for the personnel who have been mistreated (though I’m not exactly holding out hope for that).

Scream 7 is Recommended If You: Feel like everything is cursed nowadays

Grade: 3 out of 5 Deepfakes

‘Christy’ Movie Review, AKA ‘Wow, They’re Sure Are a Lot of Boxing Biopics, Aren’t There?’

November 13, 2025

jmunney Cinema, Movie Reviews , , , , , , , , , , , , , , Leave a comment

Think Pink? (CREDIT: Black Bear/Screenshot)

Starring: Sydney Sweeney, Ben Foster, Merritt Wever, Katy O’Brian, Ethan Embry, Coleman Pedigo, Jess Gabor, Chad L. Coleman, Tony Cavalero

Director: David Michôd

Running Time: 135 Minutes

Rating: R

Release Date: November 7, 2025 (Theaters)

If you’ve been reading my reviews for a while, then perhaps you are already familiar with my approach of asking myself, “Would I like to live in the world of this movie and/or be the protagonist?” In the case of the sports biopic Christy, in which Sydney Sweeney stars as pioneering boxer Christy Salters Martin, the answer is a definitive split decision of “Yes in some ways” and “No in other ways.” On the one hand, professional athletic glory sounds like something I’d love to bask in. But on the other hand, being a queer woman in a homophobic world who’s married to a controlling and abusive man sounds much less appealing. So since that strategy didn’t result in a singular response, I’ll instead think of this movie as an advertisement for what a great friend Christy surely is to all those who have the good fortune to be a part of her life now and in the future.

Grade: 5 Belts out of 8 Mullets

This Is a Movie Review: ‘Blindspotting’ is a Little Messy, But It Has Plenty to Say About Violence and Gentrification

July 21, 2018

jmunney Cinema, Movie Reviews , , , , , , , , 1 Comment

CREDIT: Ariel Nava/Lionsgate

This review was originally published on News Cult in July 2018.

Starring: Daveed Diggs, Rafael Casal, Janina Gavankar, Jasmine Cephas Jones, Ethan Embry

Director: Carlos López Estrada

Running Time: 95 Minutes

Rating: R for Confrontational Profanity and Intense Physical Violence

Release Date: July 20, 2018 (Limited)

Are we defined by the most extreme moments in our lives? Please, somebody, tell Blindspotting, because it would like to know!

Longtime friends and Oakland, California natives Daveed Diggs and Rafael Casal star as longtime friends and Oakland, California natives Collin and Miles, respectively. They work together at a moving company, managed by Collin’s ex Val (Janina Gavankar). Collin is approaching the end of his probation, his jail stint the result of a violent incident that has forever seared itself on Val’s memory. A central question in Blindspotting is whether or not Val can ever look past Collin at his worst, and looming even wider is the question of whether or not Collin and Miles can look past the version of their hometown that they grew up in.

Gentrification has arrived for every urban area in this country with any hint of trendiness, and Miles could not be more opposed. Collin is more serene about the matter, perhaps because he has more intimate experience with the consequences of myopia. Development efforts may take away local color, but they also can make cities safer. Alas, they often just tuck the danger away into hidden corners, which Blindspotting does not turn its eyes away from. If only gentrification could clean up a population’s morality and make it more compassionate. It is a phenomenon that has its failings, but those failings do not call for as violent a reaction as Miles is predisposed towards. There is a lot of confrontation from all directions in this movie – the challenge is to cut through your blind spots and find the most useful message.

Blindspotting is Recommended If You Like: Daveed Diggs breaking big, Socially conscious sitcoms, Wayne Knight cameos

Grade: 3.5 out of 5 Kwik Ways