‘PAW Patrol: The Dino Movie’ Indubitably Delivers on Its Promise of Puppies and Dinos

August 11, 2026

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Here they come to PAW the day! (CREDIT: Paramount PIctures and Spinmaster)

Starring: Carter Young, Hayden Chamberlain, McKenna Grace, Henry Bolan, Terry Crews, Ron Pardo, Jennifer Hudson, Fortune Feimster, Bill Nye, Meredith MacNeill, Jameela Jamil, Paris Hilton, Snoop Dogg, Rain Janjua, Lucien Duncan-Reid, William Desrosiers, Nylan Parthipan

Director: Cal Brunker

Running Time: 88 Minutes

Rating: PG for Animals (and Some Humans) in Grave Danger

Release Date: August 14, 2026 (Theaters)

What’s It About?: Those gawdang canine rescuers are back on the big screen! And this time around, they’re teaming up with T-Rexes and Stegosauruses and the like. That’s right, the PAW Patrol have wound up in their very own land that time forgot. It’s quite the idyllic island, with dinos and puppies living in perfect harmony. But like so many peaceful paradises, it’s filled with valuable natural resources that are just begging to be exploited. So once word gets out about Dino Island’s rich supply of diamonds, the Patrol’s old nemesis Mayor Humdinger (Ron Pardo) and his kitty conspirators make their way over to do the exploiting. But these puppies and their new scaly friends aren’t exactly ones to roll over in the face of a direct threat.

What Made an Impression?: Bow Wow Wow Yippie Yo Yippie Yay: I am pleased to report that PAW Patrol: The Dino Movie commences with Snoop Dogg as the patriarch of a yachting family fishing in the middle of the ocean, while his Paris Hilton-voiced wife attempts to grill up dinner on the deck. It’s certainly not unheard of for unlikely celebs to show up in kiddie flicks (just take a look at the rest of this movie’s cast, after all), but this moment is much more surreal than I bargained for. And the only reasonable conclusion is that Snoop must now play a variation of himself in every film aimed at the preschool set.
Sound the Alarm!: Speaking of PAW Patrol‘s target audience, not many major movies are rated G these days, but you might think that this would be one that’s perfectly acceptable for general audiences. Alas, this is in fact a PG feature, and that’s no mistake on the MPA’s part, as the puppies and the dinos and their human companions find themselves in legitimate danger on multiple occasions. I’m talking fire, collapsing structures, and errant cliff diving. It’s not like bodies are being charred to a crisp or like limbs are being torn from torsos. But it is enough to make you realize that playtime is over.
The Spirit of Aesop: Obviously I’m not the target audience for this movie, so I’ll let the toddlers out there decide if this is something they want to drag their parents along to. And ultimately like a lot of movies with this demographic in mind, its entertainment is fundamentally bound with its edification. The main message is the importance of not giving up and believing in yourself even when (or especially when) you’re not perfect. It’s not revolutionary by any means, but it’s certainly sensible enough.

PAW Patrol: The Dino Movie is Recommended If: You’re totally obsessed with the titular creatures

Grade: 3 out of 5 Diamonds

‘Slanted’ Zigs and Zags Into My Craw

March 25, 2026

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This is how it looks when the movie is Slanted (CREDIT: Bleecker Street/Screenshot)

Starring: Shirley Chen, McKenna Grace, Vivian Wu, Fang Du, Maitreyi Ramakrishnan, Amelie Zilber

Director: Amy Wang

Running Time: 104 Minutes

Rating: R

Release Date: March 13, 2026 (Theaters)

Slanted slides into theaters with a devilish little premise: what if there were a medical surgery that would allow people of color to become white (in every possible way you can fathom)? For a business model like this to work, there would have to be people willing to erase their ethnicity for the sake of making a racist world easier to live through. Ergo our teenage protagonist Joan Huang (Shirley Chen), who gets the surgery and re-introduces herself to everyone as the white-presenting “Jo Hunt” (McKenna Grace). Slanted isn’t quite as unimpeachable as the similarly premised The Substance, but it is successful enough that I was still grappling with its repercussions days later. And that second life – that feels like home.

Grade: A Full Bowl of Potatoes Covered in 75% Sour Cream

‘Scream 7’ is Caught at the Crossroads

February 26, 2026

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Here we go again (CREDIT: Paramount Pictures and Spyglass Media Group)

Starring: Neve Campbell, Isabel May, Joel McHale, Courteney Cox, Jasmin Savoy Brown, Mason Gooding, Anna Camp, Michelle Randolph, Jimmy Tatro, McKenna Grace, Asa Germann, Celeste O’Connor, Sam Rechner, Mark Consuelos, Timothy Simons, Ethan Embry, Matthew Lillard

Director: Kevin Williamson

Running Time: 114 Minutes

Rating: R for Some Rough Language and All the Usual Stabbings, Even Gorier Than Usual

Release Date: February 27, 2026 (Theaters)

What’s It About?: Sidney Prescott (Neve Campbell) is totally over it, you guys. She doesn’t even go by “Prescott” anymore! Instead, she’s running a coffee shop and living with her husband Mark (Joel McHale) and teenage daughter Tatum (Isabel May) in the humble town of Pine Grove, Indiana, where everybody knows her by her married name of Sidney Evans. Except of course they also know her by her maiden name as well, as her life story and the killers who follow her keep inspiring lurid movies and tabloid documentaries and copycat killers. Also, she did name her daughter after her best friend who died in the first Scream, so it’s not like she’s completely let go of Woodsboro, California either. Not like she ever could even if she tried. Especially not now, as Tatum is about the same age as her mom was when the first massacre happened, which the latest Ghostface(s) use as an opportunity to spook Sidney and her family with freakishly rendered reminders of her bloody past so as to air their grievances or become the star of their own movie or whatever the heck their motivations are this time.

What Made an Impression?: I’m Screaming Inside: Scream is my favorite horror movie franchise (and possibly my favorite franchise of every genre), but I had severe misgivings going into this seventh outing, given its tortured production history. After the success of the fifth and sixth ones, this chapter was originally going to again focus on Melissa Barrera and Jenna Ortega’s characters from those two chapters, but then Barrera was fired following pro-Palestine comments she made on social media, and Ortega soon dropped out in solidarity. Multiple directors left the project as well, and a retooling led to original Scream screenwriter Kevin Williamson stepping in as director and Neve Campbell returning once again to play Sidney, after previously sitting out Scream VI because of a lowball salary offer. None of this backstory is acknowledged within the story of Scream 7 itself, but I can’t accurately and comprehensively review it without fully acknowledging my conflicted headspace.
(Retroactive) Welcome to New York!: While the narrative of Scream 7 may not directly address the behind-the-scenes drama, it does play around with it a bit by making one of its major messages be: “Sidney, you should have been there for the last one!” Seriously, other characters keep telling her how much she was missed in NYC when the most recent Ghostfaces decided to terrorize the Big Apple. Ultimately, this sequel is kind of like an alternate Scream 5, if it had focused primarily on Sidney instead of the new generation of victims and survivors. That makes for an uncanny status quo, and a franchise uncertain of what exactly direction it wants to be heading in.
Stuck In or Rejecting the Past: Scream 7‘s other message appears to be: “We heartily reject artificial intelligence!”, as (ostensible) deepfakes of former villains become the latest weapon in Ghostface’s repertoire. The delivery of that theme feels a little half-baked, though probably genuine, considering the existential crisis that AI is for so many creative professionals. Alas, it also feels strikingly at odds with one of the movie’s promotional pushes.
So What Else Is Going On?: Now that I’ve gotten all the major headlines out of the way, please allow me to talk for a bit about something that was totally unexpected. Before the mayhem fully kicks into gear, Tatum and her friends are just regular teenagers doing regular high school things. In their case, that means rehearsing for a play about fairies and the like. Timothy Simons wrings out some laughs in this section as the awe-inspiringly pompous drama teacher directing the whole affair. It’s quite the bizarre digression.
And Then We Finally Face the Ghost: While I spent the first half of Scream 7 feeling skeptical and tepid, the final act reminded me that this series has an unstoppable knack for delivering consistently killer climaxes. The Ghostface motivation this time around is probably the most nonsensical we’ve seen thus far, but it nevertheless made for a thrilling conclusion. It also against all odds made me excited for the next chapters to come, although I would still really like to see some apologies for the personnel who have been mistreated (though I’m not exactly holding out hope for that).

Scream 7 is Recommended If You: Feel like everything is cursed nowadays

Grade: 3 out of 5 Deepfakes

The Movie ‘Five Nights at Freddy’s 2’ is a Sequel to the First ‘Five Nights at Freddy’s’ Movie, Now Here’s My Review

December 4, 2025

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Da Bear (CREDIT: Universal Pictures)

Starring: Josh Hutcherson, Elizabeth Lail, Piper Rubio, Matthew Lillard, Theodus Crane, McKenna Grace, Teo Briones, Freddy Carter, Wayne Knight, Audrey Lynn-Marie, Skeet Ulrich

Director: Emma Tammi

Running Time: 104 Minutes

Rating: PG-13 for Violence That Feels Like It Should Look Bloodier

Release Date: December 5, 2025 (Theaters)

What’s It About?: Have you ever had to deal with your younger sibling pining for her ghost friends inside murderous animatronics? That’s the very common dilemma that Mike Schmidt is dealing with while looking after his sister Abby (Piper Rubio) in the wake of the massacre at the end of the first Five Nights at Freddy’s flick that resulted in the death of serial killer William Afton (Matthew Lillard). Mike and Afton’s daughter Vanessa (Elizabeth Lail) are doing their best to look out for each other, but the spirits at the shuttered entertainment pizza joint are restless and still calling out to whomever they can lure into their clutches to escape their containment. Meanwhile, Abby is doing her best to make a good impression at her school’s robotics contest, but her teacher (Wayne Knight) is kind of a jerk.

What Made an Impression?: Land of the Rising Dead Kids: The primary antagonist this time around is the spirit of a little girl named Charlotte (Audrey Lynn-Marie), a victim of Afton’s who blames all the clueless parents at Freddy’s for her demise, since they just sat around and did nothing. That blame is now extended to all parents in her afterlife. This is kind of reminiscent of J-horror ghost stories, wherein the curse of a murdered child eternally reaches its coils into anyone who comes into contact with its presence. FnaF 2 is nowhere near as good as the classics of that genre, like The Ring or its Japanese original. But there was also a fair deal of schlock in that trend, so FnaF 2 surely isn’t the worst example, either.
Bang, Clank, Sizzle: When the monsters in your movie are lumbering animatronic animals, the sound mix tends to be filled with crashing metal, twisting gears, and crackling electricity. Unfortunately, these aren’t exactly the most pleasant sounds, though they’re certainly true to the situation. It’s not as bad as the worst Transformers sequels, which were incomprehensible in their garble of machinery. Considering that FnaF 2 is ostensibly a horror movie, this arrangement is horrifying in the sense that it tested my patience. But I’m not sure that was the intention.
Where’s the Edge?: Maybe if I were more well-versed in the lore of the FnaF video games and their various spinoffs, then perhaps these movies would hit harder for me. But I don’t really feel like I’m missing anything. The plots are straightforward and easy to follow, character motivations are clearly spelled out, and the visual language is sensible. There’s just no verve or pizzazz. Freddy and his crew may be ostensibly let loose, but the reality is that they’re still on a tight leash. But at least Wayne Knight gives a bizarrely great performance, so you might laugh a few times!

Five Nights at Freddy’s 2 is Recommended If You Like: Cold pepperoni

Grade: 2.5 out of 5 Animatronics

OMG, ‘Bugonia’ and ‘Regretting You’ Are Both Coming Out at the End of October, What Are We Going to Do?!

October 23, 2025

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We’ll never Regret Bugonia (Credit: Atsushi Nishijima/Focus Features; Paramount Pictures)

Bugonia

Starring: Jesse Plemons, Emma Stone, Aidan Delbis, Stavros Helkios, Alicia Silverstone

Director: Yorgos Lanthimos

Running Time: 118 Minutes

Rating: R for Disturbing Content That’s Often Funny But Also Occasionally Trauma-Inducing

Release Date: October 24, 2025 (Theaters)

Regretting You

Starring: Allison Williams, McKenna Grace, Dave Franco, Mason Thames, Willa Fitzgerald, Scott Eastwood, Clancy Brown, Sam Morelos, Ethan Costanilla

Director: Josh Boone

Running Time: 116 Minutes

Rating: PG-13 for Mild But Frank Sexuality and Drug Use

Release Date: October 24, 2025 (Theaters)

When you see as many movies as I do, whether out of critical obligation or personal fulfillment or both, you tend to experience a lot of tonal whiplash. And it doesn’t get much more whiplash-inducing than the one-two punch of the semi-lighthearted satirical conspiracy thriller Bugonia and Regretting You, a tragedy-tinged romance based on a Colleen Hoover novel. Both are arriving in theaters on October 24 (Regretting You in wide release, while Bugonia will begin limited and then expand on the 31st). One of them is perfect for Spooky Season in an oddball sort of way, while the other would seem more at home around Valentine’s Day. With all that in mind, I’ll structure this two-for-one review around the question of whether or not they could possibly make for a successful date night double feature.

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‘Ghostbusters: Frozen Empire’ is Maybe a Little Too Chill

March 21, 2024

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Ghostbust a Move (CREDIT: Sony Pictures)

Starring: Paul Rudd, Carrie Coon, McKenna Grace, Finn Wolfhard, Dan Aykroyd, Kumail Nanjiani, Emily Alyn Lind, Celeste O’Connor, Patton Oswalt, Logan Kim, Ernie Hudson, William Atherton, James Acaster, Annie Potts, Bill Murray

Director: Gil Kenan

Running Time: 115 Minutes

Rating: PG-13 for Paranormal Freakiness

Release Date: March 22, 2024 (Theaters)

What’s It About?: Ghostbusting generations old and new are back in business again. And not a moment too soon, because New York City is about to be targeted with some apocalyptic shenanigans. When an opportunistic slacker (Kumail Nanjiani) sells a suspicious orb to Ray Stantz (Dan Aykroyd), the captive spirits in the Busters’ firehouse start acting rather fishy. Well, fishier than usual. It turns out that a millennia-old supernatural being named Garraka might just be trying to make a comeback. And if he has to freeze the Big Apple in the middle of summer to pull it off, well, then that’s just what he’s going to do. Meanwhile, Phoebe Spengler (McKenna Grace) is feeling adrift, because she’s still a minor and can’t fully participate in the family business. So she starts hanging out with a seemingly friendly ghost named Melody (Emily Alyn Lind), although Melody may just have her own machinations in mind.

What Made an Impression?: What’s Cooler Than Being Cool?: Frozen Empire is in no rush to deliver on its core premise. The icy villain doesn’t show up in full until the final act, so his ultimate defeat isn’t exactly filled with tension. I couldn’t help but wonder if it would have made more sense to invert this approach. That is to say, let New York freezing over be the inciting incident, and then figure out from there how to thaw it out. Instead, director Gil Kenan and co-screenwriter Jason Reitman (who inherited the franchise from his father while directing 2021’s Afterlife) mostly aim for a hangout vibe, with a bunch of random ghosts creating mild chaos while the human characters chit-chat about their favorite paranormal topics.
The Gang’s All Here: One of the major promises of Afterlife was the return of the original Ghostbusters, but that basically just amounted to a glorified cameo. This time around, Aykroyd, Bill Murray, Ernie Hudson, and Annie Potts are all actually fully fledged members of the cast, which somewhat downplays the need to just play the greatest hits. So while Frozen Empire isn’t overly burdened by fanservice (give or take a scene of Paul Rudd earnestly admitting that busting makes him feel good), it’s never fully clear what the context of this world is, vis-a-vis the wider public’s recognition or lack thereof that ghosts exist. They sure seem rather ubiquitous, but there are still authority figures (like William Atherton reprising his role from the original) trying to shut down any busting operation, when it feels like the citizenry ought to be demanding that the Ghostbusters be added to the list of government-provided emergency services.
Who Believes in Ghosts?: If there are more Ghostbusters adventures to come, and I think there just might be, why not take an approach similar to that of the Fast and the Furious series and invite back into the fold everyone who’s ever been in a Ghostbusters movie? Frozen Empire kind of utilizes this approach, but the next chapter could take it even further by re-enlisting the likes of the Lady Ghostbusters. Then just focus on crafting a sufficient new big bad and ignore the fight to win over the hearts and minds of the public. That battle’s surely already been won! Frozen Empire hints towards this maximalist approach, but it’s a little too attached to its underdog roots to really run with it.

Ghostbusters: Frozen Empire is Recommended If You Like: Talking to ghosts, but pretending that you’re too cool to talk to ghosts

Grade: 2.5 out of 5 Proton Packs

‘PAW Patrol: The Mighty Movie’ Aims to Be Super

September 28, 2023

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Here they come to save the day (CREDIT: Spin Master Entertainment, Nickelodeon Movies, and Paramount Pictures)

Starring: Mckenna Grace, Taraji P. Henson, Marsai Martin, Christian Convery, Kim Kardashian, North West, Saint West, Chris Rock, James Marsden, Kristen Bell, Finn Lee-Epp, Ron Pardo, Lil Rel Howery, Serena Williams, Alan Kim, Brice Gonzalez, Luxton Handspiker, Christian Corrao, Callum Shoniker, Nylan Parthipan, Kim Roberts

Director: Cal Brunker

Running Time: 92 Minutes

Rating: PG for Dogs in Danger

Release Date: September 29, 2023 (Theaters)

What’s It About?: Those dang pooches have superpowers now! The long-running canine kids show is back for a second big screen adventure. The PAW Patrol is still faithfully providing all the emergency services for Adventure City, but this time around, a meteor arrives and makes them even mightier than usual (hence the subtitle). But wouldn’t you know it, there’s a meteor expert in town who wants those space rock powers for herself. So she teams up with the ex-mayor/PAW Patrol nemesis to poke those pooches where it hurts. Will they continue to display the sort of teamwork that makes the dream work and stop this dastardly duo?

What Made an Impression?: In this particular review, I am serving as a representative to all you childless adults out there to let you know if there’s any way you could ever possibly be interested in PAW Patrol: The Mighty Movie. (If any kids or parents also happen to read this review, that’s fine, too.) I’ve certainly enjoyed my fair share of entertainment that has a more youthful audience in mind, and I do love dogs of all shapes and sizes. So if you, like me, can summon your inner mutt-loving child, chances are you’ll find The Mighty Movie to be… perfectly pleasant. This is a rather safe movie, in all senses of the word “safe” (with the notable exception of one scene in which one of the PAW Patrol crew gets stuck on a failing plane). It’s not going to drive you nuts, and the wild list of credits is certainly entertaining. It’s a slight net positive for the world, as far as I can tell.

Paw Patrol: The Mighty Movie is Recommended If You Like: Loyalty, duty, mentorism

Grade: 3 out of 5 Meteors

‘Ghostbusters: Afterlife’ is Very Similar to the First ‘Ghostbusters,’ and I Would Be Very Surprised If Anyone Argued Differently

November 16, 2021

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Ghostbusters: Afterlife (CREDIT: Screenshot)

Starring: McKenna Grace, Carrie Coon, Finn Wolfhard, Paul Rudd, Logan Kim, Celeste O’Connor, Bill Murray, Dan Aykroyd, Ernie Hudson, Sigourney Weaver, Annie Potts, Bokeem Woodbine

Director: Jason Reitman

Running Time: 125 Minutes

Rating: PG-13 for Shooting Lasers at Those Ghosts

Release Date: November 19, 2021 (Theaters)

Ghostbusters: Afterlife plays all the biggest hits of the original Ghostbusters, but in rural Oklahoma instead of Manhattan. A gluttonous spook chomping away, squishy treats running amok, hellbeasts hooking up, “Who you gonna call?” – it’s all right here! It’s like a recurring sketch on Saturday Night Live: perfectly professional, and it probably works best for those who haven’t seen the first edition. As for those who were around for the original, there’s the thrill – or sting – of familiarity. This time around, the main busters are a few precocious kids, as opposed to a crew of childlike adults, so the vibe is at least a little different, although pretty much everyone involved takes great pains to capture that 1984 mojo as best they can.

I frequently wonder why repetition is demonized so much more in cinema than it is in other mediums. Revivals are an essential piece of live theater, musicians are expected to play the same songs over and over at their concerts, superhero comic books thrive on retelling the same stories, etc. But when you trot out a repeat at the movie house, you might draw big crowds, though you likely won’t win much critical praise, at least not as much as you did the first go-round. It probably has something to do with scale and budget. It takes years to assemble sequels and reboots, so there is a lot riding on them to be worth it. Ghostbusters: Afterlife plays it safe, so we’ll probably continue to see proton packs around town for decades to come, but I don’t know if anyone will also start emulating Paul Rudd’s plaid ensembles. (Well, maybe they will, but less because of this movie and more because he’s the Sexiest Man Alive.)

I didn’t want to be preoccupied by all this context while watching Afterlife, but it’s kind of unavoidable when you’re as plugged into culture as much as I am. When I try to think about this movie in and of itself, I can at least say that I appreciate that Carrie Coon and McKenna Grace and Finn Wolfhard were free to do their own thing, more or less. And there is one scene that I must admit is just undeniably satisfying, and that is when a bunch of Stay Puft marshmallows impishly run amok in a brand name department store. It’s cute and chaotic – an eternally winning combination. It’s also curious and a little unpredictable, which are qualities that the rest of the movie could have definitely benefited from.

Ghostbusters: Afterlife is Recommended If You Like: SNL recurring sketches, the Minions going shopping in the first Despicable Me, Dead actors resurrected by technology

Grade: 2.75 out of 5 Spooks

Thank You, ‘Malignant,’ for Being Malignant

September 11, 2021

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Malignant (CREDIT: Warner Bros. Pictures/Screenshot)

Starring: Annabelle Wallis, Maddie Hasson, George Young, Michole Briana White, Marina Mazepa, Jean Louisa Kelly, Susanna Thompson, Jake Abel, Jacqueline McKenzie, Christian Clemenson, McKenna Grace, Ingrid Bisu, Amir AboulEla

Director: James Wan

Running Time: 111 Minutes

Rating: R

Release Date: September 10, 2021 (Theaters and HBO Max)

I’ve never seen anything quite like Malignant. This is the type of movie that’s best to go in completely unspoiled on, so I’m going to be careful with how I choose my words. And after all, I like to keep it brief when reviewing something that’s already fully released, so I won’t say much more. But I will say this: when I heard that this movie was called “Malignant,” I wondered why it was so generic. Then I watched it and realized that it was actually the most perfect title.

One more bit before I go: one thing I like to do when reviewing is ask myself if the movie I’m reviewing makes me want to do/be the thing in the title. So… does Malignant make me want to be Malignant? Honestly, I’m tempted. I can’t deny how cool it would be. The vicarious thrills I experienced while watching were wildly energizing enough on their own. But it would probably lead to a lot of gore, and I have a history of getting lightheaded at the sight of blood, so better to keep things benevolent and benign.

Grade: 1999 Malignants

Movie Review: Ignore the R Rating, ‘Annabelle Comes Home’ is a Sweet Family-Friendly Tale of Kids on Their Own Learning How to Fight Off the Monsters

June 25, 2019

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CREDIT: Warner Bros./YouTube

Starring: Mckenna Grace, Madison Iseman, Katie Sarife, Vera Farmiga, Patrick Wilson, Michael Cimino

Director: Gary Dauberman

Running Time: 106 Minutes

Rating: R for PG-13 Level Blood and Terror

Release Date: June 26, 2019

One of the best (if not THE best) qualities of horror movies is that slambang moment of ultimate catharsis. It can come in the form of releasing the death grip on your armrest, or finally breathing a sigh of relief, but it just as often can be a huge burst of laughter. Partly that’s because screaming and laughing are similar reactions, sometimes it’s because the movie is unintentionally hilarious, and other times it’s because the plot takes a break for some comedy. In the case of Annabelle Comes Home, it’s definitely the latter, as a dorky teenage pizza delivery dude assures a not-quite-as-dorky lovestruck teenage fellow that the only effective way to “woo” girls is “rock ‘n’ roll.” These two clearly do not have much romantic experience, and they have no idea about the hell-creatures in their midst, thus raising the stakes of their guilelessness but never making them objects of ridicule.

That whole vibe of kids figuring it out on their own and everything working out okay infuses the entirety of Annabelle Comes Home, the third in the creepy doll series and eighth in the larger Conjuring universe. Top dog demon hunters Ed and Lorraine Warren (Patrick Wilson and Vera Farmiga) play their biggest role yet in any non-flagship entry in this franchise, but they still mostly step aside, serving basically as a bookend and framing device. They head out of town, leaving their pre-teen daughter Judy (Mckenna Grace) in the care of teenage babysitter Mary Ellen (Madison Iseman) with Mary Ellen’s friend Daniela (Katie Sarife) tagging along for the girl time.

With most of its main characters under the age of twenty, this is accordingly the most kid-friendly entry in the series, though it is rated R, like all other Conjuring films and their spin-offs. But that has often been undeserved, and it is especially outrageous here, as there is no profanity, all the romance is remarkably chaste, and all the gore is too stylized to be disturbingly explicit. In fact, the horror franchise that Annabelle most resembles besides its own is the kid-targeted Goosebumps (Iseman was one of the leads of last year’s Goosebumps 2, incidentally enough). Both feature kids accidentally unleashing a bunch of monsters and then managing to subdue them as they discover the guile they had within themselves the whole time. Annabelle is trippier and more twisted than Goosebumps, sure, but like Goosebumps, you’re never truly worried that the kids are going to be ripped apart limb by limb.

In between fighting off the spooks, the girls while away the night the way kids do when they’re on their own: playing board games, baking a cake, listening to the music of the day (in this case, Badfinger’s “Day After Day”). One underappreciated element of how the Conjuring Universe has improved the state of horror is its infusion of sweetness into the genre, especially when the Warrens are around. Defeating the evil ghosts is only worthwhile when you have loving family and friends to share the moment with and to remind you that there are nice ghosts, too.

Annabelle Comes Home is Recommended If You Like: Goosebumps, Earnest Teen Romances, The silent spaces between the scares

Grade: 3 out of 5 Werewolf Demons