‘Fast X’ Asks If This Can Really Last Forever

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Family (CREDIT: Peter Mountain/Universal Pictures)

Starring: Vin Diesel, Michelle Rodriguez, Jason Momoa, Tyrese Gibson, Chris “Ludacris” Bridges, Sung Kang, Nathalie Emmanuel, John Cena, Jordana Brewster, Brie Larson, Alan Ritchson, Jason Statham, Daniela Melchior, Leo Abelo Perry, Scott Eastwood, Charlize Theron, Helen Mirren, Rita Moreno

Director: Louis Leterrier

Running Time: 141 Minutes

Rating: PG-13 for Flying Cars and Bullets

Release Date: May 19, 2023 (Theaters)

What’s It About?: We’re ten* films deep now in the Fast & Furious franchise (eleven if you count the spinoff), and things are getting pretty X-treme! Of course, you might well reasonably note that extremity was this series’ m.o. from the very beginning. But this is the first time that an “X” actually managed to sneak its way into the title. And that’s not the only unique bit of business. Usually these movies are pretty self-contained, and the plot is generally besides the point, but Fast X calls back directly to a previous adventure. Luckily for anyone who needs a refresher, there are plenty of flashbacks to Fast Five, when Dominic Toretto (Vin Diesel) and his crew pulled off a heist in Brazil against drug lord Hernan Reyes. Now Hernan’s eccentric and sadistic son Dante (Jason Momoa) is out for revenge. He prefers to make his victims suffer, and for someone who values family as much as Dom, there are innumerable ways to poke at that nerve.

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How Well Does ‘I Want You Back’ Handle Its Manipulative Premise? Let’s Find Out!

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I Want You Back (CREDIT: © 2021 Amazon Content Services LLC)

Starring: Charlie Day, Jenny Slate, Gina Rodriguez, Scott Eastwood, Manny Jacinto, Clark Backo, Omar Gooding, Dylan Gelula, Isabel May, Pete Davidson, Jami Gertz

Director: Jason Orley

Running Time: 111 Minutes

Rating: R for Adults Behaving Hot and Bothered

Release Date: February 11, 2022 (Amazon Prime Video)

Plenty of romantic comedies feature highly manipulative, perhaps even psychopathic behavior, and I Want You Back is just the latest example. That feature of the genre isn’t in and of itself a bad thing. It all just depends on how you present it. If you’re going for something cynical or a heightened/surreal vibe, then this behavior fits perfectly. If however you want to conclude with the sweet-as-treacle traditional happily-ever-after, then the message might end up a whole heck of a lot darker than intended. In the case of I Want You Back … it’s complicated. It features likable actors who can go vicious or weird if that’s what’s asked of them, but this time they’re aiming for something more grounded and thoughtful. But they’re not perfect either. They make some bad decisions, eventually they have to deal with the consequences, and the narrative grapples with how to move forward from those consequences.

Here’s the setup: Peter (Charlie Day) and Emma (Jenny Slate) are both blindsided when they’re dumped from their respective long-term relationships. Breakups are always hard, but these ones are especially tough, because these two mortal fools have convinced themselves that their now-exes (Scott Eastwood, Gina Rodriguez) were The Ones for them. So when they have a chance encounter in the office building where they both work, they hatch a scheme wherein they will rip apart the new relationship of the other’s ex so that they can be reunited. Along the way, they get up to a few shenanigans, deliver some chuckle-worthy dialogue, forge some unlikely friendships, and learn a little bit about themselves. But the clock is ticking, and The Truth Bomb is just waiting to go off…

Let’s jump ahead to discuss the point when Peter and Emma’s scheme fully unravels. Predictably, everyone who’s been an unwitting pawn is so aghast at the lack of forthrightness and integrity when they thought everything had been genuine. It would be realistic if everyone remained angry with each other for weeks, months, or even years afterward. But instead, they talk it out. Is it enough to justify a happy ending? Maybe, maybe not. I’m not personally sure myself. But I am certain that it’s ultimately healthiest to address these emotionally distressing situations head-on. It may be supremely difficult, but settling on anger most likely means allowing these situations to fester into something even more toxic. Since I Want You Back recognizes that, it mostly wins my approval.

I Want You Back is Recommended If You Like: Sitcom Stars in Movies, Quarter-Life Crises, Abortive threesomes

Grade: 3 out of 5 Airplane Safety Masks

I Saw ‘Spiral’ and ‘Wrath of Man’ on the Same Weekend, and I’m Happy with That Decision

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(CREDIT: Brooke Palmer; Metro Goldwyn Mayer Pictures)

Spiral:

Starring: Chris Rock, Max Minghella, Samuel L. Jackson, Marisol Nichols

Director: Darren Lynn Bousman

Running Time: 93 Minutes

Rating: R

Release Date: May 14, 2021 (Theaters)

Wrath of Man:

Starring: Jason Statham, Holt McCallany, Jeffrey Donovan, Josh Hartnett, Chris Reilly, Laz Alonso, Raúl Castillo, DeObia Oparei, Eddie Marsan, Scott Eastwood, Niamh Algar, Babs Olusanmokun, Josh Cowdery, Andy García, Rob Delaney, Lyne Renée

Director: Guy Ritchie

Running Time: 119 Minutes

Rating: R

Release Date: May 7, 2021 (Theaters)

I’m tempted to say that Spiral is my favorite Saw movie, but that wouldn’t mean all that much, as it’s only the second one I’ve ever seen. And it might not even be true anyway, since I enjoyed the philosophical conundrums that Saw 2 made me ponder. But Spiral has a whole “surprisingly favorite” vibe to it in opposition to the rest of the series. It may not be entirely different from its predecessors, but it diverges enough for me to go, “I’m pleased with the new direction.” I may not have seen Saw, Saw‘s IIIIV, Saw 3D, or Jigsaw, but I’m familiar enough with them to feel like I’m emerging upon a new horizon. The torture is still too mentally and visually taxing, but the game’s rules and players have been updated.

As for Wrath of Man, I can confidently say that it is indeed my favorite Guy Ritchie movie. Although I should note that I haven’t seen his early stuff, so this might sound like faint praise. (My previous favorite by default was probably Aladdin. Or the parts of The Gentleman with Hugh Grant.) But Wrath of Man nevertheless stands tall on its own, and in opposition to the rest of its director’s filmography. Instead of being about a bunch of gangsters having a bloody good time, this is about a bunch of criminals and working stiffs being deathly, DEATHLY serious about everything. This movie is so bleak. It’s as bleak as a butt. It’s an elemental examination of Violence, Retribution, and Pure Evil. I don’t want to spend all my moviegoing hours in Wrath of Man Land, but visiting there every once in a while provides a healthy catharsis.

GRADES:
Spiral: 3 out of 5 Minghella Rocks
Wrath of Man: 4 out of 5 Statham Hartnetts

This Is a Movie Review: ‘Pacific Rim: Uprising’ Has a Few Interesting Moments Buried Within an Indifferently Presented Spectacle

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CREDIT: Legendary Pictures/Universal Pictures

This review was originally posted on News Cult in March 2018.

Starring: John Boyega, Scott Eastwood, Cailee Spaeny, Charlie Day, Rinko Kikuchi, Burn Gorman, Jing Tian

Director: Steven S. DeKnight

Running Time: 111 Minutes

Rating: PG-13 for Kaiju Guts, Tech Sparks, and Human Cuts and Bruises

Release Date: March 23, 2018

Pacific Rim: Uprising does not offer much in the way of a new paradigm in the annals of giant mecha or giant monsters. Honestly, the first Pacific Rim did not really offer that either. To be fair, this series’ purpose in terms of concept and design has never really been about establishing something groundbreaking (to my eyes, anyway). It has been more about the distillation of the gigantic tech and creature genres into something approaching an ideal form. That approach is all well and good as an academic exercise, but it does not have enough inherent oomph to ensure a fully entertaining feature-length film.

It is ten years since humans won the war against the interdimensional beings known as the Kaiju. There has been no hint of another breach by these creatures into Earth, but the training programs designed to fight against them are still operating. There is a weird mix between a sense of security that the threat has been permanently neutralized and an ever-present emphasis on defense. This seeming paradox is never commented upon, which gives the sense that this film has an ill-defined understanding of its own world. But it doesn’t really matter, because sure enough the Kaiju do return, and it is a good thing that the Jaeger program never folded.

The Jaegers were the one great concept of the first Pacific Rim, but in Uprising, their usage is rather perfunctory. As the mental stress is so great, these metallic war machines must be simultaneously operated by two pilots. They are neurally connected to each other, creating a partnership so intimate that they share not just responsibilities but memories and physiology as well, for a connection that lies somewhere between artificial and chemical. The main partnership this time is that between Jake Pentecost (John Boyega), the son of a hero from the first film who gets his personality across mostly through his ice cream eating habits, and Amara (Cailee Spaeny), who gets cool points for building her own Jaeger but mostly comes across as the thinnest of archetypes. These two have only one notable memory-sharing moment, and it registers as little more than just hitting a necessary story beat.

The PR:U trailers position Boyega as the star, and while he does lead the way in screen time, the only notable degree of star power among the cast comes from Charlie Day, returning as the eccentric Dr. Newt Geiszler. He is emblematic of how this film has no idea what to do with its best assets. Newt has been in a bit of a mind-meld relationship with a Kaiju specimen, which might just have something to do with why they have returned. So to a certain extent, he is the main villain this time around. But inexplicably, he spends the entire climax just overlooking the action and not participating in it at all. This is a film that has its toys lined up but little in the way of a plan (or an interesting plan, that is) for how to deploy them.

Pacific Rim: Uprising is Recommended If You Like: Kaiju Fever, John Boyega Making Himself a Sundae, Charlie Day Given Plenty of Space (But Not Enough) to Go Crazy

Grade: 2 out of 5 Kaiju Wives

This Is a Movie Review: The Fate of the Furious

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The last three entries in the Fast & Furious series brought me fully on board the “quarter mile at a time” lifestyle, thanks to their brazenly unrealistic stunts leaving me totally breathless. (The cornball repartee and preternaturally earnest family ethos were nice bonuses.) The Fate of the Furious certainly does not hold back on the go-for-broke extremes, but nothing really reaches any gobsmacking heights. There are too many explosions – fire gets in the way of the awe of flying through the air. At least Ludacris and Tyrese are still on point with whatever they’re nattering on about. They’re practically speaking a new dialect at this point.

I give The Fate of the Furious 6.5 Approvals From the Baby out of 10 Redirected Explosions.