‘A.P. Bio’ Has a Striking Amount of ‘Community’ DNA



Over the past few months, the delightful high school-set sitcom A.P. Bio has become one of my favorite shows on the air, but then NBC went a little cuckoo and cancelled it. There’s been some effort on the part of the cast, crew, and fans to find the show a new home, but unless that happens, we will have to be satisfied with two short-but-sweet seasons.

One of the reasons I love A.P. Bio so much is because it shares a lot of DNA with my favorite show of all time, which would be Community, another former NBC sitcom that was constantly on the brink of cancellation (though unlike A.P. Bio, it kept beating the renewal odds). Their premises and central characters are strikingly similar. In Community, Jeff Winger (Joel McHale) is a high-powered lawyer who gets disbarred and must enroll at a community college. Meanwhile, A.P. Bio stars Glenn Howerton as Jack Griffin, a disgraced Harvard philosophy professor who is forced to take a lowly part-time teaching job at a high school in Toledo, Ohio.

As I watched and grew to love A.P. Bio, I kept noticing more and more Community similarities, to the point that I could detect analogues for all the major characters. So I’ve assembled below a side-by-side comparison of the Greendale Human Beings and their corresponding Whitlock Rams. Enjoy, and let me know if you need help reacting to riding that ram.

(Thank you to my fellow commenters at the AV Club and Disqus for helping me out with these comparisons!)

Jack (Glenn Howerton) = Jeff (Joel McHale)


The protagonists who try to act above it all but eventually embrace the crazy scholastic ecosystems they’ve become an integral part of.


This Is a Movie Review: Sorry to Bother You

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CREDIT: Annapurna Pictures

I give Sorry to Bother You 5 out of 5 Hybrids: https://uinterview.com/reviews/movies/sorry-to-bother-you-movie-review-boots-rileys-mind-blowingly-original-debut-is-one-of-2018s-best-films/

This Is a Movie Review: ‘Nostalgia’ Makes Some Obvious, Occasionally Affecting Points About Nostalgia

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CREDIT: Bleecker Street

This review was originally posted on News Cult in February 2018.

Starring: Jon Hamm, Catherine Keener, John Ortiz, Ellen Burstyn, Bruce Dern, James LeGros, Nick Offerman, Amber Tamblyn, Patton Oswalt, Annalise Basso, Mikey Madison

Director: Mark Pellington

Running Time: 114 Minutes

Rating: R for Language Apparently, But It Should Otherwise Be Rated PG

Release Date: February 16, 2018 (Limited)

Nostalgia, the 2018 film directed by Mark Pellington, would like you to know that nostalgia, the sentimality for the past, is a feeling that exists and that people experience. It does not treat this as some big revelation, as this is a common human emotion and the film does not pretend otherwise. But it is so simplistic and obvious, but also matter-of-factly profound, in its explication of the definition that there is this weird mix of pretension and lack of ambition. Mostly, Nostalgia glides along in a quiet, unfussy groove that is occasionally enlivened by tragedy and committed performances.

This is one of those anthology-style, “we’re all connected” movies with multiple discrete-but-actually-closely-connected(-at-least-thematically) storylines. Instead of cross-cutting between each vignette and having them dance around each other, they take their turns and then hand the ball (one time quite literally) off to the next one, with at least one shared character per section. At first it looks like Nostalgia will follow the travails of an insurance agent (John Ortiz) and the people he encounters. That’s a justifiable enough premise, but the execution is strikingly mundane.

The film eventually shakes out instead to more broadly be a series of sketches of people dealing with loss and holding on to and/or letting go of sentimental objects, which is even more nondescript than the insurance agent setup, but there are some dynamic moments. In particular, there is the scene with Ellen Burstyn as a widow selling her late husband’s autographed baseball to a professional collector (Jon Hamm). His appraisal delivers exactly the sort of human touch you want when parting with an item with such high monetary and emotional value. Hamm’s entire section, in which he and his sister (Catherine Keener) are hit with a great loss in the midst of cleaning out their father’s old stuff, is filled with understated power. Its setup is just as lightweight as the other storylines, but it delivers enough poignancy to make Nostalgia just worthwhile enough.

Nostalgia is Recommended If You Like: Jon Hamm swooping in to save the day, Emotional gut punches

Grade: 2.5 out of 5 Verified Ted Williams Signatures

This Is a Movie Review: ‘Please Stand By’ as Dakota Fanning Tries on Autism and ‘Star Trek’ Fandom

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CREDIT: Magnolia Pictures

This review was originally published on News Cult in January 2018.

Starring: Dakota Fanning, Toni Collette, Alice Eve, River Alexander, Jessica Rothe, Michael Stahl-David, Patton Oswalt

Director: Ben Lewin

Running Time: 93 Minutes

Rating: PG-13 for A Few Frank Mentions About Bodily Functions and an Emotional Breakdown or Two

Release Date: January 26, 2018 (Limited Theatrically and On Demand)

Early on in Please Stand By, Wendy’s (Dakota Fanning) Cinnabon co-worker Nemo (Tony Revolori) gifts her with a mix CD, which has me thinking, “Do people even make mix CD’s anymore?” As someone who believes in the virtue of simultaneously embracing both new and outdated forms of technology, I do not object to the presence of music on physical media (my own CD collection is still hefty and its recent slowdown in growth is due mostly to a dwindling in space and not a newfound preference for digital), but it does stick out as odd in a film that I am firmly certain is supposed to be taking place in the present day. In general, there are few, if any, clear markers indicating when Please Stand By is set. The best we have to go on is the fact that Wendy has an iPod, which tells us that the time must be no earlier than 2001.

It is fitting that Wendy’s story has a somewhat out-of-time quality to it. She is autistic and accordingly sticks to a strict routine, one that she has probably spent years firmly establishing. (That still doesn’t explain why her friend from work is still into CD’s, but whatever.) I believe that autistic characters have been well-represented enough in film and television that any single character does not have to bear the burden of representing ALL autistic people. And that is helpful, because while Wendy’s autism does play a major part in her story, it is specific in ways that go beyond that.

Ultimately from a certain angle this is a pretty simple road trip movie starring a girl and her chihuahua. They are heading out to California so that Wendy can hand-deliver her 500-page Star Trek script to Paramount Studios for a fan contest. She missed the mailing deadline due to stress involving family, and now her sister (Alice Eve) and caretaker (Toni Collette) are tracking her down to make sure she’s okay, seeing as she’s never been on her own before. This is a story of fandom, focused around a fan with an unfathomably deep interior life.

There is not all that much unique about Please Stand By. There are plenty of stories about obsessive fans, as well as ones about autistic people who struggle to connect with those around them. And it is no surprise that when you combine those two elements, you get someone who identifies deeply with Mr. Spock, as we have seen that plenty of times already as well. My Star Trek knowledge is sporadic (I’ve only seen the reboot films and the first episode of Discovery), but I believe I know enough about the major themes to say that Please Stand By does right by its inspirations. This is the sort of film that gives what is mostly a cameo outsize billing, but it feels justified: Patton Oswalt plays a police officer who speaks Klingon and makes the sort of day-to-day connection that Wendy has always been looking for. It is not instantly transformative, but it is the crux that represents the film’s easily digestible, reaffirming, humanistic message.

Please Stand By is Recommended If You Like: Star Trek (especially if you identify with Spock), Little Miss Sunshine, Patton Oswalt Cameos

Grade: 3 out of 5 Mix CD’s

This Is a Movie Review: The Circle

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This review was originally published on News Cult in April 2017.

Starring: Emma Watson, Tom Hanks, Karen Gillan, Patton Oswalt, John Boyega

Director: James Ponsoldt

Running Time: 110 Minutes

Rating: PG-13, Because When You Have Cameras Everywhere, You’re Gonna See Something

Release Date: April 28, 2017

As the tagline to The Circle informs us, “Knowing everything is good. Knowing everything is better.” As the plot of The Circle demonstrates to us, nailing a tone is good; nailing several different tones is really hard.

This film’s titular company should feel intimately familiar to anyone alive and plugged-in in 2017. The Circle is basically Google and Facebook combined, and considering the extensive connectivity in today’s major tech and social companies, that combination is not exactly far from reality. Throw the NSA and its massive data collection into this stew, bandy about disturbing maxims like “secrets are lies,” and you’ve got yourself a formula for a relevant paranoid (or not so paranoid) thriller.

Success in such an endeavor requires a protagonist that makes sense or at least one whose motivations can be tracked. Alas, Mae Holland (Emma Watson), the Circle’s latest recruit, swings wildly between suspicion and full-bore acceptance of the surveillance state. She is wildly uncomfortable in a standout early scene when she is indoctrinated into the corporate culture, but soon enough she is working alongside the company heads (Tom Hanks and Patton Oswalt) and pushing forward their most privacy-invading initiatives. A mysterious Circle employee (John Boyega) warns Mae about the dangers of what lies ahead, and it is never clear if she trusts him or completely ignores him. Ultimately, she seeks to expose those at the top, but an oddly pitched final shot prompts the question, “To what end?”

The one unqualified success of The Circle is the series of online comments that populate the screen at various points. Mae volunteers to record her whole life to demonstrate her belief in putting cameras everywhere, and her online followers chime in with their various observations. Most of them are along the lines of “You go, Mae!” or “Should we be watching this?” But every tenth one is some hilariously banal declaration like “making a sandwich” or “time to go poo.” This type of humor hits you sideways and buoys The Circle – if only this sort of controlled unpredictability could have been maintained throughout.

The Circle is Recommended If You Like: Nerve, Evil Tom Hanks, YouTube Comments, One More Chance to See Bill Paxton on the Big Screen

Grade: 3 out of 5 Cheeses From Last Year