Animal Corral: The ‘GOAT’/’Hoppers’ Double Review

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They’re doing their thang (CREDIT: Sony Pictures Animation; Pixar/Screenshot)

GOAT

Starring: Caleb McLaughlin, Gabrielle Union, Aaron Pierre, Nicola Coughlan, David Harbour, Nick Kroll, Steph Curry, Jennifer Leis, Patton Oswalt, Jelly Roll, Jennifer Hudson, Sherry Cola, Eduardo Franco, Andrew Santino, Bobby Lee, Ayesha Curry, Wayne Knight, Adam Pally, Dwyane Wade, Kevin Love, Angel Reese, A’ja Wilson, Andre Igoudala, Joe La Puma, Rayaan Khan, VanVan

Director: Tyree Dillihay

Running Time: 100 Minutes

Rating: PG

Release Date: February 13, 2026 (Theaters)

Hoppers

Starring: Piper Curda, Bobby Moynihan, Jon Hamm, Kathy Najimy, Dave Franco, Eduardo Franco, Aparna Nancherla, Tom Law, Sam Richardson, Melissa Villaseñor

Director: Daniel Chong

Running Time:

Rating: PG

Release Date: March 7, 2026 (Theaters)

There are a whole heck of a lot of talking animals in American animated movies, but somehow I don’t think I’ve ever paired two such movies together in my reviews. Or at least not intentionally, and not explicitly acknowledging it like I’m doing right now. (Feel free to fact-check me if that sounds fishy to you.) So let’s collect my thoughts about GOAT and Hoppers and determine how much they make me want me to be an animal.

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I Opened Up ‘The Book of Clarence’

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Book ’em, Clarence (CREDIT: Moris Puccio/Legendary Entertainment/TriStar Pictures)

Starring: LaKeith Stanfield, Omar Sy, Anna Diop, RJ Cyler, David Oyelowo, Michael Ward, Alfre Woodard, Brian Bovell, Teyana Taylor, Caleb McLaughlin, Marianne Jean-Baptiste, Eric Kofi-Abrefa, Nicholas Pinnock, James McAvoy, Chase Dillon, Babs Olusanmokun, Benedict Cumberbatch, Chidi Ajufo, Tom Glynn-Carney, Tom Vaughan-Lawlor

Director: Jeymes Samuel

Running Time: 129 Minutes

Rating: PG-13

Release Date: January 12, 2024 (Theaters)

Should The Book of Clarence become a new Easter viewing tradition? In the name of the Father, it might deserve it. So why did it come out in January? I suppose it has something to do with the fact that it’s a weird cinematic beast that TriStar didn’t really know how to promote. To be fair, though, I’m not sure any other studio would’ve known what to do with it. A funkified, unapologetically Black biblical fan fiction doesn’t exactly have a built-in audience. But I’m certainly glad it made its way to the big screen. It’s a vision, it took me on a journey, and it both challenged and restored my faith.

Grade: 3 Resurrections out of 4 Crucifixions