A Touch of Time Travel: ‘Don’t Let Go’ Review

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CREDIT: Sundance Institute

Okay, so: Don’t Let Go is about a homicide detective (David Oyelowo) whose brother, sister-in-law, and niece are brutally murdered, and then he starts getting phone calls from his dead niece (Storm Reid), but it seems that she’s still alive, because she’s calling from … THE PAST! Yeah, so I’m hooked.

Det. Oyelowo gets right into it, directing Storm to start doing some covert investigating of her own in the hopes of altering the timeline. Of course then Don’t Let Go bumps up against a common time travel conundrum, i.e., if the past is altered, how will that affect the present, and will anyone remember the original past timeline, and if so, will that make sense? Or will it turn out that any “alterations” were a part of the original timeline all along, with any attempts to make changes proving instead to be a recursive insurance that it will all end up the same way?

Don’t Let Go actually manages to pull off the former in a way that makes enough cinematic sense to get by (and the shifts are rendered visually in satisfyingly disorienting fashion), as the past and present seem to be tethered together on an inflection point. And if we want to, we can say that the phone conversations are the portal that allows for the callers to have memories of multiple timelines. That being said, there are relatively few moments when the timeline is actually altered, and it certainly feels like there could be more. But I wonder if it had been bulkier that way, maybe it would have been too much to keep track of. So I’m mostly satisfied. Alfred Molina plays a reliable authority figure! It’s a fun genre experiment!

I give Don’t Let Go My Agreement to Complete Its Weird Requests.

This Is a Movie Review: A Wrinkle in Time

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CREDIT: Disney

I certainly enjoyed Ava DuVernay’s spin on A Wrinkle in Time, though I am a little disappointed it does not reach the level of blockbuster classic that I hoped it would. I think much of that has to do with its too-low-calorie mix of epic and low-key. Sure, Meg travels a great interdimensional distance to save her father from a dark entity threatening the entire universe, but she does so over just the course of an afternoon. That relative speed is part of the hook, sure, but it should not feel so speedy. It really would have been beneficial to more deeply explore the effects of tessering on Meg, Calvin, and Charles Wallace.

There are a lot of wonderful design elements and sufficiently creepy moments, but much of those do not feel terribly specific to what this particular film is trying to say. Perhaps the scariest sequence is the disturbingly harmonious cul-de-sac on Camazotz, but that is not really preying on any unique Murry family fears; the fight at hand is not really one against suburban conformity. As for the supposedly weightless bromides of inspiration and self-confidence, I do not find them terribly off-putting, but they certainly could have benefited from the offbeat verve that Zach Galifianakis naturally taps into as the Happy Medium.

I give A Wrinkle in Time 3 Happy’s out of 5 IT’s.

This Is a Movie Review: ‘Gringo’ Finds Humor and Redemption in a World Gone Mad

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CREDIT: Amazon Studios

This review was originally posted on News Cult in March 2018.

Starring: David Oyelowo, Charlize Theron, Joel Edgerton, Amanda Seyfried, Thandie Newton, Sharlto Copley, Yul Vazquez, Harry Treadaway, Alan Ruck

Director: Nash Edgerton

Running Time: 110 Minutes

Rating: R for Corporate Profanity, Office Sex and Euphemistic Propositioning, and a Few Gunshots and Amputations

Release Date: March 9, 2018

Gringo exists mainly to stoke the ire of anyone who believes that the insurance industry is the greatest scam in the history of humanity. I am sure that there are some agents putting in decent work, and there certainly have been times when a smart policy have bailed folks out of emergencies. But why do have to put money aside (or pay folks off, in cynical parlance) to ensure all that? Why can’t we as a species just agree to have each other’s backs as part of the human contract? I suppose that the insurance industry is meant to be that agreement, but as Gringo proves, there are plenty of opportunities for abuse in its current form.

A less humanistic film than Gringo would have Harold Soyinka (David Oyelowo) seeking his revenge on the world for being constantly taken advantage of or falling into a pit of despair over how nice guys finish last. But instead, it is about how he realizes how he is rich in what truly counts in life through a chaotically dangerous, screwball journey. He is a mid-level businessman at the drug company Cannabix who is just a little too trusting of everyone around him. He catches wind that a lot of jobs are going to get cut very soon in unscrupulous fashion, and he is shocked that his boss Richard (Joel Edgerton) would ever do such a thing. But that bit of news should not be surprising to anyone who has spent more than a few minutes with this most weaselly of alpha males. Furthermore, Harold and his wife Bonnie (Thandie Newton) are tens of thousands of dollars in debt, mostly due to her highly irresponsible financial habits. Plus, she’s cheating on him (take a wild guess with who), and she’s kind of taking pity on how much he’s been letting this all happen right under his nose.

As Harold begins to learn the truth, Richard and his other boss, the more openly terrible Elaine (the scary when she’s funny Charlize Theron), bring him down to Mexico for a little business trip, making it the perfect time for Harold to win back a little of his dignity. So he fakes his own kidnapping in a scheme to make off with a ransom of $5 million. Such a kidnapping is believable, as the company has recently developed a very valuable product (medical marijuana in pill form), and they do business with a cartel. At first Richard and Elaine are willing to play ball (sort of) to get Harold home safe. But when it turns out that Cannabix’s insurance policies make it more valuable when an employee dies, things really go topsy-turvy.

Not that they ever weren’t pear-shaped in the first place. Harold may be faking his kidnapping, but he actually has been targeted for capture by the cartel, who mistake him for the boss. Adding to the fun are his run-ins with Sunny (Amanda Seyfried), a sweet and naive guitar shop employee who does not realize the extent of her boyfriend’s (Harry Treadaway) drug dealings, as well as Richard’s brother Mitch (Sharlto Copley), a sort of private special ops extractor who weirdly but effectively has some of the most integrity of any of the characters.

There is a lot of explosive coincidence in Gringo, but it is justified in that it is what ensures the hilarity. The humor is morally satisfying, as the worst actors are forced to reckon with what they deserve, while the lessons imparted are not overly didactic. Kindness is rewarded, as epiphanies emerge to show that life’s cruelty can be laughed upon. This is quite the loony bin of a cast, but ultimately this is The Manic High-Wire David Oyelowo Show, and he sells it with a supremely cool final shot.

Gringo is Recommended If You Like: Coen Brothers Crime Comedies, The Kind of Movie Wherein Gunfire Leads to Hilarious Screaming, Satisfying Morality

Grade: 3 out of 5 Gorilla