A Touch of Time Travel: ‘Don’t Let Go’ Review

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CREDIT: Sundance Institute

Okay, so: Don’t Let Go is about a homicide detective (David Oyelowo) whose brother, sister-in-law, and niece are brutally murdered, and then he starts getting phone calls from his dead niece (Storm Reid), but it seems that she’s still alive, because she’s calling from … THE PAST! Yeah, so I’m hooked.

Det. Oyelowo gets right into it, directing Storm to start doing some covert investigating of her own in the hopes of altering the timeline. Of course then Don’t Let Go bumps up against a common time travel conundrum, i.e., if the past is altered, how will that affect the present, and will anyone remember the original past timeline, and if so, will that make sense? Or will it turn out that any “alterations” were a part of the original timeline all along, with any attempts to make changes proving instead to be a recursive insurance that it will all end up the same way?

Don’t Let Go actually manages to pull off the former in a way that makes enough cinematic sense to get by (and the shifts are rendered visually in satisfyingly disorienting fashion), as the past and present seem to be tethered together on an inflection point. And if we want to, we can say that the phone conversations are the portal that allows for the callers to have memories of multiple timelines. That being said, there are relatively few moments when the timeline is actually altered, and it certainly feels like there could be more. But I wonder if it had been bulkier that way, maybe it would have been too much to keep track of. So I’m mostly satisfied. Alfred Molina plays a reliable authority figure! It’s a fun genre experiment!

I give Don’t Let Go My Agreement to Complete Its Weird Requests.


This Is a Movie Review: A Wrinkle in Time

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CREDIT: Disney

I certainly enjoyed Ava DuVernay’s spin on A Wrinkle in Time, though I am a little disappointed it does not reach the level of blockbuster classic that I hoped it would. I think much of that has to do with its too-low-calorie mix of epic and low-key. Sure, Meg travels a great interdimensional distance to save her father from a dark entity threatening the entire universe, but she does so over just the course of an afternoon. That relative speed is part of the hook, sure, but it should not feel so speedy. It really would have been beneficial to more deeply explore the effects of tessering on Meg, Calvin, and Charles Wallace.

There are a lot of wonderful design elements and sufficiently creepy moments, but much of those do not feel terribly specific to what this particular film is trying to say. Perhaps the scariest sequence is the disturbingly harmonious cul-de-sac on Camazotz, but that is not really preying on any unique Murry family fears; the fight at hand is not really one against suburban conformity. As for the supposedly weightless bromides of inspiration and self-confidence, I do not find them terribly off-putting, but they certainly could have benefited from the offbeat verve that Zach Galifianakis naturally taps into as the Happy Medium.

I give A Wrinkle in Time 3 Happy’s out of 5 IT’s.

This Is a Movie Review: Sleight

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This post was originally published on News Cult in April 2017.

Starring: Jacob Latimore, Seychelle Gabriel, Storm Reid, Sasheer Zamata, Dulé Hill

Director: J.D. Dillard

Running Time: 89 Minutes

Rating: R for the Bloody Realities of Drug Dealing

Release Date: April 28, 2017

A young man hustles his way around Los Angeles street corners using his prowess in simple, but stunningly original magic tricks. Cards hover in the air and transport through glass windows. These are not the nonsensical shenanigans of Now You See Me. They are more akin to the weirdly practical effects of The Prestige that require a magical degree of dedication. An early peek at a metal disk implanted on the magician’s arm provides a hint of what is going on. Is he the result of secret government experimentation? Has he procured some rogue alien technology? Is this a stealth X-Men movie?

Sleight does not show his full hand right away, mainly because it is so crowded by the genre mish-mash. The light sci-fi added to the action illusions is already enough of a hybrid, but this is also a pretty full-blown coming-of-age romance and an even fuller-blown inner-city crime drama.  Bo (Jacob Latimore), the magician, is looking after his little sister Tina (Storm Reid) in the wake of their mother’s death. He is trying to move them on to a better life, and trying to help his girlfriend Holly (Seychelle Gabriel) out of an abusive parental relationship. Since magic only brings in relatively chump change, he is deep in some heavy drug dealing. He is fine with the hustle, but the dirty work makes him (literally) sick.

The satisfying unpredictability extends to the performances. It is always a joy to witness the sort of naturalistic interplay that Latimore and Gabriel display in their budding romance. This is the sort of tone that appears easy, but its rarity proves otherwise. There are also a couple of comedic actors playing rousingly against type. SNL’s Sasheer Zamata is nearly unrecognizable as a trusty neighbor, and veteran supporting player Brandon Johnson (Rick and Morty, NTSF:SD:SUV::) revels as the muscle in a criminal enterprise. But most stunning of all is Dulé Hill as one of L.A.’s top drug barons. The crowd at the screening I went to was rightly impressed but also eager to see him return to the friendlier TV roles (The West Wing, Psych) that made him famous.

Sleight slips up a bit in its last act by falling into the trap of cliché conflicts. Bo lets Tina go off on our own at a point when he knows their lives are the most in danger they have ever been. For a film that has been so sure-footed up to this point, such a lapse in judgment is frankly mindboggling. Furthermore, the genre mix is not handled perfectly, with certain story threads dropped for large chunks of the running time. (It is a good thing the image of the arm implant is so striking, because otherwise you are liable to forget about it entirely.) The ambition on display here makes a mere hour and a half a little unwieldy. But while Sleight wobbles a bit, it ultimately sticks the landing with a thrilling, uncompromising ending. The story mechanics are rusty, but the tricks are unprecedented.

Sleight is Recommended If You Like: Chronicle, The Prestige, Attack the Block

Grade: 3 out of 5 Electromagnets