It’s Time to Get ‘Buffaloed’ and Learn About Debt Collection!

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CREDIT: Magnolia Pictures

Starring: Zoey Deutch, Judy Greer, Jermaine Fowler, Noah Reid, Jai Courtney

Director: Tanya Wexler

Running Time: 95 Minutes

Rating: Unrated, But It Would Probably Be R for Everyone Acting Like a Bunch of Jagoffs

Release Date: February 14, 2020 (Limited)

Hey Buffaloed Zoey, what did you kill, Buffaloed Zoey?

Please, dear readers, tell me that you are familiar with the Beatles song “The Continuing Story of Bungalow Bill,” for otherwise that opening line will sound the ramblings of a madman. (Though even if you get the reference, you might still find me a madman.)

Is Peg Dahl, Zoey Deutch’s character in the Tanya Wexler-directed Buffaloed, indeed in the mood for killing? You could certainly say so. She’s grown up lower-middle class in Buffalo, New York, and her ambitions are a little too ravenous to be contained by a city with a small-town midwestern sensibility. She’d like an Ivy League education very much, please, but that doesn’t seem too likely without crushing student debt. So she turns to hustling, which lands her in prison when she’s barely old enough to be tried as an adult. Ergo, no college loans, but plenty of legal fees. Debt collectors soon get on her back, but she flips the script, realizing that she’s pretty good at convincing people to do things that are not necessarily in their best interest and thus starts working for the collection agency with an eye towards fast-tracking the clearing of her debt.

Peg’s a bit of a wide-eyed idealist, or at least as wide-eyed idealist as you can be when working in an industry built upon preying on people at their most vulnerable. But soon enough she learns about the more unscrupulous practices, like collecting on the same debt multiple times from people who have forgotten they are already in the clear. Collectors get away with this baloney since the industry is nowhere near as regulated as it needs to be. But Peg sets upon forming her own agency, vowing to do it all aboveboard, to the incredulity of everyone around her. Ultimately, naturally enough, she realizes that you cannot ever really clean up something that is dirty to its core. This is activist, occasionally fourth wall-breaking, cinema, delivered with a jagoff spirit. In that way it’s a sort of Big Short Jr. If it somehow, some way, leads to more robust protections for the indebted, then it ought to be considered a positive force for humanity. (And if instead it just makes you cackle for an hour and a half, then that’s okay, too.)

Buffaloed is Recommended If You Like: The Big Short, My Cousin Vinny, Judges who eat while on the bench

Grade: 3 out of 5 Buffalo Wings

This Is a Movie Review: Terminator Genisys

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Arnie-Smile-Genisys

Terminator Genisys basically ignores the third and fourth movies in the series, but it should be noted that 3 and 4 do not really grapple with their predecessors, at least not very meaningfully. T3 backtracks on the message of T2, while Salvation merely fills in the blanks in a way that mostly stands on its own. Genisys, meanwhile, crisscrosses 1 and 2, while new machinations try to prevent or delay the victory or defeat of Skynet. It does not completely stand as its own thing, but there is so much thrown together (mostly gracefully), that it works as something. It manages to be fascinating, at least in an academic sense.

Sarah Connor and Kyle Reese’s interactions are colored by the knowledge of destiny, as they grapple with how to or how not to fulfill the roles that have already been set for them. It is a fairly effective treatise on the nature of stories in which the characters “know” what they are “supposed” to do. Emilia Clarke and Jai Courtney’s performances are not much more than serviceable, but maybe that is the point. Maybe in being locked into their roles, they cannot add too much extra color.

The most consistent draw of this series remains The Terminator himself. Arnold Schwarzenegger has been on a bit of a hot streak in finding relaxed, playful subtleties in his performances, and that continues here, as his awkward cyborg smiles are just exactly right. Also, J.K. Simmons shows up as a beat cop who gets caught up in everything, and he is completely superfluous but very much welcome.