Entertainment To-Do List: Week of 10/18/19

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CREDIT: Netflix

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
Greener Grass (Limited Theatrically) – Sounds pretty nuts.
Jojo Rabbit (Limited Theatrically) – Big Oscar contender?
Zombieland: Double Tap (Theatrically Nationwide)

TV
Living with Yourself Season 1 (October 18 on Netflix) – Double the Rudd!
Modern Love Season 1 (October 18 on Amazon Prime)
The Simpsons, “Treehouse of Horror XXX”
Watchmen Series Premiere (October 20 on HBO) – Courtesy of creator Damon Lindelof!

SNL Love It/Keep It/Leave It: Paul Rudd/DJ Khaled

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CREDIT: Steven Molina Contreras/NBC

Jeffrey Malone watches every new episode of Saturday Night Live and then organizes the sketches into the following categories: “Love It” (potentially Best of the Season-worthy), “Keep It” (perfectly adequate), or “Leave It” (in need of a rewrite, to say the least). Then he concludes with assessments of the host and musical guest.

Love It

Colin and Michael Switch Jokes – Michael and Colin’s semi-annual tradition of writing compromising jokes for each other is now the best part of their Weekend Update era. There’s a potential pitfall that just repeating the formula could lead to diminishing returns, but this edition proves that there’s still room to up the ante. As usual, Che has written the sneakiest punchline (MLK running his mouth), but Colin implying bestiality for Michael is also a fox-like triumph.

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Avengers: Endgame First Thoughts

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CREDIT: Disney/Marvel Studios

Maybe some movies should be reviewed in parts over the course of months, or maybe even years. That’s how I’m feeling about Avengers: Endgame. So I’m going to go ahead and talk about what’s striking my fancy about it now and maybe talk about it some more later.

The closest comparison I can think of for the premise of Endgame is The Leftovers. The opening scenes for the two are eerily similar in terms of both tone and function. But of course they then head in very different directions. I didn’t stick with The Leftovers because I just wasn’t hooked by how its particular characters responded in their particular ways to the disappearances. But with Endgame, I already know the context, so I’m already in, baby. And no doubt about it, I am happy that the ultimate focus is on Tony Stark’s beating heart, and everyone keeping things right with their families. That emotional resonance is enough to buoy the whole affair along for three hours. And it’s also enough to prevent me from getting too angry about the characters who don’t have much meaningful to do or the moments that make me go, “But why?”

Also important: how about those end credits? It’s not very often 50-plus above-the-line cast members have to be assembled in some sort of appropriate order, so we must cherish it whenever it happens. And I’ve got to say, it appears that for the most part, there was no rhyme or reason to the assembly. But we shall, and must, investigate whether or not that is true for as long as we can. The cursive credits for the core Avengers are great, though.

I give Avengers: Endgame A Handful of Snaps to the Beat.

This Is a Movie Review: Ant-Man and the Wasp

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CREDIT: Disney/Marvel Films

I give Ant-Man and the Wasp 3.5 out of 5 Quantum Realms: http://newscult.com/movie-review-ant-man-wasp-keeps-cool-summer/

Best Super Bowl 50 Commercials

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The Super Bowl was 6 days ago. I am posting this list on a Saturday. The biggest trends this year were cinematic montages and Paul Rudd.

SuperBowlBabies

4. AXE, “Find Your Magic” – Inclusivity.

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