‘By Any Means’ is a Thrilling But Disturbing Chronicle of the Real-Life Pursuit of Justice

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Should you see this movie by any means? (CREDIT: Paramount Pictures)

Starring: Yahya Abdul-Mateen II, Mark Wahlberg, Nicole Beharie, Giancarlo Esposito, Josh Lucas, David Straitharn, Ethan Embry, LisaGay Hamilton, LaChanze, Stephen Bass

Director: Elegance Bratton

Running Time: 107 Minutes

Rating: R for Unbridled Violence and Language

Release Date: September 4, 2026 (Theaters)

What’s It About?: By Any Means wades into the powder keg that was 1960s Mississippi during the civil rights struggle. The FBI took up some terrifying investigations down there, including the murder of activist Vernon Dahmer (Giancarlo Esposito) at the hands of the Ku Klux Klan. Special Agent Wayne Strider (Yahya Abdul-Mateen II), who was close with Dahmer, is assigned to lead the investigation. But because this case is expected to be particularly violent and intractable, Strider’s superiors inform him that he will be unofficially working alongside a mysterious man named Gregory Scarpa (Mark Wahlberg), who sure seems to be a mafia hitman. Scarpa has no qualms about showering fists and bullets into anyone who stonewalls the investigation. While Strider is stunned by this level of carte blanche, it seems like the only way for them to make any progress, although it doesn’t appear to be doing much to stop the cycle of violence in this crucial fight for justice.

What Made an Impression?: Consequences Be Damned: Like a lot of movies based on true events, By Any Means left me wanting to research the real story. Usually that’s because the onscreen version is so inspiring, and I want that feeling to last with more intimate knowledge. But in this case, it’s kind of the opposite. It might be satisfying in the moment to see someone like Scarpa let loose on a bunch of racists, but surely it’s only adding more fuel to the fire. It would be nice to learn that the real Scarpa was more reined in, though I’m not exactly holding out hope that that was the case.
How Do We Live With All This?: I’d love to tell you that we’re supposed to feel conflicted about the extreme titular means justifying the ends, but I’m not really sure what the filmmakers want us to feel. Director Elegance Bratton delivers it all in an unflinching package that leaves little room for reflection by any of the characters. However, there’s room for us to be reflective as audience members, at least, as we’re not directly implicated in the worst of it. You won’t feel guilty for being entertained, either. I certainly wasn’t. It just would have been nice to have a more direct acknowledgement about the discomfiting nature of it all.
At Least It Sounds Cool: One thing I’m not ambiguous about is the absolutely rousing score from Terence Blanchard. If you heard the logline for this movie and thought, “We need the same composer that they had for BlacKkKlansman,” well, that’s exactly what happened. Blanchard is your man when you need a music package that is going to give your audience’s soul an exhausting jazz workout. It’s invigorating, overpowering, and a little exhausting. So not too different from the investigation itself.

By Any Means is Recommended If You Like: Prosthetic noses

Grade: 3 out of 5 Badges

At the ‘Nightmare Alley,’ the Circus Gets Pretty Dark

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Nightmare Alley (CREDIT: Kerry Hayes/20th Century Studios)

Starring: Bradley Cooper, Cate Blanchett, Rooney Mara, Toni Collette, Willem Dafoe, Richard Jenkins, Ron Perlman, David Straitharn, Holt McCallany, Mark Povinelli, Mary Steenburgen, Clifton Collins Jr., Tim Blake Nelson, Jim Beaver

Director: Guillermo del Toro

Running Time: 150 Minutes

Rating: R for Some Gunfire and a Little Hanky Panky

Release Date: December 17, 2021 (Theaters)

If you can’t trust circus folk, who can you trust? Actually, if Nightmare Alley is to be believed, carnies are the only people who can be believed (well, most of them anyway). It’s everyone else who’s trying to pull one over on you. This movie is two and a half hours long, which is to say: it takes Bradley Cooper’s Stanton Carlisle way too long to realize the truth about Truth. That’s probably because he’s fooling himself.

The movie itself is pulling a trick on us as well. Considering its spooky title, and its writer-director, we’re primed for some horror, or at least something supernatural. But instead it’s a full-on noir thriller, with all the moral prisons, femmes fatales, and cigarettes to prove it. We first meet Stanton burning away his past, quite literally. Then he wanders into the local big tent, and it’s unclear if he actually has any plans for anything at this moment. Only later do his machinations come to the fore. He gets roped into a job, which at first pays him a mere 50 cents (it would have been a dollar if he hadn’t snuck into the geek show), but then that’s followed up by steadier employment at the next town, and soon enough he’s one of the top mentalists around. That trajectory eventually leads to him teaming up with a psychologist (Cate Blanchett) for a con to bilk some big, big money out of a rich man (Richard Jenkins) who’s overcome by Stan’s promises that he can commune with the dead. But of course, there’s enough doubt and double-crossing in the air for everything to go sideways.

By the end of the whole plot, Stan essentially circles back to his original destitute and anonymous status quo. I was struck by both the futility and durability of his con man nature. The Universe, or the Fates, or God or whatever, or simply the randomness of existence has decided that his deception can go only so far. And while his reach exceeding his grasp might send him down to rock bottom, he’ll find a way to survive in the gutter if he has to. But why not do it a little differently? If Stan were a real person, and he were my friend, I would remind him that he seems happiest when he’s just hanging out with the circus crew. He found a family, but the genre that he lives in has ensured that he’s a nowhere man who’s never fully at home anywhere.

Nightmare Alley is Recommended If You Like: Hucksters, Snow, Trenchcoats, Biting heads off chickens

Grade: 3.5 out of 5 Cold Reads

Movie Review: ‘Godzilla: King of the Monsters’ Delivers What it Promises, But It’s a Huge Mess

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CREDIT: Warner Bros./YouTube

Starring: Kyle Chandler, Vera Farmiga, Millie Bobby Brown, Bradley Whitford, Sally Hawkins, Charles Dance, Ken Watanabe, Thomas Middleditch, Aisha Hinds, O’Shea Jackson Jr., David Straitharn, Ziyi Zhang

Director: Michael Dougherty

Running Time: 132 Minutes

Rating: PG-13 for Monster-on-Monster Smashing and Even Some Human-on-Human Violence

Release Date: May 31, 2019

As promised, there are plenty of massive beasts in Godzilla: King of the Monsters, but there are also a lot of human beings, and they’ve got plenty on their to-do list. They debate which monsters are friends and which are foe, and they retrieve some objects that may or may not be MacGuffins, and honestly I could not make heads or tails of what they’re trying to do. This is a murderer’s row of heavy hitters wading through incomprehensibility. That’s not necessarily a dealbreaker, though, because when you come to see a Godzilla movie, you’re there for the monsters.

But here’s the thing: the fight scenes are just as incoherent! They’re distressingly dark, and edited way too quickly to make sense of what is going on. Every once in a while, there’s a really satisfying chomp or smackdown, but for the most part the splendor of the kaiju is obscured by too much visual clutter. King of the Monsters put me most in mind of the third Transformers flick, Dark of the Moon, a good chunk of which was an interminable clash of metal on metal. King of the Monsters is marred by sound design that is just as off-putting. In theory, I can understand why people would enjoy Godzilla getting into a battle royale with Mothra, Rodan, and the like a lot more than I can understand the appeal of robots clanging against each other. But this numbing onslaught is far from the best that this genre can offer.

Godzilla: King of the Monsters is Recommended If You Like: Non-stop giant monster battles

Grade: 2 out of 5 Roars