‘The Odyssey’ Lives Up to Its Billing

July 15, 2026

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It certainly has been an Odyssey (CREDIT: Melinda Sue Gordon/Universal Pictures)

Starring: Matt Damon, Tom Holland, Anne Hathaway, Robert Pattinson, Lupita Nyong’o, Samantha Morton, Zendaya, Charlize Theron, Benny Safdie, Jon Bernthal, John Leguizamo, Bill Irwin, Himesh Patel, Will Yun Lee, Corey Hawkins, Mia Goth, Logan Marshall-Green, Jimmy Gonzales, Andrew Howard, Travis Scott, Elliot Page, James Remar, Elyes Gabel

Director: Christopher Nolan

Running Time: 173 Minutes

Rating: R for Monstrous Violence and a Few Four-Letter Words

Release Date: July 17, 2026 (Theaters)

What’s It About?: The King of Ithaca, just wants to get back home! And if he could, he’d also like to safely return the men who served alongside him in the Trojan War, thank you very much. It’s been years. Decades, even! Obviously, travel times were much longer in the B.C. days, but when it’s getting to be ten years since the end of the war (on top of the ten that the war itself lasted), it’s a little ridiculous even by Ancient Greek standards. But that’s just the daily struggle for Odysseus when his life is ruled by the gods and they place a series of monstrous and magical obstacles in his way. Back in Ithaca, Odysseus’s queen Penelope and son Telemachus have been patiently and faithfully awaiting his return. But the situation is becoming more and more untenable, as a legion of suitors are demanding that Penelope finally get around to remarrying one of them. We’re talking about one of the most enduring works of mythic storytelling in human history, and this version from Christopher Nolan can reasonably claim to be the most epic adaptation yet.

What Made an Impression?: The Entire Known World: The moment that most blew me away in this telling of The Odyssey was a simple but all-encompassing shot of a ship navigating along a seemingly endless sea. Simply put, if you give Christopher Nolan hundreds of millions of dollars, he’s going to make you re-evaluate our entire conception of reality, even if he’s telling a story we’ve heard plenty of times before.
As Epic as They Wanna Be: That ship shot is a microcosm of Nolan’s entire odyssean m.o. This is an epic film with an epic cast, on epic sets, with epic visual effects, soundtracked by an epic score. Even Odysseus’ loyal pooch Argos was probably the oldest living dog of his era! And nothing sticks out awkwardly just to add to the gargantuanness. Every piece of this movie, no matter how major or minor, is there to shoot its meaning directly into our souls.
They Are Merely Players: Is Matt Damon now the gold standard for Odysseus? Does Anne Hathaway’s Penelope one-up everyone? Is Tom Holland’s Telemachus simply undeniable? As far as the acting is concerned, basically the entire cast performed their parts more or less exactly as I expected them to, and they all acquitted themselves quite well. I kinda wish at least one performance had been much more unpredictable so that I could say something weirder, but I’m not complaining. Sometimes meeting expectations is exactly how you must rise to the occasion.
How’s Your Appetite?: You know what else blew me away? The scene when Circe (Samantha Morton) turns Odysseus’ men into swine. The warping of their faces into porcine mugs is some legitimately groovy body horror. And the rest of the visual effects are similarly creative and effective at conveying the sense that human existence is totally helpless.
A Word From the Head Honcho: As I wrap up this review, let me end on a theme that this film underlines over and over: Zeus’ Law. The idea is that any visitor in your home could be a god in disguise, so you really ought to treat them with hospitality. This is a lesson that transcends all religions and societies, and it goes a long way towards explaining why Odysseus is able to last as long as he does. The Greek gods may have been petty and cruel, but I nevertheless hope that plenty of moviegoers end up taking Zeus’ Law to heart.

The Odyssey is Recommended If You Like: Rereading books you read in high school, Ray Harryhausen, Cecil B. DeMille

Grade: 4 out of 5 Suitors

‘Don’t’ Look Up’ Might Make You Scream, Except That Its Characters Are Doing Enough of That Already

December 13, 2021

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Don’t Look Up (CREDIT: Niko Tavernise/Netflix)

Starring: Leonardo DiCaprio, Jennifer Lawrence, Rob Morgan, Meryl Streep, Jonah Hill, Cate Blanchett, Tyler Perry, Mark Rylance, Timothée Chalamet, Ron Perlman, Ariana Grande, Scott Mescudi, Himesh Patel, Melanie Lynskey, Michael Chiklis

Director: Adam McKay

Running Time: 138 Minutes

Rating: R

Release Date: December 10, 2021 (Theaters)/December 24, 2021 (Netflix)

Timothée Chalamet should have been in all of Don’t Look Up.

Or at least like 75% of it. I’m thinking the ideal situation would be that he’s a main character, but he’s barely in the trailer, if at all. So when he shows up, you think he’ll hang around for just a few scenes, but instead he gradually just takes over the whole affair. A miniature version of that is what actually happens in the Don’t Look Up that we did get, as he shows up about 2/3 of the way through and plays a fairly large part from that point forward.

What I’m trying to say is, instead of recreating the broad reality of people yelling at clear and present disaster, Don’t Look Up probably would’ve been better off primarily focusing on the peculiarities of random skater boys rolling through the apocalypse.

Grade: Look Up About Half the Time

A Puddle of Liver Movie Review: ‘Yesterday’

July 22, 2019

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CREDIT: Jonathan Prine/Universal

Yesterday raises a lot of questions, most of which has no interest in answering. First off:

-Why does the global blackout erase the Beatles from existence, and why is Jack Malik (Hamish Patel) apparently the only one who remembers them?

I am perfectly fine that this goes unaddressed, because the “why” is less important than the “where do we go from here?” Which brings me to:

-Shouldn’t the Beatles’ absence make the world profoundly different?

To which Yesterday answers by implication: no, not that much. There is one band that was heavily influenced by the Fab Four that is also now no more, but the rest of music history appears to be intact. The blackout has also removed some other things from existence, but that doesn’t really have anything to do with the main premise. Those reveals are played for (decent) laughs, but they also raise their own existential questions (which remain unaddressed). But back to how the Beatles changed the world. Their cultural influence was so wide-reaching that it is just silly not to examine what an alternative history would have been like without them. Moving on…

-If the Beatles never came to be, does that mean the band members don’t exist either?

It is heavily implied that Paul McCartney and Ringo Starr are still somewhere, and Jack is in constant fear that he might somehow meet them and thus have to answer for passing off their music as his own. As for the two deceased lads … they are not entirely ignored either. Of course, this all raises the subquestion (which is barely touched upon): if they weren’t making the music that defined a decade, then what were they up to? But getting back to Jack’s fear:

-How much of the Beatles’ success was due not just to the songwriting, but to the people who performed it?

The lyrics of “Yesterday” and “Let It Be” are beautiful no matter who’s singing them, but Jack obviously doesn’t have the personal connection to them that the lads from Liverpool did, a fact that is introduced as quite a hitch … and then promptly ignored thereafter.

All these quandaries are given short shrift because ultimately Yesterday is really about the love story between Jack and his manager/childhood friend Ellie (Lily James). And it turns out that the main conflict is about Jack choosing between becoming a global superstar or getting things started with Ellie. I don’t understand why he can’t have both. I do understand his guilt over pretending he wrote the greatest songs ever written. But he and Ellie have such hilariously few non-obstacles to ending up together.

So look, I’ve been harping on Yesterday‘s shortcomings but I don’t really hate it. It’s got oodles of Beatles music, of course, but also I like having this conversation of drilling down on these questions. I just wish the movie itself had contributed more to the conversation.

I give Yesterday 2.5 Hands for Jude to Hold.