
CREDIT: Film Independent/YouTube
If you’re not watching the Spirit Awards, this is what you’re missing.
Jeff "Jmunney" Malone's Self-Styled "Expert" Thoughts on Movies, TV, Music, and the Rest of Pop Culture
February 24, 2019
jmunney Awards Shows, Cinema, Music, Television, Watch And/Or Listen to This 2019 Film Independent Spirit Awards, Eighth Grade, Film Independent, Film Independent Spirit Awards, First Reformed, Halleloo, If Beale Street Could Talk, Leave No Trace, Shangela, Spirit Awards, You Were Never Really Here Leave a comment
CREDIT: Film Independent/YouTube
If you’re not watching the Spirit Awards, this is what you’re missing.
December 10, 2018
jmunney Cinema, Movie Reviews Barry Jenkins, Bryan Tyree Henry, Colman Domingo, Ed Skrein, Emily Rios, Finn Wittrock, If Beale Street Could Talk, James Baldwin, KiKi Layne, Regina King, Stephan James, Teyonah Parris Leave a comment
CREDIT: Tatum Mangus/Annapurna Pictures
This review was originally published on News Cult in December 2018.
Starring: KiKi Layne, Stephan James, Regina King, Teyonah Parris, Colman Domingo, Bryan Tyree Henry, Ed Skrein, Emily Rios, Finn Wittrock
Director: Barry Jenkins
Running Time: 117 Minutes
Rating: R for Longtime Friends Becoming Lovers and Their Families Yelling Awful Things at Each Other
Release Date: December 14, 2018 (Limited)
One of the strength of Barry Jenkins’ films is that they work much like how the human brain works. They process their stories from a clear beginning to end, but along the way they take detours, often expressionistic and dreamlike, because in their associative natures they have tendencies to temporarily disassociate. The narrative focus in If Beale Street Could Talk is on the effort to free Alonzo “Fonny” Hunt (Stephan James) from jail after he has been (obviously and egregiously) falsely been accused of rape. We stay close with his family and pregnant girlfriend Tish (KiKi Layne) as the weeks tick by and they do whatever they possibly can for a young black man in 1970s America. Interspersed with this steady passage of time are flashes of Fonny and KiKi’s memories, hopes, and nightmares. The images in these moments are often idyllic and tranquil, but there is an undercurrent of imprisonment demonstrating that the worst of reality cannot be fully escaped as it infects our psyches.
If On Beale Street Could Talk is based on James Baldwin’s novel of the same name, and Jenkins’ smooth hand ensures that Baldwin’s conception of Harlem is brought to tactile, contemporary life. Layne’s sweet, mischievous, and unapologetic narration; Nicholas Britell’s smooth score; and James Laxton’s crisp cinematography make for a sensuous feast that altogether works to achieve a remarkable feat of empathy generation. All films that are worth their weight put us in their characters’ headspaces and let us discover what they were all about, but Beale Street is a special case. Every moment is especially intimate and familial, and it is thus an honor to be invited in. Like most stories about false accusations and systemic discrimination, this one is frustrating to anyone who cares about justice, but amidst all that there is to be angry at, Jenkins somehow manages to achieve an odd sort of peace by the end. Everything is far from perfect, but the love between Tish and Fonny is real and worth celebrating.
If Beale Street Could Talk is Recommended If You Like: Moonlight, The Harlem Renaissance, Love & Basketball
Grade: 3.75 out of 5 People Who Love Each Other