‘You, Me & Tuscany’ Review: For When You Just Can’t Help Falling in Love

April 9, 2026

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Which one’s “You” and which one’s “Me”? (CREDIT: Giulia Parmigiani/Universal Pictures)

Starring: Halle Bailey, Regé-Jean Page, Marco Calvani, Lorenzo de Moor, Aziza Scott, Isabella Ferrari, Stefania Casini, Stella Pecollo, Paolo Sassanelli, Nia Vardalos

Director: Kat Coiro

Running Time: 105 Minutes

Rating: PG-13 for Plenty of Playful Innuendo

Release Date: April 10, 2026 (Theaters)

What’s It About?: Aspiring young cook Anna (Halle Bailey) hasn’t been feeling very aspirational lately. Her mom (who always encouraged her dreams) recently passed away, and her bank account is running dry. She’s been making ends meet as a housesitter for fancy rich folk in the Big Apple, but she has a plane ticket to Italy that her mom bought her that’s just waiting to be redeemed if she ever wants to re-stoke her culinary ambitions. Then a chance encounter with a globetrotting Italian fellow named Matteo (Lorenzo de Moor) leads her to actually go through with that plan. Alas, she doesn’t exactly have anywhere to stay, so she just makes herself at home in Matteo’s empty Tuscan villa. Once his family discovers her, she pretends to be Matteo’s fiance, but that charade soon becomes even more untenable once she starts catching feelings for Matteo’s cousin Michael (Regé-Jean Page). And he’s not the only one who’s charmed, as pretty much the entire family instantly falls in love with her.

What Made an Impression?: A Warm Embrace: You, Me & Tuscany isn’t shy about showing off its assets (within the bounds of a PG-13 rating). If you’re feeling good about yourself in Italian wine country, why not let the sun dapple your exposed skin? That’s certainly the philosophy that Anna and Michael (and pretty much everyone else in Tuscany) seems to be operating under. And I’m not just talking about sensual openness. Despite all the lies, these characters cannot help but let the truest depths of their warm personalities shine through. Bailey has never been a more winning screen presence, and the whole experience is one wonderful big hug of a movie.
The Long and Winding (and Confusing and Regretful) Road: At one point, someone offers Anna advice in the form of what may very well be You, Me & Tuscany‘s thesis statement: sometimes making the wrong choice leads to the right choice. On the one hand, that’s mighty wise counsel, as we shouldn’t let ourselves be held back indefinitely by our mistakes. Instead, we should give ourselves the grace to move forward. However, in the context of the narrative, this runs the risk of excusing a whole lot of deception. If I were on my own Tuscan villa vacation and thus had a whole bunch of free time, I could expand my analysis about this conflict into a 5,000-10,000-word essay. For now, I’ll conclude that the emphasis on forgiveness makes for a sufficiently heartwarming message.
Have a Seat and Get Comfy: Y,M&T may be just as credulity-stretching as any other wish-fulfillment rom-com, and its understanding of Italian culture may be only slightly less broad than the Mario movies, but it’s just charming enough to get away with all that. I’ve already sung the praises of the leads and the extended family, and now it’s time to underscore all that by also mentioning Anna’s confidante. Or actually confidantes, plural, since she’s lucky enough to have two of them. First, there’s her pregnant best friend Claire (Aziza Scott), who stays back in the States and basically plays the same part that Lil Rel Howery did in Get Out. And then on the ground in Italy, there’s taxi driver Lorenzo (Marco Calvani), who basically becomes Anna’s personal chauffeur in his cozy little Fiat. He’s the audience surrogate character, assuming that you love love as much as the most devoted rom-com devotee. If you’re always pulling for the fairy tale to actually happen, but you also always offer a shoulder to cry on if it doesn’t work out, then you’ll appreciate what Lorenzo (and this whole movie, in fact), has to offer.

You, Me & Tuscany is Recommended If You Like: Wine, Bread, Pasta, Spontaneity, Tomatoes, Soil, Sandwiches

Grade: 3.5 out of 5 Bruschettas

With ‘Parthenope,’ Paolo Sorrentino Tells the Story of a Woman Named Parthenope

February 6, 2025

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Parthenope being Parthenope (CREDIT: Gianni Fiorito/A24)

Starring: Celeste Della Porta, Stefania Sandrelli, Silvio Orlando, Gary Oldman, Luisa Ranieri, Peppe Lanzetta, Isabella Ferrari, Lorenzo Gleijeses, Daniele Rienzo, Dario Aita, Marlon Joubert, Alfonso Santagata, Biagio Izzo, Paola Calliari, Nello Mascia, Silvia Degrandi, Cristiano Scotto di Galletta

Director: Paolo Sorrentino

Running Time: 136 Minutes

Rating: R for Some Awkward But Intense Sex and a Little Bit of Saucy Language

Release Date: February 7, 2025 (Theaters)

What’s It About?: A baby girl is born in the waters outside a huge villa in 1950s Naples,. An old friend of the family declares that she shall be named Parthenope. You almost get the sense that a new religion is about to form with all the fanfare her arrival attracts. It doesn’t quite work out that way, though her life story does prove to be a bit of a spiritual odyssey. In her young adulthood, everyone is knocked out by her sun-dappled beauty, as she hangs out a bit with a famous drunken American novelist and kind of stumbles into an academic career track in anthropology. That leads her to a beguiling bishop as she investigates the nature of miracles, among other grand adventures in 20th century Italy. As the decades roll along, will the people ever be able to stop talking about Parthenope?

What Made an Impression?: A Life Lived Lavishly: If you’re in the world of Paolo Sorrentino, you can at least expect everything to be beautiful. I was spellbound by his Silvio Berlusconi-inspired film Loro, as well as his transgressive TV work on The Young Pope and The New Pope. He reunites with his Hand of God cinematographer Daria D’Antonio for Parthenope, which is just as much of a visual feast as the rest of the Sorrentino-verse. And I kind of think that this latest release should have been a silent film. The dialogue isn’t terrible or anything like that. On the contrary, it’s occasionally quite witty. But the primary appeal is all those looks that Celeste Della Porta serves (in every sense of that phrase) as the title character. What I’m trying to say is: I wish this movie had been a little more abstract, and a little less literal.
What is Anthropology?: If this movie inspires scores of viewers to become anthropologists themselves, I’ll be a little more than surprised, honestly. Now, I’m no anthropologist, so maybe an expert in the field will have a different take. I did, however, take an introductory anthropology course my freshman year of college, and it didn’t seem anything like what’s on display in Parthenope. Perhaps the field changed significantly in the decades in between, or maybe Europeans (or just Italians) have their own unique methods. Anyway, this is just a preamble to my conclusion that I’m pretty sure that this is supposed to be Paolo Sorrentino’s Anthropology Film. Whatever that means. Because after watching Parthenope, I don’t know what that means.

Parthenope is Recommended If You Like: Italian Anthropology?

Grade: 2.5 out of 5 Anthropology Grades