Catching Up on My Thoughts on New Theatrical Movies I Saw in December 2025, aka Will Christmas Last Forever?

January 6, 2026

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Dear Pandora Santa Claus… (CREDIT: Screenshot)

Dust Bunny

Starring: Mads Mikkelsen, Sophia Sloan, Sigourney Weaver, Sheila Atim, David Dastmalchian, Rebecca Henderson

Director: Bryan Fuller

Running Time: 106 Minutes

Rating: R

Release Date: December 12, 2025 (Theaters)

Ella McCay

Starring: Emma Mackey, Jamie Lee Curtis, Jack Lowden, Woody Harrelson, Kumail Nanjiani, Spike Fearn, Julie Kavner, Albert Brooks, Ayo Edebiri, Rebecca Hall

Director: James L. Brooks

Running Time: 115 Minutes

Rating: PG-13

Release Date: December 12, 2025 (Theaters)

Avatar: Fire and Ash

Starring: Sam Worthington, Zoe Saldaña, Sigourney Weaver, Stephen Lang, Oona Chaplin, Kate Winslet, Cliff Curtis, Joel David Moore, CCH Pounder, Edie Falco, Brendan Cowell, Jemaine Clement, Giovanni Ribisi, David Thewlis, Britain Dalton, Jack Champion, Trinity Jo-Li Bliss, Jamie Flatters, Bailey Bass, Filip Geljo, Duane Evans Jr., Matt Gerlad, Dileep Rao

Director: James Cameron

Running Time: 197 Minutes

Rating: PG-13

Release Date: December 19, 2025 (Theaters)

Hey hey, ho ho ho! And now for something completely the assessment of a few movies I saw in the run-up to the End-of-Year 2025 Holiday Season. I considered doing this before Christmas reared its festive rump, but I didn’t quite get around to it. So now here we are in January, hopefully with the benefit of a little more digestion. For this selection of flicks (whose current theatrical availability ranges from “nowhere” to “everywhere”), I shall now discuss how much seeing them and then writing about them has (or has not) kept the holiday spirit alive.

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I Chose ‘The Way of Water,’ and That Made All the Difference (In Terms of No Longer Being Parched)

December 28, 2022

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Water?! No, ‘Way’!
Way!
Excellent.
(CREDIT: Screenshot)

Starring: Sam Worthington, Zoe Saldaña, Stephen Lang, Sigourney Weaver, Kate Winslet, Cliff Curtis, Joel David Moore, CCH Pounder, Edie Falco, Brendan Cowell, Jemaine Clement, Jamie Flatters, Britain Dalton, Trinity Jo-Li Bliss, Jack Champion

Director: James Cameron

Running Time: 192 Minutes

Rating: PG-13

Release Date: December 16, 2022 (Theaters)

It’s another December in Pandora. Just as in 2009, I spent this day in 2022 at the very same theater, in the very same auditorium, along with one of my very same moviegoing companions, with the very same restaurant (albeit with a new name) for the pre-movie meal, and both times buffeted in between by some suspiciously similar extreme weather. Which is to say, it all felt like home.

I wasn’t as thrilled that Col. Quaritch was back, though. Didn’t we already take care of this guy? Villains gonna villain, I guess. The whaling expeditions were new and fascinating, at least, so thank you for that, Jimmy C. and company. Ultimately, it just felt right to be flying, running, and swimming in Pandora once again.

Grade: A Whale of a Time

Movie Review: ‘Alita: Battle Angel’ Features Visionary Effects and a Convoluted Story

February 8, 2019

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CREDIT: Twentieth Century Fox

Starring: Rosa Salazar, Christoph Waltz, Jennifer Connelly, Mahershala Ali, Ed Skrein, Jackie Earle Haley, Keean Johnson, Michelle Rodriguez, Eiza González, Lana Condor, Jorge Lendeborg Jr., Idara Victor

Director: Robert Rodriguez

Running Time: 122 Minutes

Rating: PG-13 for Cyborg Limbs Flying All Over the Place

Release Date: February 14, 2019

Can slightly-larger-than-normal human eyes in a motion capture performance exist anywhere other than the Uncanny Valley? That is the conundrum at the heart of Alita: Battle Angel‘s box office prospects, but from where I’m sitting, they’re clearly the best part of the film. Yeah, those peepers might be creepy, but they are also a deep wellspring of an infectious personality. Rosa Salazar may have given her performance while dressed up in a bodysuit with a camera mounted on her head, but her enthusiasm to be part of groundbreaking cinema is consistently palpable.

Based on the manga series Gunnm, Alita: Battle Angel was co-written and co-produced by James Cameron, but presumably because he’s busy with all those Avatar sequels, directing duties fell to Robert Rodriguez. This could have been a clash of auteurs, as both men are enamored with creating digitally rendered, visually rich fantasy worlds, but Rodriguez has never really worked on the same scale as Cameron. (To be fair, nobody works on quite the same scale as Cameron.) But the steampunk metropolis of Iron City in 2563 is a sight to behold, and its array of cyborg citizens are correspondingly fascinating. Rodriguez has mostly realized Cameron’s vision without putting his own unique stamp on the project, but even so, on a technical level, this is the best James Cameron movie that Cameron never directed.

Too bad the plot is incomprehensible. A bunch of sci-fi tropes about the dangers of creating and living alongside artificial life are thrown out there, but none of them amount to anything. There is some talk about how Alita resembles the deceased daughter of her scientist caretaker (Christoph Waltz), but that does not lead to any of the expected emotional confusion. Alita is also being hunted down by other cyborgs, but it is never clear what threat she actually poses to anyone. Also, she is centuries old and the last of her kind, which could mean that she is a sort of Rosetta stone to the past, and people treat her that way, but nobody ever clearly explains why that matters. With all the empty dialogue in Alita, it makes me wish that someone in 2019 would be bold enough to make a $200 million sci-fi extravaganza as a silent film.

Alita: Battle Angel is Recommended If You Like: James Cameron’s Brand of 3D Visual Effects, Overly Busy Impenetrable Screenplays

Grade: 2.5 out of 5 Big Eyes