Slipping Into ‘Teenage Sex and Death at Camp Miasma’

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Is this the sex part or the death part? (CREDIT: MUBI/Screenshot)

Starring: Hannah Einbinder, Gillian Anderson, Jack Haven, Freya Edwards, Amanda Fix, Arthur Conti, Eva Victor, Zach Cherry, Sarah Sherman, Patrick Fischler, Dylan Baker, Jasmin Savoy Brown, Quintessa Swindell, Kevin McDonald, Jess McLeod, Aren Buchholz, Florence Barrett, Ryan McEwen, Louise Weard

Director: Jane Schoenbrun

Running Time: 112 Minutes

Rating: R

Release Date: August 7, 2026 (Theaters)

I felt a little drowsy while watching Teenage Sex and Death at Camp Miasma, which should make it abundantly clear that when I’m nodding off at the movie theater, it often has nothing to do with whether or not I’m enjoying what’s on screen. Indeed, I was super excited for this one, based on how much I loved Jane Schoenbrun’s last feature. And I was absolutely not disappointed by Hannah Einbinder and Gillian Anderson playfully square off against each other. Furthermore, I think it was actually an ideal experience to see this movie the way that I did, as it’s very much about the thin layer between reality and fantasy. So make sure you get really tired first, and you’ll never want to leave Camp Miasma ever again!

Grade: 4 Gas Station DVDs out of Infinity Tiny Deaths

‘I Saw the TV Glow,’ and You Probably Should, Too

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Look at them, they’re glowing! (CREDIT: A24)

Starring: Justice Smith, Brigette Lundy-Paine, Ian Foreman, Helena Howard, Danielle Deadwyler, Fred Durst, Lindsey Jordan, Amber Benson, Connor O’Malley, Emma Portner

Director: Jane Schoenbrun

Running Time: 100 Minutes

Rating: PG-13 for Creepy Images and Psychic Distress

Release Date: May 3, 2024 (Theaters)

What’s It About?: Owen (Justice Smith) and Maddy (Brigette Lundy-Paine) are a couple of teenage misfits in 90s suburbia who bond over their love of the fantasy horror series The Pink Opaque, which airs on the fictional Young Adult Network. (Think Are You Afraid of the Dark? on Nickelodeon’s Saturday night SNICK block of programming, but also with some Buffy the Vampire Slayer and Twin Peaks flourishes.) For Owen, the show is an escape from his depressing home life, with a cancer-stricken mother (Danielle Deadwyler) and a quietly menacing father (Fred Durst). For Maddy, it’s even more than that, as her memories of The Pink Opaque soon become cross-wired with her perception of reality. Or were she and Owen actually the show’s main characters all along? Regardless of what’s fact or fiction, the show proves to be an inexplicable part of Owen’s journey of self-actualization.

What Made an Impression?: Coming Out of the TV: I had the good fortune of my screening of I Saw the TV Glow being followed by a Q&A with writer-director Jane Schoenbrun, a trans and non-binary person who uses they/them pronouns. I recognized some queer themes on my own, but Schoenbrun’s explanations let me in on them further. That is to say, Owen is trans but just doesn’t realize it yet. A key moment pointing towards this (Very Big) subtext is a conversation between Maddy and Owen in which she informs him that she likes girls, and when she asks him if he also likes girls, or boys, he responds, “I think that I like TV shows.” Before the Q&A, I had interpreted this to mean that Owen is probably asexual, and I still think that may be true, but the whole psychedelic swirl that is I Saw the TV Glow makes it clear that it’s a bit more complicated than that.
Turning Ourselves On: As a cisgender straight man, my personal story is in many ways quite different from those of Owen, Maddy, and Schoenbrun. But I Saw the TV Glow still resonated with me profoundly. After all, it wasn’t just queer people who were obsessed with Nickelodeon and creepy genre TV back in the 90s. This movie is already being hailed as a landmark in trans cinema, and understandably so. But anyone who’s ever felt alienated from life and found solace in a show that seems like it was made just for you (only to eventually connect with a like-minded community) should find plenty of resonance here.
Oh, Fudge!: I Saw the TV Glow also has plenty of fun from an aesthetic standpoint, with The Pink Opaque serving up some delicious nightmare fuel. The show-within-the-movie is about two psychically connected friends fighting off the moon-dwelling Mr. Melancholy and his monster-of-the-week cronies. The best of these baddies is surely the ice cream man, a ruthless beast in a melting rubber suit who seems to be awakened by the annual end-of-summer lament that frozen treats can no longer be enjoyed the rest of the year. As someone who loves a perfect banana split on a sweltering dog day, I felt truly seen. If you’re reading this, Jane Schoenbrun, let’s hang out at your favorite soft serve joint the next time you’re in town.

I Saw the TV Glow is Recommended If You Like: SNICK, Videodrome, The Matrix, The X-Files, The AV Club in its heyday

Grade: 4 out of 5 VHS Tapes

‘We’re All Going to the World’s Fair’ … But Should We?

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We’re All Going to the World’s Fair (CREDIT: Utopia/Screenshot)

Starring: Anna Cobb, Michael J. Rogers

Director: Jane Schoenbrun

Running Time: 86 Minutes

Rating: Unrated

Release Date: April 15, 2022 (Theaters)

When writing movie reviews, I often ask myself, “Would I like to do what the title is telling us to do?” And what do you know, We’re All Going to the World’s Fair is basically tailor-made for that. The “world’s fair” that the characters are “going to” is really some sort of viral online challenge that supposedly results in a mysterious illness after you make a video declaring your intentions. It’s all vague enough to dismiss as hogwash, some hauntingly off-putting images notwithstanding. So if I do attempt to go to this here World’s Fair, I probably have nothing to worry about. But as with similar legends like Bloody Mary or Candyman, why risk it? Although, there’s also a segment that features an 8-bit video game version of the World’s Fair Challenge, and I’d kinda like that to be real.

Grade: All’s Fair in the Endless Stream of Internet Videos