Will ‘Marry Me’ Make Us Merry?

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Marry Me (CREDIT: Barry Wetcher/Universal Pictures)

Starring: Jennifer Lopez, Owen Wilson, Maluma, John Bradley, Sarah Silverman, Chloe Coleman, Michell Buteau, Stephen Wallem, Jimmy Fallon, Jameela Jamil, Utkarsh Ambudkar

Director: Kat Coiro

Running Time: 112 Minutes

Rating: PG-13 for Fairly Mild Profanity

Release Date: February 11, 2022 (Theaters and Peacock)

Where does Marry Me the movie place in my rankings of pop cultural uses of that particular matrimonial phrase? Its opponents of course includes Maeby Fünke’s usage of it as a catchphrase on Arrested Development to deflect anyone and everyone’s suspicions about her actual age. And it’s also the title of indie rocker St. Vincent’s 2007 debut album (which was itself named after AD). So clearly the competition is pretty stiff! It’s even stiffer when you consider that there’s a song called “Marry Me” that’s performed multiple times in the movie. So in that sense, the film is competing against itself for Marry Me-dominance!

Okay, folks, I’m not going to jerk you around any longer: Arrested Development wins my vote for best use of “Marry Me.” But this new romantic comedy still has its own particular charms that are worth considering.

The premise is a modern day fairytale: Jennifer Lopez plays Kat Valdez, a pop superstar not too dissimilar from J. Lo herself. She’s all set to marry her musical/romantic partner Bastian (Colombian singer Maluma) in an extravagant onstage ceremony, but when she discovers that he’s been cheating on her, she suddenly chooses a random concertgoer in the form of single dad Charlie Gilbert (Owen Wilson) as a replacement groom. Their union is legally legit, but everything else is just for show for the tabloids and the Instagram-viewing masses, at least initially. Charlie hardly knows Kat anyway, as he was only at the show since his tween daughter Lou (Chloe Coleman) is a fan. He might also be the epitome of modern fiction’s social media-agnostic stock character, and if that character is going to be played by someone as effortlessly charming as Wilson, then I’m here for it!

Marry Me really comes alive in the quiet two-hander moments when it’s just Lopez and Wilson on screen. His advice about the publicity machine being B.S. might be simple and far from revolutionary, but it’s also tender and wonderfully supportive. “Support” is really the key word here, as both Charlie and Kat are surrounded by endlessly loyal friends who know just how to nudge things in the right direction. And in addition to all that, there’s a subplot about a middle school math contest, with Charlie as a coach and Lou as one of the mathletes. So therefore I must say, if back in 2001 when I was in seventh grade, Jennifer Lopez had randomly shown up at one of my math contests, that would have been pretty cool. And while a movie version of that scenario might not be quite as magical as the real-life hypothetical, it’s still something I’m happy to have experienced.

Marry Me is Recommended If You Like: Dreaming the Improbable Dream, Turning the cameras off to have a conversation, Math puns

Grade: 3 out of 5 Pi-thons

‘Moonfall’ Knocks Everything Out of Orbit

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Moonfall (CREDIT: Reiner Bajo/Lionsgate)

Starring: Patrick Wilson, Halle Berry, John Bradley, Michael Peña, Charlie Plummer, Kelly Yu, Eme Ikwuakor, Carolina Bartczak, Maxim Roy, Stephen Bogaert, Azriel Dalman, Donald Sutherland

Director: Roland Emmerich

Running Time: 130 Minutes

Rating: PG-13 for The Regular End-of-the-World Chaos

Release Date: February 4, 2022 (Theaters)

Given its title, I had hoped that German disaster auteur Roland Emmerich’s Moonfall would be some sort of random rebuke to James Bond’s Skyfall. I don’t know what that would entail exactly, but I can’t help but think in puns. But instead, this end-of-the-world epic is actually some sort of unholy union at the intersection between Transformers: Dark of the Moon and The Matrix Resurrections. The former because of the secrets that have been hiding out for generations on Earth’s satellite, and the latter because of the urgency for humans to live alongside artificial intelligence.

Emmerich is of course known for blowing up the world in the likes of Independence Day, The Day After Tomorrow, and 2012, but he’s also known for his conspiracy theory streak. Remember 2011’s Anonymous, which posited that William Shakespeare wasn’t actually the author of his plays? Most people don’t! If you do, though, the inner workings of Moonfall might seem somewhat less inexplicable. But only a little.

So the deal is, there’s been this massive coverup on the part of NASA ever since astronauts Brian Harper (Patrick Wilson) and Jo Fowler (Halle Berry) lost a fellow spacefarer to what appears to be an attack from electrical interference that’s taken the form of a swarm of locusts. This leads to a coverup, which predictably tears Brian’s life apart. Meanwhile, this random dude named K.C. (John Bradley) has been going on and on about how the Moon’s orbit is changing, and I’m no expert in astrophysics, but that doesn’t sound so good. For some reason, nobody on NASA has noticed this until now because – as far as I can tell – they just haven’t bothered to look down at the data. Anyway, Patrick, Jo, and K.C. all eventually head to the Moon, where they learn both that the coverup has been going on for basically all of human history and also that the artificial intelligence behind the attacks is actually apparently trying to help out humanity. So I’m left wondering: why did it have to be so deadly to get everyone’s attention?

Back on Earth, Brian’s kids, ex-wife (Carolina Bartczak), and her new husband (Michael Peña) are walking through the snow in Aspen, Colorado to find somewhere safe. And I don’t know what this has to do with anything! Yes, I realize that disaster movies usually have ostensibly more grounded stories to anchor our emotions, but it helps if it’s clear what those grounded stories have to do with the disaster. Maybe that connection was explained at some point, and I just forgot. Oh well, at least the conspiracy theories are plenty loopy. If only there had been even more loopiness.

Moonfall is Recommended If You Like: Half-baked conspiracy theories, Halle Berry realizing there’s an emergency, Random court scenes

Grade: 2.5 out of 5 Orbits