Is There Anything Real to Grasp Onto in ‘Now You See Me: Now You Don’t’?

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I see them! … Or do I? (CREDIT: Lionsgate)

Starring: Jesse Eisenberg, Dominic Sessa, Justice Smith, Ariana Greenblatt, Woody Harrelson, Dave Franco, Isla Fisher, Rosamund Pike, Lizzy Caplan, Morgan Freeman

Director: Ruben Fleischer

Running Time: 112 Minutes

Rating: PG-13

Release Date: November 14, 2025 (Theaters)

I would LOVE to live in the world of the Now You See Me movies! Here’s why: nothing makes a lick of sense, but somehow everything always works out perfectly in the end. Just so long as you’re not one of those selfish Master of the Universe types, that is. Is this what justice looks like? Well, it’s at least what Justice Smith looks like, considering that he’s one of the main new stars arriving for the third entry, Now You Don’t. And in case you’re wondering, here’s my response to that subtitle: yes, they do, and they probably always will!

Grade: Actually, Though, This One’s a Little Too Illusory

‘I Saw the TV Glow,’ and You Probably Should, Too

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Look at them, they’re glowing! (CREDIT: A24)

Starring: Justice Smith, Brigette Lundy-Paine, Ian Foreman, Helena Howard, Danielle Deadwyler, Fred Durst, Lindsey Jordan, Amber Benson, Connor O’Malley, Emma Portner

Director: Jane Schoenbrun

Running Time: 100 Minutes

Rating: PG-13 for Creepy Images and Psychic Distress

Release Date: May 3, 2024 (Theaters)

What’s It About?: Owen (Justice Smith) and Maddy (Brigette Lundy-Paine) are a couple of teenage misfits in 90s suburbia who bond over their love of the fantasy horror series The Pink Opaque, which airs on the fictional Young Adult Network. (Think Are You Afraid of the Dark? on Nickelodeon’s Saturday night SNICK block of programming, but also with some Buffy the Vampire Slayer and Twin Peaks flourishes.) For Owen, the show is an escape from his depressing home life, with a cancer-stricken mother (Danielle Deadwyler) and a quietly menacing father (Fred Durst). For Maddy, it’s even more than that, as her memories of The Pink Opaque soon become cross-wired with her perception of reality. Or were she and Owen actually the show’s main characters all along? Regardless of what’s fact or fiction, the show proves to be an inexplicable part of Owen’s journey of self-actualization.

What Made an Impression?: Coming Out of the TV: I had the good fortune of my screening of I Saw the TV Glow being followed by a Q&A with writer-director Jane Schoenbrun, a trans and non-binary person who uses they/them pronouns. I recognized some queer themes on my own, but Schoenbrun’s explanations let me in on them further. That is to say, Owen is trans but just doesn’t realize it yet. A key moment pointing towards this (Very Big) subtext is a conversation between Maddy and Owen in which she informs him that she likes girls, and when she asks him if he also likes girls, or boys, he responds, “I think that I like TV shows.” Before the Q&A, I had interpreted this to mean that Owen is probably asexual, and I still think that may be true, but the whole psychedelic swirl that is I Saw the TV Glow makes it clear that it’s a bit more complicated than that.
Turning Ourselves On: As a cisgender straight man, my personal story is in many ways quite different from those of Owen, Maddy, and Schoenbrun. But I Saw the TV Glow still resonated with me profoundly. After all, it wasn’t just queer people who were obsessed with Nickelodeon and creepy genre TV back in the 90s. This movie is already being hailed as a landmark in trans cinema, and understandably so. But anyone who’s ever felt alienated from life and found solace in a show that seems like it was made just for you (only to eventually connect with a like-minded community) should find plenty of resonance here.
Oh, Fudge!: I Saw the TV Glow also has plenty of fun from an aesthetic standpoint, with The Pink Opaque serving up some delicious nightmare fuel. The show-within-the-movie is about two psychically connected friends fighting off the moon-dwelling Mr. Melancholy and his monster-of-the-week cronies. The best of these baddies is surely the ice cream man, a ruthless beast in a melting rubber suit who seems to be awakened by the annual end-of-summer lament that frozen treats can no longer be enjoyed the rest of the year. As someone who loves a perfect banana split on a sweltering dog day, I felt truly seen. If you’re reading this, Jane Schoenbrun, let’s hang out at your favorite soft serve joint the next time you’re in town.

I Saw the TV Glow is Recommended If You Like: SNICK, Videodrome, The Matrix, The X-Files, The AV Club in its heyday

Grade: 4 out of 5 VHS Tapes

‘The American Society of Magical Negroes’ is Trying to Make Us All Feel Better. Does It Put in the Right Effort?

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Do they find the magic? (CREDIT: Focus Features)

Starring: Justice Smith, David Alan Grier, An-Li Bogan, Drew Tarver, Michaela Watkins, Aisha Hinds, Nicole Byer, Rupert Friend, Aaron Jennings, Tim Baltz

Director: Kobi Libii

Running Time: 105 Minutes

Rating: PG-13 for Inflammatory and Cathartic Comments

Release Date: March 15, 2024 (Theaters)

What’s It About?: You know those movies with Black supporting characters who seem to only exist to help the white main characters realize their full potential? The Legend of Bagger Vance is often cited as the apex example. Morgan Freeman practically made an entire career out of it. It’s called the “Magical Negro,” and what the makers of The American Society of Magical Negroes presuppose is: what if people like that actually existed, and what if they indeed had access to real magic? Their newest recruit is struggling yarn sculpture artist Aren (Justice Smith), whose first assignment is babysitting up-and-coming tech worker Jason (Drew Tarver). Aren is certainly up for the task, as he has a lot of experience deferentially navigating privileged people’s cluelessness. But when both he and Jason develop romantic feelings for their co-worker Lizzie (An-Li Bogan), things get a little complicated.

What Made an Impression?: How to Be Supportive: When Aren is introduced to the Society, his mentor Roger (David Alan Grier) explains that the purpose of magical Negroes is making sure that white people stay calm and don’t become a danger to everyone else in the world. The implication is that everyday insecurities could eventually lead to a serial killer, so it’s best to nip that in the bud as soon as possible, although what we see in the movie is fairly low-stakes. But even when the threat of danger isn’t immediately urgent, the support that Aren, Roger, and their colleagues offer is always welcome. It mostly amounts to helping people fight against their self-doubts. In many ways, that’s just good friendship. Of course, a truly genuine friendship would consist of that support going both ways.
Bearing Too Much Weight?: While The American Society of Magical Negroes is clearly self-aware in its handling of this trope, I imagine it will be fighting an uphill battle against some viewers. Why, after all, should the burden of white fragility fall upon Black shoulders, magical though they be? That arrangement obviously isn’t fair, but it is often true to life, as the responsibility of cleaning up a mess frequently gets passed to those with the expertise of cleaning it up, rather than those who created the mess in the first place. But writer/director Kobi Libii doesn’t expect his characters to simply accept this state of affairs. They grapple with the dignity that they’re forced to give up, while also wondering if their methods really are the most effective option.
Finding an Alternate Solution: Ultimately, it quickly becomes abundantly clear that simply making Jason feel better is not Aren’s best course of action. But explicitly calling him out on his prejudices is liable to backfire. Furthermore, while Roger advises Aren to let the girl go, it’s clear that Lizzie is a lot more into Aren than she is Jason. Supporting Jason’s stated desires in favor of everyone’s else’s feels like it won’t make anyone happy, including Jason. Escaping the common strictures of society and thriving as a nourished individual clearly requires some creative thinking, whether or not you have access to superpowers. As for my verdict, I’m pleased to report that The American Society of Magical Negroes navigates that dilemma with a firm, but also playful touch.

The American Society of Magical Negroes is Recommended If You Like: American Fiction, Grand Crew, Turning the other cheek with a witty rejoinder

Grade: 4 out of 5 Teleportations

I Advanced to the Theater to Go See ‘Dungeons & Dragons: Honor Among Thieves’

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So much honorableness in one frame! (CREDIT: Paramount Pictures/Screenshot)

Starring: Chris Pine, Michelle Rodriguez, Justice Smith, Sophia Lillis, Hugh Grant, Chloe Coleman, Regé-Jean Page, Daisy Head, Jason Wong

Directors: Jonathan Goldstein and John Francis Daley

Running Time: 134 Minutes

Rating: PG-13

Release Date: March 31, 2023 (Theaters)

I’ve never played Dungeons & Dragons, so my previous cultural exposure to this franchise is mostly the Community episodes built around it. To the point that in the leadup to seeing Honor Among Thieves, I kept wanting to call it Advanced Dungeons & Dragons. So… was this movie better than the first Greendale edition of D&D? Of course not! But was it better than the sequel episode, “Advanced Advanced Dungeons & Dragons”? Eh, I guess so.

I ate mozzarella sticks and drank Mountain Dew while watching. It turns out that Doing the Dew is about as treacherous as the quest these characters went on.

Grade: A Sufficient Amount of Dragons and Emotional Beats

‘Jurassic World: Dominion’ Takes it Worldwide

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Jurassic World Dominion (CREDIT: John Wilson/Universal Pictures and Amblin Entertainment)

Starring: Chris Pratt, Bryce Dallas Howard, Laura Dern, Jeff Goldblum, Sam Neill, DeWanda Wise, Mamoudou Athie, BD Wong, Omar Sy, Isabella Sermon, Campbell Scott, Justice Smith

Director: Colin Trevorrow

Running Time: 146 Minutes

Rating: PG-13 for Intense Dino Chomps

Release Date: June 10, 2022

What would happen if dinosaurs came back to life and then spread out all over the world? Dr. Ian Malcolm would crack jokes about it, you can be sure of that! Of course, that’s what always happens whenever Jeff Goldblum is in a Jurassic Park/World movie, even when the dino habitat is more contained. And that really illuminates how Dominion is just like any other movie in this series. It contains all the typical narrow escapes from T-Rexes and velociraptors, just with some Indiana Jones-style globetrotting thrown in. There’s at least a hint at first that things will be different this time around, as an opening news report seems to indicate that we’re in store for a probing examination about the global consequences of Arrogant Science Run Amok. But instead we mostly get everyone chasing after a MacGuffin. That’s understandable, because the MacGuffin is also one of the main characters. But still, the appeal of Dominion can be boiled down to: A Bigger Scale, But Also Everything is the Same.

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Movie Review: ‘Detective Pikachu’ the Movie Demonstrates Its Potential Worth as a TV Show

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CREDIT: Warner Bros./Legendary

Starring: Ryan Reynolds, Justice Smith, Kathryn Newton, Ken Watanabe, Bill Nighy, Chris Geere, Suki Waterhouse, Omar Chaparro, Rita Ora

Director: Rob Letterman

Running Time: 104 Minutes

Rating: PG for Explosions, Lightning Bolts, and Suspicious Gas

Release Date: May 10, 2019

The promise of a significant chunk of ’90s has been crystallized in the form of Detective Pikachu. Pokémon is a franchise that has endured for decades, but unlike say, Star Wars or the Muppets, it is not the sort of property that its fans continue to love, or love in the same way, as they grow older. Instead, it is tinged with nostalgia at the same time that it enthralls subsequent generations with new chapters. With its mix of live-action humans and CGI monsters and its expansive approach to Pokémon mythology, Detective Pikachu takes a rather meta stance towards a significant piece of culture. I enjoyed watching it, but I also had the sense that it was not as perfectly constructed as it could have been. It soon dawned on me that there was so much potential Pokémon goodness missing from this world that could be fleshed out in a TV version.

What I’m saying here is that I would love it if it turns out that Detective Pikachu is just the first chapter and that we get a new mystery for the adorable electric mouse to solve every week, with a few more big-screen adventures as well if anything gargantuan turns up. Surely Pika’s deerstalker hat of choice points to his sartorial inspiration as a possible model to follow for ongoing detective work. There is just so much untapped potential here in Ryme City, a land in which humans and Pokémon live alongside each other on equal terms. It’s not unlike Who Framed Roger Rabbit, but a lot more adorable. With hundreds of Pokémon available to play around with, necessarily only a small percentage are spotlighted. But more could have had their moment to shine, and hopefully more will.

But the Pokémon who do get their chance to shine give us some delightful, occasionally anarchic deployments of their unique powers, especially a frustrating charades-based interrogation with a Mr. Mime. What makes Detective Pikachu work as well as it does is its total lack of winking within its meta framework. As the voice of the title crimesolver, Ryan Reynolds is basically doing a PG version of Deadpool, which turns out to be just subdued enough to be plenty palatable. Among the rest of the cast, Kathryn Newton stands out as an underpaid digital news intern who is basically a doing an impression of a mix between a noir femme fatale and a His Girl Friday-type. Occasionally the film gets bogged down in heavy mythology that may be too much for even some Pokémon devotees, but when it maintains its full sense of playfulness, it is a commendably unique cinematic achievement.

Detective Pikachu is Recommended If You Like: Pokémon with a spritz of Minions and a soupçon of Deadpool

Grade: 3.5 out of 5 Deerstalker Caps

This Is a Movie Review: Jurassic World: Fallen Kingdom

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CREDIT: Universal Studios and Amblin Entertainment, Inc.
and Legendary Pictures Productions, LLC.

I give Jurassic World: Fallen Kingdom 3 out of 5 Eruptions: https://uinterview.com/reviews/movies/jurassic-world-fallen-kingdom-movie-review-dino-sequel-provides-action-with-surprising-drama/