This Is a Movie Review: With ‘Mile 22,’ Mark Wahlberg and Peter Berg Have Teamed Up for Their Most

August 16, 2018

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CREDIT: STXfilms

This review was originally posted on News Cult in August 2018.

Starring: Mark Wahlberg, Iko Uwais, Lauren Cohan, Ronda Rousey, John Malkovich

Director: Peter Berg

Running Time: 94 Minutes

Rating: R for A Litany of F-Bombs and Actual Bombs

Release Date: August 17, 2018

Mile 22 is the fourth collaboration between Mark Wahlberg and director Peter Berg, and by far their worst. Their previous team-ups (Lone Survivor, Deepwater Horizon, and Patriots Day) covered real-life tragedies and disasters with unflinching intensity. They were at times be difficult to watch, but Berg managed to remain respectful by keeping his focus fixed. Mile 22 has a similar shaky-cam, right-next-to-the-action approach. It isn’t based on a true story, but the verite style seems to suggest that it could be true. That forces Berg to construct a fictional portrait of chaos, which, devoid of any necessary real-life moments to honor, ends up just a mess.

Wahlberg is the ostensible protagonist as James Silva, the ground leader of an elite and secretive paramilitary unit within the CIA. His team is the sort that the government turns to when they have exhausted all other options and do not want the public to know what they are up to. They are tasked with transporting intelligence asset Li Noor (Iko Uwais) 22 miles to an extraction point, where he has promised he will reveal information that will prevent a bomb detonation. Uwais is best known as the star of The Raid and its sequel, and Mile 22 ends up as an excuse for him to show off his action skills in the midst of a convoluted narrative. Berg proves adept at capturing Iwais’ brand of fight choreography, but everything else is exhausting, which is shocking considering that Berg’s action filmmaking is usually reliable. But here he is so undisciplined, with numbing footage of endless gunfire and an editing style that presents way too much information for a human brain to possibly process.

The whole thing is barely an hour and a half, but it feels like forever, but then it leads to a climax that makes it feel 20 minutes too short. There is a major reveal that is far from adequately resolved, which is to say, it is not resolved at all. It is the sort of twist that makes you want to say to the screenwriter, “Don’t the characters want to take care of that?” And the apparent response is, “Oh well, they ran out of time.” Just about the entire film is that careless, but I will grant that it at least features Iwais saying to Wahlberg, “Say hello to your mother for me.”

Mile 22 is Recommended If You Like: Iko Uwais Combat, Incessant Gunfire, Hyperactive Editing, Frequent Explosions

Grade: 2 out of 5 Wristbands

This Is a (Quickie) Movie Review: The Boy

February 6, 2016

jmunney Cinema, Movie Reviews , , , , 1 Comment

TheBoy2016

Following in the footsteps of The Forest, The Boy is the latest horror pic with a promising concept but not-so-promising release date. To get a little SPOILER-Y, it calls to mind The Visit, in that it lulls the viewer into almost buying into the supernatural explanation of its central mystery, and then pulls out the rug with a third-act twist that is more prosaic but also more disturbing. That reveal hits hard, as does the introduction of the doll that Greta (Lauren Cohan, dutifully playing along with this insane world) is asked to look after as though it were a real boy. In between, though, nothing much notable happens. There are a lot of scare tactics that provide standard jump scares but do nothing to illuminate any themes or aesthetics.