Merry Christmas from Rock Stars, Vampires, and Boxers, Oh My!

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Merry Christmas from the Movies! (CREDIT [Clockwise from Top Left]: Aidan Monaghan/Focus Features; Sabrina Lantos/Amazon MGM; A24; Macall Polay/Searchlight Pictures)

A Complete Unknown

Starring: Timothée Chalamet, Edward Norton, Elle Fanning, Monica Barbaro, Boyd Holbrook, Scoot McNairy, Dan Fogler, Norbert Leo Butz, Eriko Hatsune, P.J. Byrne, Will Harrison, Charlie Tahan, Ryan Harris Brown, Eli Brown, Michael Chernus

Director: James Mangold

Running Time: 141 Minutes

Rating: R for Arrogant Artist Behavior

Release Date: December 25, 2024 (Theaters)

Nosferatu

Starring: Bill Skarsgård, Lily-Rose Depp, Nicholas Hoult, Aaron Taylor-Johnson, Emma Corrin, Willem Dafoe, Ralph Ineson, Simon McBurney

Director: Robert Eggers

Running Time: 132 Minutes

Rating: R for Ecstatic Sex and Bloodsucking

Release Date: December 25, 2024 (Theaters)

The Fire Inside

Starring: Ryan Destiny, Brian Tyree Henry, Oluniké Adeliyi, De’Adre Aziza, Sarah Allen

Director: Rachel Morrison

Running Time: 109 Minutes

Rating: PG-13 for Language, Jabs, and Hooks

Release Date: December 25, 2024 (Theaters)

The cinematic landscape at Christmas is typically dominated by franchise blockbusters and family-friendly flicks, with awards hopefuls also trying to make their way into the mix. But then there are also always some oddballs of various genres for anyone who prefers a more aggro or otherwise offbeat holiday. What’s interesting about December 25 this year is that all four of the wide releases arriving alongside Santa could be categorized in the alternative section. So which one of them should be your chaser after opening up all your presents? Or should you down some nog in preparation of a double feature? Here’s my take on the polar landscape.

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Did I Wolf Down ‘Wolf’?

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Wolf (CREDIT: Focus Features)

Starring: George MacKay, Lily-Rose Depp, Paddy Considine, Eileen Walsh

Director: Nathalie Biancheri

Running Time: 98 Minutes

Rating: R

Release Date: December 3, 2021 (Theaters)

Wolf is basically what I’ve been waiting for ever since I started reviewing movies by asking myself if I wanted to do what’s being offered in the title. This is a movie about a human man who believes that he’s a wolf! Do I also want to be a wolf, even if only for a little while? That might be fun, but that’s not exactly what this movie is really about … or is it? Jacob (George MacKay) sure looks like a Homo sapien, as do all of his fellow patients at the facility where they’re being treated for species identity disorder. But there are moments that really make you wonder if a lupine soul somehow did find its way into a human vessel. Alas, the abusive tactics reminiscent of troubled youth programs practiced by the facility’s director aren’t likely to help us find any answers. Anyway, I quite enjoyed Wolf introducing me to a whole new world and would have liked to have been able to explore it even more (the ending’s a little abrupt).

Grade: 7 Howls out of 10 Whiskers

‘The King’ is a Slog Through Shakespearean Henriad History

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CREDIT: Netflix

Starring: Timothée Chalamet, Joel Edgerton, Robert Pattinson, Ben Mendelsohn, Sean Harris, Lily-Rose Depp, Tom Glynn-Carney

Director: David Michôd

Running Time: 133 Minutes

Rating: R for Messy War Combat

Release Date: October 11, 2019 (Limited Theatrically)/November 1, 2019 (Streaming on Netflix)

Once more unto the breach, dear friends? It’s awfully muddy in that breach. That seems to be the big advantage of turning Shakespeare’s Henry IV (Parts 1 and 2!) and Henry V into a movie in 2019: you can make it as muddy as you need it to be! And director David Michôd sure wanted that breach to be muddy. And Falstaff (Joel Edgerton, who co-wrote the script with Michôd) won’t let us forget it. Not that we would have been able to miss it anyway.

I majored in English literature in my undergraduate days, so watching The King is like revisiting old friends for me, but excessively grim versions. I know right from the get-go that wary-of-the-crown Prince Hal will soon enough become King Henry V, Beloved War Hero. But even if I’d never read one verse of Shakespeare, I would have been able to figure that out easily enough. That’s how these narratives tend to play out after all, and also Timothée Chalamet is so hot right now. But that predictability is not necessarily a problem. Shakespeare did not establish his reputation on twisty plots, but rather on wonderfully poetic language. Alas, The King does not have the wit to match. I of course do not demand nor expect that every new Shakespeare adaptation feature iambic pentameter, but if there is going to be as much dialogue as there is in The King, it would be nice if it were at least somewhat exciting. But alas, it seems that war is not only hell, it’s also boring.

As we make our way through the muck into the Battle of Agincourt, The King eventually comes alive somewhat in the form of Robert Pattinson as the Dauphin, the French side’s secret weapon, at least in terms of charisma. He seems to have been warped by the warring status quo between France and England into some sort of almost inhuman, devious little sprite. He is less interested in victory or survival than he is into sucking out the life force of his rivals. I haven’t seen any of those Twilight movies, so for me, this feels like the first time Pattinson has ever played a vampire on screen. If only the other combatants had the verve to match.

The King is Recommended If You Like: Shakespeare minus the poetry

Grade: 2 out of 5 Chainmail Suits