‘One Night Only’ Skates by on Its Charm Without Digging Too Deep

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Tonight! Tonight! (CREDIT: Nicole Rivelli/Universal Pictures)

Starring: Monica Barbaro, Callum Turner, Maya Hawke, Julia Fox, Molly Ringwald, LeVar Burton, King Princess, Okieriete Onaodowan, Este Haim, Ziwe, Michelle Hurd

Director: Will Gluck

Running Time: 102 Minutes

Rating: R for Frank Pent-Up Sexuality

Release Date: August 7, 2026 (Theaters)

What’s It About?: It’s been three years since the United States outlawed premarital sex, save for a single annual 12-hour period of debauchery. Ergo, One Night Only is indeed the Carnal Version of The Purge. Pizzeria owner Owen (Callum Turner) is planning to use the occasion to propose to his girlfriend (Maya Hawke), but she actually thinks that they should sleep with other people. Meanwhile, daydreamer Allie (Monica Barbaro) is a singer of commercial jingles who plans to spend the evening hunting alongside her friend (King Princess), but she ditches her almost immediately. Left to wander the streets of NYC on their own, Owen and Allie keep bumping into each other throughout the night. It sure seems like the universe is trying to tell them to hook up, but their various hangups end up making that a rather roundabout journey.

What Made an Impression?: The Political Picture: Outlawing premarital sex sounds rather dystopian to me, but the society of One Night Only comes off as just plain frustrated and exhausted rather than oppressed. So you kind of just have to roll with the premise and not worry if it’s terribly realistic or not. Although, upon further consideration, I suppose there are real world examples of citizens continuing to have social lives despite the best efforts of governments taking their rights away. It would have been interesting to see ONO grapple more with the political implications of its premise (though it does a bit), but you kind of just have to accept that it has other things on its mind.
Worst-Laid Plans: Part of the One Night Only Mandate is that anyone partaking must use protection while having relations. This leads to a series of gags in which Owen and Allie desperately venture into any bodega and health clinic they can find in search of a condom, only for every location to inevitably be out of stock. Which begs the question: why wouldn’t these establishments increase their inventory tenfold or a hundredfold for the occasion? I understand the desire to create a desperate situation from a screenwriting perspective, but it’s hard not to be disappointed by such a lack of foresight.
They’re Dancing About It Too: A different running gag that I’m much more fond of takes its aim at an odd trend in the current media landscape. When we’re introduced to Allie, she’s singing Sara Bareilles’ inspirational anthem “Brave”, but it’s actually a reworked version for a psoriasis medication commercial. We’re also treated to revamped editions of “We’re Not Gonna Take It” and “A Thousand Miles”, the latter for a personal hygiene product. If this is the fate of all pop music in the 21st century, then that sounds more oppressive than the no-sex Mandate (but hilariously so).
Do They Win Us Over?: With One Night Only leaving me with multiple questions about its approach, its potential success ultimately comes down to how charming its leads are. And they’re pretty charming! Plus, director Will Gluck (Easy A, Anyone But You) is a reliable rom-com veteran with a knack for playing around with the tropes of the genre. Plus, I would be remiss not to mention the steady hands of Molly Ringwald as Owen’s mother and LeVar Burton as her boyfriend. Ultimately, I’m in the mood to root that it all works out for Allie and Owen, at least for the one night that I’m focused on them.

One Night Only is Recommended If You Like: Cheekiness over Profundity

Grade: 3 out of 5 Mandates

What’s the Situation on the ‘Crime 101’?

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Taking the 101 (CREDIT: Amazon MGM Studios)

Starring: Chris Hemsworth, Mark Ruffalo, Barry Keoghan, Halle Berry, Monica Barbaro, Corey Hawkins, Jennifer Jason Leigh, Nick Nolte, Tate Donovan, Devon Bostick, Paymaan Maadik, Babak Tafti, Deborah Hedwall, Paul Adelstein, Drew Powell, Matthew Del Negro, Andra Nechita, John Douglas

Director: Bart Layton

Running Time: 140 Minutes

Rating: R

Release Date: February 13, 2026 (Theaters)

When I first saw the trailer for Crime 101, I thought, “Jeez, are they really going that generic?” But then I eventually learned that the titular “101” didn’t refer to an introductory course but rather to the major California highway. So then I got my demented hopes up that we could be due for cameos from Fred Armisen, Bill Hader, and Kristen Wiig as their traffic-obsessed characters from SNL‘s “Californians” sketches. Of course, that didn’t actually come to fruition, but I nevertheless still want to put the idea out there, just in case the universe is in the mood to manifest anything. Anyway, I guess the moral of this movie is that if you’re a non-violent criminal, you just might be allowed to get away with it.

Grade: Whuuuuuut Are These Guys Doing Here?

Merry Christmas from Rock Stars, Vampires, and Boxers, Oh My!

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Merry Christmas from the Movies! (CREDIT [Clockwise from Top Left]: Aidan Monaghan/Focus Features; Sabrina Lantos/Amazon MGM; A24; Macall Polay/Searchlight Pictures)

A Complete Unknown

Starring: Timothée Chalamet, Edward Norton, Elle Fanning, Monica Barbaro, Boyd Holbrook, Scoot McNairy, Dan Fogler, Norbert Leo Butz, Eriko Hatsune, P.J. Byrne, Will Harrison, Charlie Tahan, Ryan Harris Brown, Eli Brown, Michael Chernus

Director: James Mangold

Running Time: 141 Minutes

Rating: R for Arrogant Artist Behavior

Release Date: December 25, 2024 (Theaters)

Nosferatu

Starring: Bill Skarsgård, Lily-Rose Depp, Nicholas Hoult, Aaron Taylor-Johnson, Emma Corrin, Willem Dafoe, Ralph Ineson, Simon McBurney

Director: Robert Eggers

Running Time: 132 Minutes

Rating: R for Ecstatic Sex and Bloodsucking

Release Date: December 25, 2024 (Theaters)

The Fire Inside

Starring: Ryan Destiny, Brian Tyree Henry, Oluniké Adeliyi, De’Adre Aziza, Sarah Allen

Director: Rachel Morrison

Running Time: 109 Minutes

Rating: PG-13 for Language, Jabs, and Hooks

Release Date: December 25, 2024 (Theaters)

The cinematic landscape at Christmas is typically dominated by franchise blockbusters and family-friendly flicks, with awards hopefuls also trying to make their way into the mix. But then there are also always some oddballs of various genres for anyone who prefers a more aggro or otherwise offbeat holiday. What’s interesting about December 25 this year is that all four of the wide releases arriving alongside Santa could be categorized in the alternative section. So which one of them should be your chaser after opening up all your presents? Or should you down some nog in preparation of a double feature? Here’s my take on the polar landscape.

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‘Top Gun: Maverick’ Takes It to the Limit

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Top Gun: Maverick (CREDIT: Paramount Pictures, Skydance and Jerry Bruckheimer Films)

Starring: Tom Cruise, Miles Teller, Jennifer Connelly, Jon Hamm, Glen Powell, Lewis Pullman, Ed Harris, Val Kilmer, Monica Barbaro, Charles Parnell, Jay Ellis, Greg Tarzan Davis, Bashir Salahuddin

Director: Joseph Kosinski

Running Time: 131 Minutes

Rating: PG-13 for Danger Behind Enemy Lines

Release Date: May 27, 2022

Let’s throw it right out there to begin. Does Top Gun: Maverick make me once again want to have the need, the need for speed? I won’t mince words: sort of, but not exactly. Those aerial acrobatics certainly had my adrenaline pumping, but patience is a virtue when watching this movie. Two hours and eleven minutes isn’t exactly a bloated running time for a big blockbuster action sequel, but when the majority of the action consists of training sessions leading up to The One Big Mission, you feel the weight of the wait. And as far as I, a humble movie viewer, can tell … that is exactly what everyone involved was going for! We get to see the work that goes into pushing limits, we all hold our collective breath, and we pray that everyone makes it out of the danger zone. And then Lady Gaga brings it on home with a rapturous rock ballad. That’s the formula for Top Gun Success in 2022.

You may be wondering why Pete “Maverick” Mitchell is still flying with the new class of pilots 36 years after we first met him. It’s not just because Tom Cruise is incorrigible about doing his own stunts. Metatextually, that is the reason, of course, but within the context of the narrative, it’s because Maverick just doesn’t want to be promoted beyond captain. Responsibility blows, right? Nevertheless, this state of affairs means that he’s the best person to train the new crop of Top Gun pilots (which includes at least one offspring of a former colleague) for an impossible mission. And what a doozy of an impossible mission it is, as they have to wipe out a uranium enrichment site in some mountainous nation (that remains hilariously unnamed the whole movie) by executing some dangerously sharp descents and ascents. It’s a very specific, contained situation to build an entire story around, and it mostly works.

If you’re hoping for the same bonhomie as the original, it’s certainly there, with a round of beach football taking the place of the volleyball. But the main attraction is all the clearly defined aerial action. The maneuvers require so much G-force that loss of consciousness is fully expected. We’re talking fainting while piloting thousands of feet up in the air! I could feel myself being flattened like a pancake in my seat just watching it. This is a portrait of the test of human limits that will have your throat in your stomach, your brain in your toes, and your soul dying and reincarnating. The danger zone is alive and well.

Top Gun: Maverick is Recommended If You Like: Watching planes fly by before football or baseball games

Grade: 4 out of 5 G-Forces