Spring Cleaning 2024 Movie Review Round-Up

June 12, 2024

jmunney Cinema , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , Leave a comment

CREDIT: Amazon Prime Video

There are a handful of movies I saw in May that I haven’t shared any extended thoughts about yet, so here’s a Spring Cleaning-themed review roundup. Typically May is considered part of the summer movie season, but that leaves short shrift to the time of year when it actually is spring. If May 1-Labor Day is Summer Movie Season, and October-December is Fall Movie Season, and Thanksgiving-New Year’s is Holiday Movie Season, and January-February is Awards Holdovers/Winter Dumping Ground Season, well then, we really only March and April for Spring Movie Season, and a good chunk of March is spent fretting about the Oscars! So let’s give some love to the month with the best weather of the year (apologies to those of you with vernal allergies) and check in on the May spring movies.

More

What Happens When a TV Journalist Experiences His Own Tragic Love Story? ‘Spoiler Alert’!

November 29, 2022

jmunney Cinema, Movie Reviews , , , , , , 1 Comment

Spoiler Alert: These guys are in the movie (CREDIT: Giovanni Rufino / © 2022 FOCUS FEATURES LLC.)

Starring: Jim Parsons, Ben Aldridge, Sally Field, Bill Irwin

Director: Michael Showalter

Running Time: 112 Minutes

Rating: PG-13 for Straightforward Talk About Adult Relationships and Serious Illness

Release Date: December 2, 2022 (Limited Theaters)/December 9, 2022 (Expands Nationwide)

What’s It About?: Michael Ausiello probably would’ve been perfectly fine writing about TV and living on his own for the rest of his life. Or maybe I’m being a little presumptive… Either way, the version of him played by Jim Parsons in Spoiler Alert (based on Ausiello’s memoir of the same name) seems pretty content with his cushy TV Guide gig and heading home on his own to his Jersey City apartment at the end of every workday. But then he goes out drinking one night and just happens to really hit it off with a fellow by the name of Kit Cowan (played here by Ben Aldridge). It’s the early 2000s, so it’s becoming a gradually easier time for a gay couple to be visible in America. But just as soon as Michael and Kit become comfortable in their togetherness, Kit is suddenly struck by terminal cancer. And there’s nothing for Michael to do except constantly be by his side, and then adapt their story into a big screen-worthy romantic journey.

What Made an Impression?: Parsons and Aldridge’s chemistry is low-key and pretty dang believable, surely partly because Ausiello was on hand as one of the producers. There’s not really any effort to make this story representative of all queer love stories, and it’s nice to be free of that burden. There can be value in speaking for the community at large, but in this case it just makes the most sense for it to be only Michael and Kit’s story, and their story alone

But what really sells Spoiler Alert to me are the flashbacks to Michael’s childhood with his brothers and widowed mother. They’re presented like a stereotypical cheesy family sitcom, which is basically catnip to a generation that was raised on the likes of Growing Pains and Full House. Of course, it also speaks right to my heart as a fellow professional connoisseur of entertainment. But I think this approach can also work for any adult who stays in touch with their inner child by searching for a way back to a comfortable home.

And it also helps that Sally Field and Bill Irwin are on hand as Kit’s fully supportive parents. Field is a veteran of director Michael Showalter’s oeuvre, and well, if you’ve been paying attention to cinema of the past 40 years, you know that her casting makes 1000% perfect sense. Irwin is a bit more of an oddball choice, as he’s known primarily for mind- and body-bending roles, like a mutant scientist on FX’s Legion and the voice of TARS in Interstellar. But weirdos have hearts too, and some of them grow up to be dads, so he proves to be an inspired choice. Overall, the tone is just spot on throughout. Spoiler alert: your heart will swell full-to-bursting by the end.

Spoiler Alert is Recommended If You Like: Bittersweet romcoms, 80s Sitcoms, 90s Sitcoms, The rise of Peak TV culture

Grade: 4 out of 5 Doctor’s Visits

Review of ‘The Eyes of Tammy Faye,’ Hurray!

October 5, 2021

jmunney Cinema, Movie Reviews , , Leave a comment

The Eyes of Tammy Faye (CREDIT: Searchlight Pictures © 2021 20th Century Studios All Rights Reserved)

Starring: Jessica Chastain, Andrew Garfield, Cherry Jones, Vincent D’Onofrio, Sam Jaeger

Director: Michael Showalter

Running Time: 126 Minutes

Rating: PG-13

Release Date: September 17, 2021 (Theaters)

How many eyes did Tammy Faye Bakker have? Just two, but it feels like more. There was a lot of attention around them! Also, the biopic starring Jessica Chastain as her was released just a couple weeks before The Many Saints of Newark, so I kept wanting to call it The “Many” Eyes of Tammy Faye, which I think would’ve been pretty cool. Director Michael Showalter is sketch comedy royalty, after all, surely he would’ve been able to make something out of that prompt. Anyway, the movie that we actually got is mostly straightforward and empathy-inducing.

Grade: 1 out of 2 Eyes Sometimes, 2 out of 2 Eyes Other Times

If Only ‘The Lovebirds’ Were More for the Birds

May 26, 2020

jmunney Cinema, Movie Reviews , , , , , , , Leave a comment

CREDIT: Skip Bolen/Netflix

While appraising the Michael Showalter-directed, Kumail Nanjiani-and-Issa Rae-starring The Lovebirds, I feel a lot like Graham Chapman’s Colonel character from Monty Python, but like, in reverse. I want to pop in there and go, “I noticed a tendency for this movie to not get silly enough. Now let’s move it along and be more silly.” For something as outrageous as this bad-night-gone-wrong-then-worse rom-com, “not silly enough” might sound like a patently ridiculous accusation. Which is fine by me, as  I love being ridiculous and securing a patent for it. Furthermore, it’s possible to be over-the-top without being silly. The Lovebirds takes a grounded approach, wondering how a couple on the verge of a breakup would realistically react if someone jacked their car to murder someone in cold blood and then they proceeded to uncover a conspiracy connected to that fresh killing. The result is kind of funny and fairly heartfelt, which is enough to make me put a checkmark to my to-watch list and maybe add a smiley face.

As a veteran of The State, Stella, and Wet Hot American Summer, Michel Sho clearly has a transcendent amount of silliness in his funny bone. And Kumail certainly does, too, as he was so, so stupendously silly on Portlandia as a series of weirdly officious service employees. From what I know of Issa, she’s more awkward and goofy than silly, but I’m sure she could get into the silly groove with the right team. Now generally, I don’t like to review movies by taking them to task for what they could’ve been. Instead, I like to approach them on their own terms and ask if they did a good job at pulling off what they were attempting. But if The Lovebirds was attempting to show how people would really react to a bunch of life-threatening shenanigans, well, I believe there are some folks who would bulge out their eyes and cock their heads and maybe stare at the camera. Or maybe not. Perhaps this isn’t a proper review. Could it be that this is actually the introduction of my journey to become the Reverse-Colonel? … Bird is the word!

I give The Lovebirds 2.5 Bacon Strips out of Hot Bacon Grease.

This Is a Movie Review: ‘The Big Sick’ is the Best Romantic Comedy in Years

June 20, 2017

jmunney Cinema, Movie Reviews , , , , , , , , , Leave a comment

This review was originally posted on News Cult in June 2017.

Starring: Kumail Nanjiani, Zoe Kazan, Ray Romano, Holly Hunter

Director: Michael Showalter

Running Time: 119 Minutes

Rating: R for Adults and Comedians Talking Like Adults and Comedians

Release Date: June 23, 2017 (Limited)/Expands July 14, 2017

The Big Sick follows the classic rom-com template in a lot of ways despite not  resembling any other entry in the genre in any obvious fashion. But if you look close enough, that formula is there. There’s a meet-cute, a dramatic misunderstanding, and a climactic reunion. It is usually that middle portion when lesser rom-coms start to become annoying or even offensive, but when the miscommunications happen because one half of the central couple is in a coma, the struggles along the way to that happy ending become a lot more understandable.

Based on the real-life courtship of comedian Kumail Nanjiani (who plays a fictionalized version of himself) and his co-writer/now-wife Emily V. Gordon, The Big Sick is an astute portrayal of culture clash, modern romance tics, and the workaday stand-up comedy lifestyle. Kumail hits it off with Emily (Zoe Kazan) after she kinda, sorta heckles him, they go back to his place so that they can hook up and he can show her some cool obscure genre flicks like The Abominable Dr. Phibes (she teasingly takes him to task for testing her pop culture tastes). Soon enough they are basically inseparable. Alas, Kumail has been keeping Emily a secret from his parents because he comes from a traditional Pakistani family that practices arranged marriage, so any future with her comes with a risk of being ostracized. This would all be enough conflict on its own, but on top of that, just after they break, Emily succumbs to a mysterious illness that leads to doctors placing her in a medically induced coma.

Classic rom-com humor tends to spring from witticisms and oddball characterizations, but The Big Sick’s most hilarious elements come from its knack for outrageous joke-telling. This is called playing to your strengths. Nanjiani is one of the most top-tier funnymen around today, and the rest of the film’s core stand-up crew are played by some reliable comedic heavy hitters (Kurt Braunohler, Aidy Bryant, Bo Burnham). The Big Sick wins you over because it goes broad and plentiful with its emotions. Every moment of worry over Emily’s health is counteracted with a big guffaw.

Nanjiani and company further distinguish themselves within the rom-com mold in how the make-up and reunion portion plays out. Kumail and Emily find themselves back to each other thanks mostly to the work he puts in with her parents, Terry (Ray Romano) and Beth (Holly Hunter). Romano brings the soulful gravitas he has made his specialty in his dramatic roles, but his comic chops are just as sharp as the young guns around him, and Hunter is the same spitfire we have loved for so long (her confrontation of a racist heckler is one of the film’s best scenes). While Kazan is unconscious for much of the narrative, she does not get shortchanged in the deal (SPOILER ALERT that is kind of given away by one of the film’s co-writers being alive), as she and Kumail still have to hash everything out once she is awake, which justifies the fairly lengthy running time (right around 2 hours). Ultimately, you can feel that every element of the story is in the right place; surely some elements were fictionalized, but the emotional truth is always full-to-bursting.

The Big Sick is Recommended If You Like: Knocked Up, Master of None, Ruby Sparks

Grade: 5 out of 5 Drop Ins