‘The Weight’ is a Thrilling Historical Drama About American Desperation

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They put The Weight right on us (CREDIT: Vertical)

Starring: Ethan Hawke, Russell Crowe, Julia Jones, Austin Amelio, Avi Nash, Lucas Lynggaad Tonnesen, George Burgess, Cameron Brady, Avy Berry, Alec Newman, Sam Hazeldine, Jeffrey Lee Hallman, Dylan Page, Peter Lewys Preston, Caspar Steinbeck

Director: Padraic McKinley

Running Time: 113 Minutes

Rating: R for Language and Some Shockingly Intense Violence

Release Date: September 18, 2026 (Theaters)

What’s It About?: Samuel Murphy (Ethan Hawke) has found himself in a greatly depressing situation, which is appropriate given the setting of his movie, i.e. 1933 Oregon. After he and his young daughter Penny (Avy Berry) are evicted, a violent misunderstanding with the police leads to Murphy being arrested and placed in a hard labor camp. There’s a chance he can be released in a few months with good behavior, but that’s not soon enough to be reunited with his daughter before she’ll become a ward of the state. So the man in charge of the labor camp, Warden Clancy (Russell Crowe), offers him an out: he’ll sign the papers granting Murphy an even earlier release as long as Murphy does a certain favor for him. Specifically, he must assemble a small crew of his fellow convicts and transport gold bars to a designated dropoff point. It sure sounds dangerous, possibly even deadly, and probably not exactly legal. But Murphy never doubts that it’s his best hope to get Penny back in his arms.

What Made an Impression?: Surely There’s Got to Be a Better Way!: You know those rickety rope bridges hanging between cliffs that are just waiting to have their wooden planks scooched down into the abyss? I always assumed that they were invented for the Indiana Jones movies and their ilk, but maybe they are a real thing after all. The Weight would certainly like us to believe that they existed in the early 20th century Pacific Northwest wilderness, as there’s a marvelously tense set piece in which Murphy and his crew realize that the bridge they’re crossing is not going to hold the weight of a man and all the gold he’s lugging around in his backpack. So Murphy stands in the middle while someone on one end tosses him one bar at a time, and then he tosses each bar one at a time to the other end. Every little movement is a life-or-death proposition, doubly so. One false step could be the end for Murphy, and furthermore, Clancy has assured them that losing just one of the bars means they’ve failed the entire mission. It’s the movie’s entire dramatic tension captured in one white-knuckle sequence.
Flying Gracefully Forever: Ethan Hawke is one of those actors that I’ll see in basically anything. (That preference was solidified during his turn in 2010s genre flicks like The Purge and Sinister.) The Weight is just the latest evidence of the wisdom of that attitude. There’s one scene in particular when Hawke as Murphy figures out how to move a massive boulder off the road that makes it abundantly clear that we’re in the care of someone who knows exactly what he’s doing. It’s a perfect distillation of his team player instincts, as he makes everyone else in the ensemble exponentially better.
Never Comfortable Again: The Weight is a constantly damp movie, as the gold transporters must traverse multiple river crossings and occasionally sleep under unforgiving rainstorms. And it’s not like they brought any change of clothes for the journey. This isn’t exactly the sort of thing I’m in the mood for in September, as its overcast outlook threatens that the end of the month will give way to a perpetually cloudy autumn. It’s a well-made movie, for sure, but you just gotta make sure you’re equipped to handle that lack of sunshine.

The Weight is Recommended If You Like: Forrest hiking, Pre-seat belt era car chases, Climactic dealmaking

Grade: 3.5 out of 5 Teddy Bears

It’s Time to Surrender to the Spell of ‘Hokum’

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Good, uh, scary movie (CREDIT: NEON)

Starring: Adam Scott, Peter Coonan, David Wilmot, Florence Ordesh, Will O’Connell, Michael Patric, Brendan Conroy, Austin Amelio, Ezra Carlisle, Mallory Adams

Director: Damian McCarthy

Running Time: 107 Minutes

Rating: R for Disturbing Buried Secrets and Portrayals of Self-Harm

Release Date: May 1, 2026 (Theaters)

What’s It About?: Successful American author Ohm Bauman (Adam Scott) is on the cusp of completing his latest novel about a conquistador (Austin Amelio) and a boy (Ezra Carlisle) stuck in the desert. But first, he must travel to Ireland to spread his parents’ ashes. Unfortunately for him, the Emerald Isle is a much spookier and dangerous locale than he bargained for. He is warned that one of the rooms at the sylvan hotel he is staying at is haunted, and when one of the employees (Florence Ordesh) goes missing after a Halloween party, it seems like there might be something to those spooky warnings. Or it could just be a case of earthbound, human evil. Or possibly a mix of both. In any case, Ohm takes it upon himself to play amateur detective alongside a local eccentric forest dweller (David Wilmot) to find out what’s really going on.

What Made an Impression?: Living on the Rift: If momentum is any indication, then Irish filmmaker Damian McCarthy (whose name is sometimes spelled with a space between the “Mc” and the “Carthy”) is well on his way to becoming one of my new favorite horror auteurs. Hokum feels like a natural extension of his 2024 creepfest Oddity (which was modest, but packed quite the punch). Both films capture that liminal space between real and unreal, steady and unmoored. McCarthy’s characters find themselves on the edge, with the walls that should be comfy and protective instead closing in on them. He’s an adept conjurer of remarkable dread, and it’s an honor to be invited to see the show.
And This is Scott: Adam Scott is probably best known to general audiences for being fed up with everything on Severance or for giving cutie-pie energy on Parks and Recreation. But I love him best for his contributions to very silly podcasts. You might think then that I could never take him seriously as the lead of a movie like Hokum, but it turns that he is (somewhat counterintuitively) perfect as both a cynical writer and someone reckoning with the fact that the world might be more supernatural than he would ever care to admit. In my experience, everything is ridiculous to Adam Scott, and that’s a sneakily effective starting point for a mystery that forces you to open your mind.
A Bundle of Craic: Other than Mr. Scott, Hokum‘s cast is filled with folks I’ve never heard of. But they must be reliable veterans of Irish showbiz, because they all undeniably deliver the goods. Standouts include Wilmot as the woodsman Jerry, whose ragged appearance belies the fact that he represents perhaps the movie’s most fundamental message. Will O’Connell is also essential as the bellhop Alby, meek but full of layers. Florence Ordesh is unfortunately not around too much before her character of Fiona goes missing, but she makes her presence unforgettable. Simply put, all the pieces are in place for you to find the truth in Hokum.

Hokum is Recommended If You Like: Oddity, The Witch, Conquering nightmares and underlying traumas

Grade: 4 out of 5 Disappearances

Spring Cleaning 2024 Movie Review Round-Up

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CREDIT: Amazon Prime Video

There are a handful of movies I saw in May that I haven’t shared any extended thoughts about yet, so here’s a Spring Cleaning-themed review roundup. Typically May is considered part of the summer movie season, but that leaves short shrift to the time of year when it actually is spring. If May 1-Labor Day is Summer Movie Season, and October-December is Fall Movie Season, and Thanksgiving-New Year’s is Holiday Movie Season, and January-February is Awards Holdovers/Winter Dumping Ground Season, well then, we really only March and April for Spring Movie Season, and a good chunk of March is spent fretting about the Oscars! So let’s give some love to the month with the best weather of the year (apologies to those of you with vernal allergies) and check in on the May spring movies.

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