It’s Time to Surrender to the Spell of ‘Hokum’

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Good, uh, scary movie (CREDIT: NEON)

Starring: Adam Scott, Peter Coonan, David Wilmot, Florence Ordesh, Will O’Connell, Michael Patric, Brendan Conroy, Austin Amelio, Ezra Carlisle, Mallory Adams

Director: Damian McCarthy

Running Time: 107 Minutes

Rating: R for Disturbing Buried Secrets and Portrayals of Self-Harm

Release Date: May 1, 2026 (Theaters)

What’s It About?: Successful American author Ohm Bauman (Adam Scott) is on the cusp of completing his latest novel about a conquistador (Austin Amelio) and a boy (Ezra Carlisle) stuck in the desert. But first, he must travel to Ireland to spread his parents’ ashes. Unfortunately for him, the Emerald Isle is a much spookier and dangerous locale than he bargained for. He is warned that one of the rooms at the sylvan hotel he is staying at is haunted, and when one of the employees (Florence Ordesh) goes missing after a Halloween party, it seems like there might be something to those spooky warnings. Or it could just be a case of earthbound, human evil. Or possibly a mix of both. In any case, Ohm takes it upon himself to play amateur detective alongside a local eccentric forest dweller (David Wilmot) to find out what’s really going on.

What Made an Impression?: Living on the Rift: If momentum is any indication, then Irish filmmaker Damian McCarthy (whose name is sometimes spelled with a space between the “Mc” and the “Carthy”) is well on his way to becoming one of my new favorite horror auteurs. Hokum feels like a natural extension of his 2024 creepfest Oddity (which was modest, but packed quite the punch). Both films capture that liminal space between real and unreal, steady and unmoored. McCarthy’s characters find themselves on the edge, with the walls that should be comfy and protective instead closing in on them. He’s an adept conjurer of remarkable dread, and it’s an honor to be invited to see the show.
And This is Scott: Adam Scott is probably best known to general audiences for being fed up with everything on Severance or for giving cutie-pie energy on Parks and Recreation. But I love him best for his contributions to very silly podcasts. You might think then that I could never take him seriously as the lead of a movie like Hokum, but it turns that he is (somewhat counterintuitively) perfect as both a cynical writer and someone reckoning with the fact that the world might be more supernatural than he would ever care to admit. In my experience, everything is ridiculous to Adam Scott, and that’s a sneakily effective starting point for a mystery that forces you to open your mind.
A Bundle of Craic: Other than Mr. Scott, Hokum‘s cast is filled with folks I’ve never heard of. But they must be reliable veterans of Irish showbiz, because they all undeniably deliver the goods. Standouts include Wilmot as the woodsman Jerry, whose ragged appearance belies the fact that he represents perhaps the movie’s most fundamental message. Will O’Connell is also essential as the bellhop Alby, meek but full of layers. Florence Ordesh is unfortunately not around too much before her character of Fiona goes missing, but she makes her presence unforgettable. Simply put, all the pieces are in place for you to find the truth in Hokum.

Hokum is Recommended If You Like: Oddity, The Witch, Conquering nightmares and underlying traumas

Grade: 4 out of 5 Disappearances

‘The Monkey’ Leaves a Record Trail of Death and Destruction in Its Wake

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Monkey see, monkey do your worst (CREDIT: NEON)

Starring: Theo James, Tatiana Maslany, Christian Convery, Colin O’Brien, Rohan Campbell, Sarah Levy, Oz Perkins, Adam Scott, Elijah Wood

Director: Osgood Perkins

Running Time: 98 Minutes

Rating: R for A Countless Mass of Displaced Limbs and Loose Guts

Release Date: February 21, 2025 (Theaters)

What’s It About?: Twin brothers Hal and Bill Shelburn (both played by Theo James as adults, and by Christian Convery as teenagers) have been haunted by a simple plaything their entire lives. Whenever this toy monkey drummer flashes its chompers and starts banging away, blood and guts are sure to follow. Once you wind it up and let it do its thing, someone nearby will undergo the most disturbingly gruesome death imaginable. Hal and Bill attempt to wield this power against their enemies, but the monkey does not take requests. They also attempt to get rid of it, but it’s clearly indestructible and inescapable. If you survive your encounter with this demonic entity, you might consider yourself lucky, except that the guilt and paranoia it causes will almost certainly lead to alienation.

What Made an Impression?: Remember to Believe in The Monkey, or It’ll Kill You: I’ve gotta be honest with y’all. While watching The Monkey, I couldn’t help but wonder, “Isn’t this just a redo of that Mystery Science Theater 3000 movie, Merlin’s Shop of Mystical Wonders?” And in fact, it is! But it’s a little convoluted. Merlin’s Shop is a 1996 fantasy horror flick featuring a subplot revolving around a toy monkey that causes death whenever it bangs its cymbals together. That subplot actually consists of recycled footage from another movie, released in 198,4 called The Devil’s Gift, which appears to be an unofficial ripoff of a Stephen King short story published in 1980 called … “The Monkey”! And that short story is, as you may have guessed, the source material for the new Osgood Perkins-directed film of the same name. This genuine adaptation is certainly more professionally constructed than The Devil’s Gift, but I have a bit of a soft spot for that earlier effort. This rendition is just so unrelentingly brutal, which to be fair is kind of the point.
I Can’t Laugh, Because I’m Dying Too Hard: The Monkey is presenting itself as a horror comedy, but my most frequent reaction to the bloody mayhem was “Egads!” rather than “Hahaha-egads!” There are certainly a few dark streaks in my funny bone, but Perkin’s primary m.o. appears to be expanding the depths of Grand Guignol entertainment rather than being particularly clever about it. Sure, occasionally there’s a well-timed amputation that you can’t help but chuckle at just to verify that you’re still alive. But the overall effect is more grotesque and existential than howlingly ridiculous. Similarly, there’s one scene when teenage Hal is covered in banana goo, and that might sound like the silliest big screen image of the year, but instead it’s a symbol of children’s profound capability for cruelty that’s so typical of Stephen King stories.
Life is Death: The haunting lesson that The Monkey eventually grapples with is the acceptance that everyone around us is going to die soon enough anyway. Sure, most demises aren’t quite as dramatic as those of Hal and Bill’s acquaintances, but this simian forces us to wonder: does that even matter? If you’ve lived through trauma, and are pretty sure that even more trauma is on the way, do you fully retreat, or instead find whatever happiness you can after being dealt a historically terrible hand? I wish this conundrum had been addressed more directly (though it does flow throughout as a subtextual undercurrent), but ultimately this movie is more about being paralyzed by terror instead of seeking answers from it.

The Monkey is Recommended If You Like: Final Destination, Sibling rivalries, Uncannily realistic doll teeth

Grade: 3 out of 5 Drumsticks

Getting Caught Up in ‘Madame Web’

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The Four Madames (CREDIT: Sony Pictures)

Starring: Dakota Johnson, Sydney Sweeney, Isabel Merced, Celeste O’Connor, Tahar Rahim, Adam Scott, Kerry Bishé, Emma Roberts, Zosia Mamet, Mike Epps, José María Yazpik

Director: S.J. Clarkson

Running Time: 116 Minutes

Rating: PG-13

Release Date: February 14, 2024 (Theaters)

It’s finally here!

Madame Web… what an experience. I can barely believe what I just watched, but I’m so grateful I did.

I can see the future now, but only a thin slice of it, specifically the part in which Madame Web becomes a midnight movie classic.

Half of it is run-of-the-mill meh mediocre. But that other half… It’s like the people who made this movie were half-asleep during all of 2003 and tried to recreate that year through telepathy.

The Amazon is a trip, man. They don’t make realities like this anymore!

Grade: Mike Epps and Emma Roberts Are Weirdly Also in This

Entertainment To-Do List: Week of 7/3/20

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Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Podcasts
R U Talkin’ RHCP RE: Me? – The Scotts are back at it again!

Sports
-2020 Nathan’s Famous Hot Dog Eating Contest – They’re chowing down inside this year!

Stage on Screen
Hamilton (July 3 on Disney+) – The Broadway sensation arrives just in time for the country’s 244th birthday!

Entertainment To-Do List: Week of 6/5/20

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CREDIT: Guy D’Alema/ABC

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
Shirley (Hulu, On Demand, and Drive-In Theaters) – Another excellent performance from Elisabeth Moss!

TV
RuPaul’s Drag Race All Stars Season 5 Premiere (June 5 on VH1)
Hollywood Game Night (New Episodes Return Starting June 7 on NBC)
Don’t Series Premiere (June 11 on ABC) – New wacky game show hosted by Adam Scott

Music
-Run the Jewels, RTJ4

Best 2019 Super Bowl Commercials

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It’s time to reboot the Super Bowl commercials. What was the deal with Bud Light’s corn syrup obsession. It wasn’t annoying, nor was it anti-brilliant (I don’t think), it was just puzzling. Here’s my top 5:

5. Dietz and Watson, “Craig Robinson Likes Dietz Nuts” – Craig Robinson saying “Dietz nuts”: I can’t help but laugh.

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This Is a Movie Review: Zoey Deutch Shines in the Sweet and Sour ‘Flower’

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CREDIT: The Orchard

This review was originally posted on News Cult in March 2018.

Starring: Zoey Deutch, Adam Scott, Joey Morgan, Kathryn Hahn, Tim Heidecker, Dylan Gelula, Maya Eshet, Eric Edelstein

Director: Max Winkler

Running Time: 93 Minutes

Rating: R for Matter-of-Fact Crude Teen Dialogue, Implications and Discussions of Statutory Relationships, and an Artistically Impressive Penis Drawing

Release Date: March 16, 2018 (Limited)

When Tim Heidecker is playing the relatively normal person, you know that everyone else is stepping a bit outside their comfort zones and/or we have now realized that everybody is at least a little bit crazy. Along with his frequent partner Eric Wareheim, Heidecker has set the demented tone for much of 21st century comedy. But when he acts for other writers and directors, he works effectively as the most grounded presence. In the case of Flower, in which teenagers attempt to expose pedophiles through unsavory means, he comes across as the voice of reason, or at least the one most conscientiously attempting to do the right thing. Meanwhile, folks like Zoey Deutch and Adam Scott, who normally play sweet and wholesome, are afforded plenty of opportunities to tap into their darker impulses.

Heidecker plays Bob, the stepfather-to-be of Deutch’s Erica, who runs a small-time extortion scam with her friends Kala (Unbreakable Kimmy Schmidt’s Dylan Gelula) and Claudine (Maya Eshet), in which they lure adults into sex acts and then demand money once they reveal that they are underage. They sniff out a major opportunity when her future stepbrother Luke (Joey Morgan), stricken by panic attacks and suicidal tendencies, reveals that he was molested by Will (Scott), a former teacher of his who Erica recognizes as the hot older dude from the local bowling alley. She pronounces that shaking down a child molester is their “moral obligation,” but their sense of right and wrong is not exactly ideal, as they partly justify their actions by noting that they don’t want anyone to get fat after suffering abuse. Erica does seem to be motivated more by justice than cash, but her morals are too distorted to stop her from making things spiral out of control.

Flower is far from a Time’s Up rallying cry against abusers. It is much too complicated to be that. There are holes in Luke’s story, and Will seems too decent to be guilty of what he’s been accused of (and not in the way that abusers are often manipulatively charming), though it is certainly concerning that he allows the teenage Erica to insinuate herself into his life. And Erica and her friends are hardly appropriate symbols for victims reclaiming their dignity, as they are too quick to justify their own criminality as a means to the right end. Director/co-writer Max Winkler does not shy away from this messiness, getting a brazen but enticing performance out of Deutch in the process. But the ending ties everything up a little too neatly, opting for a romantic outlaw angle that ignores much of the film’s moral debris. The whole affair is a tonal ping-pong, for better and worse.

Flower is Recommended If You Like: The Edge of Seventeen, Donnie Darko, The Crush

Grade: 3 out of 5 Shakedowns