‘Spencer’ Goes in Deep and Claustrophobic on Princess Diana

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Spencer (CREDIT: NEON)

Starring: Kristen Stewart, Timothy Spall, Jack Farthing, Sean Harris, Sally Hawkins, Jack Nielen, Freddie Spry, Stella Gonet, Richard Sammel

Director: Pablo Larraín

Running Time: 111 Minutes

Rating: R for A Little Bit of Salty Language

Release Date: November 5, 2021 (Theaters)

If you go see the new Pablo Larraín-directed moving picture Spencer, there is one scene I can pretty much guarantee you won’t be able to forget. I’m talking about the moment when Princess Diana (as played by Kristen Stewart) announces that she is going to masturbate. Self-pleasure is not typically a topic broached in polite company, and the British royal family is perhaps the most stifling of polite company. That moment also sticks out because it’s the only time that Diana says anything like that during the whole movie, and you get the sense that it’s the first time she’s said anything like that in the past twenty years or so, or quite possibly her entire life. It’s hard to break loose when someone’s always watching.

Larraín is adept at crafting claustrophobic environments, and the one in Spencer is like an alternate reality that everyone except Diana has accepted as normal. The action takes place in the days leading up to Christmas, and let’s just say it’s not the most festive atmosphere. Timothy Spall shows up as a new employee whose job it is to “watch,” and I would venture to guess that he was transferred from the Overlook Hotel. He has a knack for always showing up during Diana’s most vulnerable moments, like when she’s binging on sweets in the kitchen in an episode of bulimia. This scene isn’t played as a moment of concern, or an offer for treatment, or much of anything really, except perhaps as a reminder to remain on schedule.

I found the toxic environment constructed in Spencer compelling, but its portrait of the woman at its center didn’t strike me as especially insightful. It didn’t necessarily have to be that way to be successful, but we do spend a lot of time with Diana, so it would be nice to get to know her (or at least the version of her that Larraín and Stewart have created) beyond the public figure. Although, perhaps that lack of clarity was by design. Maybe she was supposed to be opaque all along. If that’s the case, then mission accomplished. But as a viewing experience, it makes for a movie that’s difficult to connect to, though interesting to consider.

Spencer is Recommended If You Like: Ghosts stalking the royal abodes

Grade: 3 out of 5 Christmas Dishes

This Is a Movie Review: Jackie

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jackie_natalie_portman_red_dress

This review was originally published on News Cult in December 2016.

Starring: Natalie Portman, Billy Crudup, Peter Sarsgaard, Greta Gerwig, John Hurt

Director: Pablo Larraín

Running Time: 99 Minutes

Rating: R for an Alarming Recreation

Release Date: December 2, 2016 (Limited)

The strongest biopics often take the most intimate approaches, and it does not get much more intimate than Jackie. In terms of chronology, cinematography, music, dialogue, and everything else, Pablo Larraín’s portrait of the iconic Mrs. Kennedy is razor sharp in focus. The opening shot, and essentially every shot thereafter, is a tight close-up of Natalie Portman as the First Lady. She is told, in the wake of her husband’s assassination, “the world has gone mad.” But this has been so ever since she has taken residence in the White House. The relentless gaze she endures in such an existence makes it so.

Jackie is constructed around four key relationships. The framing device is an interview conducted by a persistent, but plainly frustrated Billy Crudup (supposedly playing historian Theodore H. White, but credited only as “The Journalist”). Jackie welcomes him into her home, but insists that he is prohibited from printing basically everything she reveals to himHe seeks truth, whereas she only offers stories. Yet, her film is filled with details, and in the wake of tragedy, she latches onto them for some semblance of survival.

Bobby Kennedy (Peter Sarsgaard) is in full-on family mode, as he attempts to anchor his sister-in-law back to reality. Does our knowledge of the tragic fate that awaits him suggest that her buzzing, restless psyche is the better response to all this madness? Social Secretary Nancy Tuckerman (Greta Gerwig) is a constant, near-silent presence, practically a friendly neighborhood specter propping up Jackie’s decorum and fabulousness. And then there is a priest (John Hurt), who only offers answers wrapped in ambiguity. (Or is it the other way around?)

The teams on sound and design assemble it all to give you the front-row seat that is almost too disturbing to bear. Indeed, its boldness in key moments may in fact be too much for some audiences to handle. Cinematographer Stéphane Fontaine understands that the medium is the message. His Super 16 photography is a mix of grainy distortion/clarity and that old soap opera-style intimacy. Mica Levi’s avant-garde score is unnerving, yet somehow comforting, and therefore unnerving to think that such a tragedy could ever be comforting. A constant string phrase sounds like the THX theme being drained of life. Like all of Jackie, it is indelible.

Jackie is Recommended If You LikeThe Tree of LifeUnder the SkinBlack Swan

Grade: 4.5 out of 5 Bloodstains That Are Hard to Wash Off