‘Minions & Monsters’ is an Ode to Joys of Cinema

June 30, 2026

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The Minions finally made a movie! (CREDIT: Illumination & Universal Pictures)

Starring: Pierre Coffin, Trey Parker, Allison Janney, Christoph Waltz, Jesse Eisenberg, Jeff Bridges, Zoey Deutch, Bobby Moynihan, Phil LaMarr, George Lucas

Director: Pierre Coffin

Running Time: 90 Minutes

Rating: PG for Incorrigibly Rude Humor and Unbound Comic Mayhem

Release Date: July 1, 2026 (Theaters)

What’s It About?: You might think you know everything about the Minions, but you know NOTHING! Well, not nothing. Just not quite everything. You see, those blabbering yellow pills (voiced as usual by Pierre Coffin) who are most famous for serving the evil mastermind Gru have actually consisted of multiple tribes over the centuries. And as Minions & Monsters reveals, one of those tribes played a major part in the early days of Hollywood cinema. That’s because one Minion named James is quite the visionary, and his Minion buddies Henry and the hard-of-hearing Ed are eager to collaborate with him to produce a monster movie opus. Fortunately, a veteran director named Max (Christoph Waltz) truly believes in them. Less fortunately, though, the film studio head brothers (both voiced by Jeff Bridges) are only intermittently supportive. So James, Henry, and Ed journey off on their own to summon actual monstrous beasts with the help of a miniature Cthulhu-type named Goomi (Trey Parker). That’s sure to guarantee some fabulous footage, but it could also result in a full-blown apocalypse.

What Made an Impression?: Cinema Paradise: M&Ms is hardly the first kid-friendly animated movie to feature references to the earliest days of cinema, but when the Minions are involved, those references skyrocket to another level. Saying “Bello” to the likes of  Méliès, Casablanca, and the Lumière brothers guarantees that the culture clash combination is just as bizarrely perfect as chocolate, peanut butter, and bananas. And then there’s the Minion version of an iconic scene from Citizen Kane, which is positively transcendent in its potty-mouthed simplicity.
Pushing the Limits: Speaking of potty mouths, Minions & Monsters really pushes the limits of the PG rating in a way that I suspect and hope the rascally youths in the audience will fully appreciate. The comic mayhem features plenty of typical physical gags: the eye pokes, the clubs to the head, the vaporizations. But then they take it a step further with a beheading! And one film noir homage lets slip a bit of profanity that I previously thought was reserved for PG-13 or higher. I gasped, only to be immediately comforted by just how playful this envelope-pushing was.
Supporting Report: So, the Minions are of course as delightful as ever, but what about everyone else in this extravaganza? Well, the aforementioned Bridges and Waltz provide solid color to the 1920s setting, while Parker certainly goes for it as a dinky-voiced beastie. But the top non-Minion highlight for me would have to be an adorably strange subplot with Jesse Eisenberg as a robot and Zoey Deutch as an activist that answers a question we never knew we needed to have the answer to, i.e., what if The Day the Earth Stood Still were about the fight for women’s suffrage? We could use that same sort of energy when conquering similar real-world struggles.

Minions & Monsters is Recommended If You Like: Charlie Chaplin, Buster Keaton, Harold Lloyd, A Trip to the Moon, The Arrival of a Train at La Ciotat Station, Bananas

Grade: 4.5 out of 5 Kaiju

This Is a Movie Review: ‘Incredibles 2’ Uses Its Period Setting and the Responsibility of Superpowers to Show How to Be an Adult

June 13, 2018

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©2017 Disney•Pixar. All Rights Reserved.

This review was originally published on News Cult in June 2018.

Starring: Craig T. Nelson, Holly Hunter, Sarah Vowell, Huck Milner, Samuel L. Jackson, Bob Odenkirk, Catherine Keener, Brad Bird, Jonathan Banks, Sophia Bush, Phil LaMarr, Isabella Rossellini, John Ratzenberger, Bill Wise

Director: Brad Bird

Running Time: 118 Minutes

Rating: PG for Action Sequences Involving Dangerously Heavy Structures

Release Date: June 15, 2018

The Incredibles films stick out among Pixar’s oeuvre for how much more adult they are than the rest of the animation brand’s features. That is not to say that everything else is merely kids’ stuff. Indeed, there is plenty for audiences of all ages to appreciate in the likes of Toy Story, Finding Nemo, Wall-E, etc. The difference is that the typical Pixar offering features childlike wonder presented with unusually mature storytelling sophistication, whereas The Incredibles and Incredibles 2 are primarily concerned with the struggles of being a grown person: how to raise a family, how to earn a living, how to reconcile the way you live with the self-identity you perceive on the inside. With this focus along with its period trappings, Incredibles 2 continues asking its franchise’s fundamental question of whether or not we have shaped society as it ought to be.

Incredibles 2, like the original, is vague about its time period, but based on the outfits, manner of speaking, and predominant technology, it is easy to peg it as 1960s America. With that in mind, if The Incredibles were to exist as a TV series, it is not too hard to imagine it as the first animated example of AMC’s stable of period dramas. (The presence of two of the stars of Better Call Saul among the voice cast certainly bolsters this perception.) Incredibles 2 features more stable (though no less harried) domesticity than Mad Men, but the concerns of Bob Parr (Craig T. Nelson) are not terribly different from those of Don Draper, while Helen Parr’s (Holly Hunter) career-minded focus in the face of skepticism is absolutely of a piece with that of Peggy Olson. Writer/director Brad Bird’s grounded approach to the existence of supers allows all viewers to consider that no matter what their own unique abilities are, they ought to make the best of them, for the world’s sake.

The reflectiveness and contextualization inherent to a period setting are key to getting the point across. This outing, in which Helen/Elastigirl is recruited for a PR campaign to make superpowers legal again while fighting a mysterious villain who uses screens to carry out mind control schemes, touches upon issues of media manipulation, trust (or lack thereof) in institutions, and the power and limits of basing a campaign around a single figurehead. Anyone paying attention to the political scene in 2018 will recognize similar disturbances in Incredibles 2. It is important to be reminded that these crises are not new and to know a big part of being an adult is responding to these challenges.

Bottom line: if you loved the kinetic action and family dynamics of the first Incredibles, you will probably love them all over again in Incredibles 2. If the prospect of a baby growing into his impressively wide-ranging superpowers has you excited, just wait until you see what Jack-Jack is up to. And rest assured, Edna Mode’s (Bird) scenes do not disappoint. This entry is not as mold-breaking as the original, but it is reliably entertaining and has plenty to say.

Incredibles 2 is Recommended If You Like: The Incredibles, AMC period dramas

Grade: 4 out of 5 Eye Lasers