Cinematic Holiday 2023 Catch-Up Roundup

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CREDIT: NEON

Heading into the Christmas break, it seemed like I had a lot more new movies to catch up on than usual. Or maybe it was actually a normal amount, and I was just cataloging my filmgoing plans a little more closely than I typically do. Either way, it took me about a month, but I’ve finally checked off everything that was on my to-watch list. So let’s run down some quick thoughts on all of them!

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The Doggies of ‘Strays’ Are on the Dirtiest and Sweetest Mission of the Year

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Here Be Strays (CREDIT: Universal Studios)

Starring: Will Ferrell, Jamie Foxx, Isla Fisher, Randall Park, Will Forte

Director: Josh Greenbaum

Running Time: 93 Minutes

Rating: R for Thoroughly Scatological and Sexual Humor, and Some Canine Revenge Violence

Release Date: August 18, 2023 (Theaters)

What’s It About?: Dog is famously man’s best friend. But someone forgot to explain that to Doug, the frequently masturbating, irresponsible loner played by Will Forte in Strays. He has a Border Terrier named Reggie (voiced by Will Ferrell), but that’s only to spite his most recent ex-girlfriend, who was actually the one who chose to adopt the pup in the first place. Soon enough, Doug realizes that Reggie’s cramping his style a bit too much, so he tries to get rid of him with a miles-long version of fetch. Reggie thinks it’s all a game until streetwise stray Boston Terrier Bug (Jamie Foxx) sets him straight. The two of them then team up with therapy Great Dane Hunter (Randall Park) and sniffer supreme Australian Shepherd Maggie (Isla Fisher) for the ultimate revenge mission: they’re going to take away the thing that Doug cares the most about in the world by biting off a certain part of his anatomy that dangles between his legs.

What Made an Impression?: An Explicit Dog’s Life: I didn’t make any exact calculations while watching, but I would estimate that about 75% of the jokes and gags in Strays are scatological or sexual in nature. That makes sense, as dogs sure do poop and pee and hump a lot. That’s true of a lot of mammals, after all! But dogs tend to be especially shameless about it. So director Josh Greenbaum and screenwriter Dan Perrault wisely take a matter-of-fact approach to the crudeness. Depending on your tolerance level for potty humor, you might find yourself averting or rolling your eyes at certain moments. But Strays stays true to its canine worldview through and through, and it deserves respect for that.
Guileless and Openhearted: It’s essential that Strays‘ main pooch be as fundamentally trusting as Reggie is. Even when he realizes how awful Doug has been to him, it doesn’t change his entire conception of existence. Instead, he still believes that the world is absolutely full of wonder, and if anything, his time with his new friends convinces him of that truth even more. Life off the leash could terrify a more skittish dog, but Reggie rolls along with pretty much anything. If you introduce him to the couch you’ve been humping, he’ll treat it as an honor to meet someone so important. If you tell him that he should tell the lawn gnome he’s humping that he’s its daddy, he’ll do his best to make the introduction to his long-lost son less awkward. It’s always welcome to have a fresh bundle of joy on your team.
Treat Your Pet Right: In its most ambitious moments, Strays grasps for profundity in exploring the emotional dynamics of toxic relationships. And it’s mostly successful. Despite his desire for vengeance, there’s also an undercurrent implying that Reggie can’t quite quit Doug. And his explanation for why that is sounds a lot like the sort that you might hear from people who have been abused in human-human relationships. Reggie has internalized the lesson that he deserves Doug’s neglect because he’s been a bad dog all along, and it’s heartbreaking to witness that realization. While Strays has been advertised a gross-but-sweet raucous comedy, it turns out that it’s actually most assured in its handling of canine psychology.

Strays is Recommended If You Like: Talking dog movies like Homeward Bound and A Dog’s Purpose but wish they had more poop and dick jokes

Grade: 3.5 out of 5 Humps

This Is a Movie Review: ‘Ant-Man and the Wasp’ Keeps It Cool for the Summer

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CREDIT: Disney/Marvel Films

This review was originally posted on News Cult in July 2018.

Starring: Paul Rudd, Evangeline Lilly, Michael Douglas, Michael Peña, Walton Goggins, Abby Ryder Fortson, Bobby Cannavale, Judy Greer, Hannah John-Kamen, Laurence Fishburne, Tip “T.I.” Harris, David Dastmalchian, Michelle Pfeiffer, Randall Park

Director: Peyton Reed

Running Time: 118 Minutes

Rating: PG-13 for Large-Scale and Small-Scale Action Movie Destruction

Release Date: July 6, 2018

Ant-Man and the Wasp has left me feeling a lot more peaceful than other recent Marvel movies. I would it put about on the same quality level as Black Panther and Thor: Ragnarok, but those blockbusters left me with nagging bits of emptiness, whereas Paul Rudd and company just give off good vibes. That is partly a function of my own expectations, but it is also a matter of how this franchise and its sub-franchises are promoted. The excursions to Wakanda and the garbage planet promised that they would be unprecedented game-changers. Whether or not they lived up to that hype, it is hard to match the buoyancy of their ad campaigns, and it takes effort for audiences to avoid every commercial. But with the original Ant-Man and now with The Wasp, you can just come in, be chill, and not have to worry about it being the best movie ever.

Director Peyton Reed and his team of five credited screenwriters (including Rudd) maintain those good vibes by allowing for some conflict, but avoiding true evil, and establishing that those who are at odds are ultimately really on the same team as each other. The main story thrust is the recovery of Janet van Dyne (Michelle Pfeiffer) from the “Quantum Realm,” a subatomic space where the normal laws of space and time do not apply. Her husband Hank (Michael Douglas) and daughter Janet, aka the Wasp (Evangeline Lilly), have the science skills to track her down, but they need the help of Ant-Man Scott Lang, as his previous venture into and escape from the Quantum Realm has allowed Janet to establish him as a point of contact. Standing in their way is a black market dealer (Walton Goggins), who sniffs out a big potential profit, but he does not have the killer instinct to tear them down. More serious are those who represent the skeletons in Hank’s closet, but their threat is neutralized by the ultimate realization that they can solve each other’s problems together.

A-M and the W has genuine, successful humor to match its laid-back style. The comedy in Marvel movies often has the cadence of a joke without actually being funny, but here there is a cast that is trained to find the laughter. Rudd obviously has more of a comedy background than any other Marvel headliner. Michael Peña delivers another round of his motor-mouthed, very detail-oriented storytelling. And the most delightful subplot features Fresh Off the Boat‘s Randall Park as a fastidious FBI agent hounding Scott while he remains under house arrest. If their jobs did not require them to be enemies, they would be friends for the ages.

It is certainly odd that Ant-Man and the Wasp arrives in the apocalyptic wake of Infinity War, but die-hard MCU fans will be happy to discover that the connective tissue is clear and satisfying. And those who are tired of every superhero movie being about the end of the world will be happy that that connectivity does not get in the way of everyone just having a good time.

Ant-Man and the Wasp is Recommended If You Like: The Marvel Cinematic Universe but with lower stakes

Grade: 3.5 out of 5 Quantum Realms