‘Digger’ Review: My God, What Have They Unearthed?

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Dig, baby, dig! (CREDIT: Warner Bros./Screenshot)

Starring: Tom Cruise, Riz Ahmed, John Goodman, Sandra Hüller, Michael Stuhlbarg, Jesse Plemons, Robert John Burke, Emma D’Arcy, Burn Gorman, Sophia Wilde, Piper Torrens, Mercedes Hernández, Danny Kirrane, Corey Johnson

Director: Alejandro G. Iñárritu

Running Time: 129 Minutes

Rating: R for A Bunch of Hot Air (I.e., Profanity)

Release Date: October 2, 2026 (Theaters)

What’s It About?: Digger Rockwell (Tom Cruise) is a wealthy oil tycoon and essentially the most powerful man in the world. He’s also a little eccentric, if you know what I mean. But that eccentricity is definitely not what the planet needs at the moment, as a drilling expedition he’s overseeing in Greenland is threatening to cause an apocalyptic climate disaster. But instead of focusing on preventing that, he’s much more concerned about indefinitely extending the life of his beloved, grotesquely ill cat. Eventually, though, he is convinced that he must work alongside the President (John Goodman) and his war room to actually propose some sort of solution. Meanwhile, another story is brewing underneath this catastrophe.

What Made an Impression?: Cover Up Those Holes: To paraphrase the Immortal Bard, Digger is a whole lot of sound and fury, signifying nothing. I’m happy to see Tom Cruise fully committing himself to a new role, but every calorie of energy he expends makes for a thoroughly exhausting viewing experience. On top of that, President Goodman has to make do with a terminal medical diagnosis in a sensitive area, which is worth a chuckle before it just adds to the tidal wave. Even the relatively restrained performances (emphasis on relatively) from the likes of Riz Ahmed (as Ganesh, a scientist running point for Digger) and Sandra Hüller (as Digger’s sister Emma) just get subsumed into the extremity.
What Might Have Been: Starting around a half hour into the runtime, there are punctures in Digger’s world that reveal a parallel storyline. At my screening, we were requested not to spoil any major reveals, although I have seen other reviews go into detail about this element. So feel free to consult those takes if you want to sate your curiosity ahead of time, but I’ll keep things vague for my analysis. At first I thought this aspect was intriguing enough to pay attention to, but then it started to get about too cute by half. Ultimately when it all clicked into place, I appreciated the fuller picture it provided and wondered why it couldn’t have taken the place of Digger’s antics even earlier.
What If It Were Called “Kenny” Instead?: The one piece of Digger that I’m willing to recommend without reservation is the performance of Jesse Plemons, who’s quickly becoming one of my favorite actors. He plays Kenny, an operator in the margins with a mysterious connection to Digger. With his scraggly, curly mop-top and oddly precise speaking voice, he cuts an inimitable figure, oddly disturbing but also sort of comforting. I wouldn’t go so far as to say that the whole film should have been redesigned around him, because a big part of his success has to do with emerging from the shadows. But I do wish that much more of Digger had embodied his offbeat unpredictability.

Digger is Recommended If You Like: Don’t Look Up

Grade: 2.5 out of 5 Glaciers

This Is a Movie Review: A Wild Real-Life KKK Infiltration Makes ‘BlacKkKlansman’ an Essential Spike Lee Joint

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CREDIT: Focus Features

This review was originally published on News Cult in August 2018.

Starring: John David Washington, Adam Driver, Laura Harrier, Topher Grace, Jasper Pääkönen, Ryan Eggold, Paul Walter Hauser, Ashlie Atkinson, Robert John Burke, Corey Hawkins

Director: Spike Lee

Running Time: 135 Minutes

Rating: R for Incendiary Language and Images, Plus a Few Outbursts of Violence

Release Date: August 10, 2018

Going undercover is the most nerve-wracking work I can possibly imagine. Living in a constant state of dishonesty causes so many problems. Maybe this is one type of lying that can be justified morally, but that does not mean it is without consequences. It warps your sense of self and tears at the seams of all your close relationships. I have never had to go undercover myself, and thank God, because watching it in movies is stressful enough. The undercover experiences of Jewish Colorado Springs detective Flip Zimmerman (Adam Driver) only serve to confirm this perception. But the approach of his black partner, Ron Stallworth (John David Washington), reveals that at least one person is built to handle the cognitive dissonance of going undercover.

Stallworth and Zimmerman’s infiltration into the Ku Klux Klan is the electrifying and infuriatingly relevant story of BlacKkKlansman, one of the most crowd-pleasing and just plain best joints in Spike Lee’s career. My main reaction to this flick is that if the real Stallworth is anything like the way Washington plays him, then he is one of the most righteously insane people who has ever lived. This is the first black officer in the history of the Colorado Springs police department, and his instinct when he sees a classified ad in the newspaper for the KKK is to contact them for more information. Furthermore, he treats his phone conversations with David Duke (Topher Grace) as an opportunity to pull off a long con to prove to the notorious grand wizard that he is not so adept at telling apart the races as he thinks he is. Stallworth’s actions may put himself and his fellow officers in the line of cross-burning fire, and Zimmerman calls him out for treating what should be a job as a crusade. But when unabashed racism is still delivering deadly violence to its targets, bold action is required to keep people safe.

Lee, of course, does not shy away from the rotting, anti-humanist message at the core of the KKK, but directly calling it out for what it is can still be a lot of fun. The entirety of Stallworth’s dialogue seems designed to inspire the dual reactions of “Can you believe what he’s saying?” and “That’s probably exactly what we need to hear, though.” “With the right white man, we can do anything” might very well be the slogan of American as filtered through the lens of Spike Lee. The KKK members are also a hoot without hiding their despicableness, with Grace seamlessly capturing the banality of evil and Alec Baldwin cameoing as a bumbling propagandist. Laura Harrier is just as essential as a Black Student Union leader who Ron becomes romantically involved with. Their discussions about blaxploitation and where the soul of fighting for justice should lie are the stuff of geeky film buffs’ delight. If you’re looking to have a fun time, seeing BlacKkKlansman is a great option, but Lee makes sure to unequivocally remind us of what we’re fighting for by including a coda of real-life footage from the 2017 Charlottesville riots. The historical passage of time in America is in many ways not so linear, and Lee is doing his best to capture it like lightning.

BlacKkKlansman is Recommended If You Like: Malcolm X, Chi-Raq, American Hustle

Grade: 4.5 out of 5 Crank Calls