In this feature, I look back at each day of the past week and determine what shows “won TV” for the night. That is, I consider every episode of television I watched that aired on a particular day and declare which was the best.
Sunday – There was a football game, and the best part was Christopher Walken singing “Bai, Bai, Bai.”
Monday – Jane the Virgin
Tuesday – New Girl
Wednesday – Legion makes my head go boom.
Thursday – Baskets
Friday – Jeopardy!
Saturday – SNL, especially its celebration of Black History Month
SATURDAY NIGHT LIVE — “Kristen Stewart” Episode 1717 — Pictured: (l-r) Host Kristen Stewart, Vanessa Bayer during the “Totinos” sketch on January 31, 2017 — (Photo by: Rosalind O’Connor/NBC)
This review was originally posted on News Cult in February 2017.
Love It
Meet Cute – In this filmed piece, Kristen Stewart and Pete Davidson have the titular encounter at a coffee shop, and the unlikelihood of an immediate development into a relationship is examined, poked, and prodded. It is not really the case that in most cinematic meet-cutes someone fails to give out enough relevant information, but it is true that they are just too fast to truly be meaningful. So we should all relate to Pete’s struggle on a spiritual (not literal) level. Oh, and his confusion over how to spell Manhattan (it’s 2 T’s, not 2 D’s) is a marvelous detail.
When Robert Mugabe earns the big applause, as in the Oval Office Phone Calls cold open, you know you’ve got something … let’s call it “special.”
In this feature, I look back at each day of the past week and determine what shows “won TV” for the night. That is, I consider every episode of television I watched that aired on a particular day and declare which was the best.
Sunday – How did we get an Australian Open ending like this in 2017?
Monday – Jane the Virgin
Tuesday – Marvel’s Patton Oswalt’s of S.H.I.E.L.D.?
Wednesday – Woof Woof Cowabunga thanks for the great episode, Man Seeking Woman!
Thursday – Baskets
Friday – Crazy Ex-Girlfriend
Saturday – Saturday Night Live
In this feature, I look back at each day of the past week and determine what shows “won TV” for the night. That is, I consider every episode of television I watched that aired on a particular day and declare which was the best.
Sunday – The Young Pope, Pope-in’ it up
Monday – The Young Pope, still young and still a pope
Tuesday – Billy on the Street
Wednesday – It’s Always Sunny in Philadelphia (Honorable Mention: The Methelda Show)
Thursday – TheFiendishly Good Place
Friday – Crazy Ex-Girlfriend
Saturday – SNL, mainly for Aziz’s monologue
SATURDAY NIGHT LIVE — “Aziz Ansari” Episode 1716 — Pictured: Aziz Ansari as Dave during the “Five Stars” sketch on January 21st, 2017 — (Photo by: Caroline De Quesada/NBC)
This review was originally posted on News Cult in January 2017.
Love It
Peppy Ronnie’s Pizza Party – This scene about a late-night arrest at a Chuck E. Cheese-style pizzeria is similar to last season’s “Space Pants,” insofar as a kitschy performance threatens to derail a criminal situation. This does not quite reach the stellar heights of Jonathan Comets, as the Peppy Ronnie’s crew is a lower-stakes distraction. But animatronic bands are hilarious enough on their own, and reactions from Kenan Thompson provide just the right sort of flavoring.
Aziz Ansari is a seasoned stand-up, which pretty much always guarantees a solid Monologue; I appreciate his advocacy for news reports of brown people eating nachos and changing scary-sounding Islam music to something Benny Hill-style… Bobby Moynihan’s Ganz, of Broderick & Ganz, is a kidney-less personal injury lawyer whose incompetence knows no bounds or predictability…The police Interrogation of a man who only kind of liked La La Land wins special recognition for clever comic exaggeration…Michael and Colin are on fire, post-Inauguration…Leslie Jones is more on topic than usual (despite Che’s hilarious “that was about Hidden Figures?” comment) as she examines where else African-American accomplishments are hidden and points out that the Predator is from space…Five Stars is an understated take on five-star culture, perhaps a response to a hysterical (though pointed) Black Mirror episode.
SATURDAY NIGHT LIVE — “Felicity Jones” Episode 1715 — Pictured: (l-r) Felicity Jones, Beck Bennett, and Kyle Mooney during the Movie Interview sketch on January 14th, 2017 — (Photo by: Will Heath/NBC)
This review was originally posted on News Cult in January 2017.
Love It
Fandango All Access – I believe we have had other examples of trenchant boob-based humor in the past, but never before has this type of material been performed with the idiosyncratic conviction of a Beck Bennett/Kyle Mooney joint. One caveat to my praise, though: I feel like they are holding back on us a bit. If the sketch were just scenes from Hot Robot 3: Journey to Boob Mountain, instead of a discussion about it, I think this could reach the raucous, surreal heights of this crew’s sitcom parodies. As it is, the steely commitment to the patent ridiculousness from everyone in this sketch is still plainly stunning.
Beck Bennett’s turn as a pop sensation feels like a half-baked idea. Or maybe it was fully thought out, and the concept is that it is meant to seem half-baked? Either way, he’s adorable.
In this feature, I look back at each day of the past week and determine what shows “won TV” for the night. That is, I consider every episode of television I watched that aired on a particular day and declare which was the best.
Sunday – Bob’s Burgers
Monday – Not a bad College Football Championship game
Tuesday – New Girl
Wednesday – Man Seeking Woman
Thursday – The Good Place
Friday – Crazy Ex-Girlfriend
Saturday – Carrie Fisher on SNL Vintage, Boob Mountain on new SNL
SATURDAY NIGHT LIVE — “Casey Affleck” Episode 1714 — Pictured: Kate McKinnon as Hillary Clinton during the “Hillary Actually” sketch on December 17, 2016 — (Photo by: Becky Vu/NBC)
This review was originally published on News Cult in December 2016.
News Cult Entertainment Editor Jeffrey Malone watches every new episode of Saturday Night Live and then organizes the sketches into the following categories: “Love It” (potentially Best of the Season-worthy), “Keep It” (perfectly adequate), or “Leave It” (in need of a rewrite, to say the least). Then he concludes with assessments of the host and musical guest.
Love It
Hillary Actually – I generally cut SNL slack for not having the sharpest political satire around, but I do encourage more adventurous ideas, and this is exactly what I am talking about. Using a movie parody to make sense of the current twist in the election is what SNL is uniquely equipped to do. Hillary wooing an elector in the style of Love Actually’s cue cards scene may be over-the-top, but it rings through and through with essential truth.
I love the hacky comedy in the nativity play covered by New York Now and wish it had lasted even longer and gotten even more ridiculous…At Frankie’s Ale House, it is not just the guys looking to score who are deploying faux shyness: it’s also the bouncer, the guy calling 911, the EMT, and even God.
In this feature, I look back at each day of the past week and determine what shows “won TV” for the night. That is, I consider every episode of television I watched that aired on a particular day and declare which was the best.
Sunday – Son of Zorn
Monday – People of Earth
Tuesday – New Girl
Wednesday – Farewell, Rectify.
Thursday – Jeopardy!
Friday – Jeopardy!
Saturday – I’m sorry to say this, this is really embarrassing, but SNL with Casey Affleck was pretty good.
SATURDAY NIGHT LIVE — “John Cena” Episode 1713 — Pictured: Host John Cena on December 6, 2016 — (Photo by: Rosalind O’Connor/NBC)
This review was originally posted on News Cult in December 2016.
Love It
Hook a Hunk – The hook of “Hook a Hunk” is clear from a mile away. As soon as all the contestants on this dating show parody are introduced, and not one of them is played by John Cena, it follows that the hunkiest of hunks in the building must be playing the host and Cecily Strong’s contestant must fall for him in favor of any of the contestants. And yet, “Hook a Hunk” succeeds despite its obviousness, as Beck Bennett and Kyle Mooney carve out their own little scene amidst the disappointment, because love wins.
Aidy Bryant clings to the ledge while holding on to the Office Christmas Tree, and some terrifying camera angles ramp up the tension necessary to build to the catharsis that is so important in comedy.
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