‘Civil War,’ or How to Be a Photojournalist

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Civil War, what is it good for? (CREDIT: Murray Close/A24)

Starring: Kirsten Dunst, Wagner Moura, Cailee Spaeny, Stephen McKinley Henderson, Nick Offerman, Jesse Plemons

Director: Alex Garland

Running Time: 109 Minutes

Rating: R for Gunfire, Grenades, and Piles of Dead Bodies

Release Date: April 12, 2024 (Theaters)

What’s It About?: The president of the United States refuses to relinquish power in the face of incoming secessionary forces. Meanwhile, a group of journalists sniffs out an opportunity, as they’re going to barge right into the White House for an interview. Nobody outside of the commander-in-chief’s inner circle has talked to him in who knows how long. But they’re warned that it’s essentially a suicide mission. The administration considers the press an enemy of the people, and the area in and around Washington, D.C. is the deadliest part of the country, or what’s left of it. Nevertheless, they feel compelled to make the trip, out of a sense of duty, or ambition, or steely commitment to the truth, or some combination of the above.

What Made an Impression?: Thought Number One: The fact that Civil War takes place in a near-future United States is kind of beside the point. The landscape matters in a logistical sense, but the underlying principles would remain the same no matter what the setting or how much it is or isn’t based in reality. Fundamentally, this movie is a dramatized how-to guide for how to be a wartime photojournalist. As veteran photog Lee (Kirsten Dunst), her colleague Joel (Wagner Moura), ambitious youngster Jessie (Cailee Spaeny), and Lee and Joel’s mentor Sammy (Stephen McKinley Henderson) embed themselves in combat zones, they’re just as vulnerable to bullets and bombs as any soldier or civilian. The big block “PRESS” letters on their vests and van are supposed to relay a message of objective neutrality, one that most (but not all) of the combatants respect.
Thought Number Two: Any viewer expecting Civil War to be a specific warning about the current state of affairs in the United States will likely end up disappointed. This country may be more polarized than it’s been in decades, but the exact nature of that polarization is not exactly reflected in writer/director Alex Garland’s vision. This is simply an alternate possibility of what that division could look like, one that Garland thoroughly declines to offer any explanation for. Even the president (Nick Offerman) remains nameless! Once I accepted that Civil War was going to be light on backstory, I could appreciate its cinéma vérité qualities. Still, I was frustrated by the impenetrable characterization of the people that we do get to know. Although, that was perhaps by design, as Lee and Joel have been hardened by the lesson that they must subsume themselves within their jobs. Weirdly enough, that loss of personality is enough to remind me of how urgent it is to avoid any actual civil war.

Civil War is Recommended If You Like: Primary (1960), Abandoned highway cinematography, Ominous road trips

Grade: 3.5 out of 5 Alliances

‘Beau Is Afraid,’ But Maybe He’ll Be Less Afraid If You Go See His Movie

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Beau Afraid, Beau Very Afraid (CREDIT: Takashi Seida/A24)

Starring: Joaquin Phoenix, Zoe Lister-Jones, Nathan Lane, Amy Ryan, Patti LuPone, Richard Kind, Parker Posey, Kylie Rogers, Denis Ménochet, Stephen McKinley Henderson, Hayley Squires, Armen Nahapetian

Director: Ari Aster

Running Time: 179 Minutes

Rating: R for Sex, Naked Stabbings, Giant Testicles, Peer Pressure, and Just an All-Around Disturbing Odyssey

Release Date: April 14, 2023(New York and L.A. Theaters)/Expands April 21

What’s It About?: Beau Wasserman (Joaquin Phoenix) is just trying to get home to visit his mom Mona (Zoe Lister-Jones in flashbacks, Patti LuPone in the present day). He’s really, really trying to! But you wouldn’t believe the obstacles in his way! She’s skeptical that he’s making the most honest effort, but we get to see what he has to deal with. He lives in the most outrageously dangerous part of town, which leads to his apartment being broken into and then epically destroyed. Then a series of comically violent misunderstandings concludes with him being plowed down in traffic. Luckily, the people who hit him are a seemingly lovely couple (Amy Ryan, Nathan Lane) who take him into their home while he’s healing. Not so luckily, their teenage daughter (Kylie Rogers) is an absolute nightmare, and their late son’s Army buddy (Denis Ménochet) is seriously disturbed. Beau eventually breaks free enough to go on a spiritual journey of sorts and eventually arrive at his childhood home. But will it be too late for him to get his mother to confess what really happened between them when he was growing up?

What Made an Impression?: When dealing with a 3-hour movie like Beau Is Afraid, we all of course want to know: is it possible to make it through the whole thing without nodding off or losing patience? I can confidently say that writer-director Ari Aster and his totally game cast held my attention the whole time, though your results may vary. There are gonzo left turns around every corner, which some might find profoundly exhausting. But if you can get on the right wavelength, it’ll be quite fulfilling and invigorating.

The whole film dances on the precipice between real and surreal. Just when I think I can come up with a logical explanation for how this could all possibly happen, suddenly a giant phallic monster shows up. It’s biblical, I must say. This might as well have been called Ari Aster’s Old Testament.

I think the skeleton key might lie in the opening scene, as Beau meets with his therapist (Stephen McKinley Henderson) and gets a new, somewhat dangerous prescription. Everything that follows might be a trip through Beau’s subconscious, and not exactly of the most ethical variety. The doc may very well be in cahoots with Mona, and they may have cooked up a fantastical scheme to test Beau’s love. I hope that this isn’t a metaphor for Aster’s relationship with his own mother, but if it is, I pray that it can serve as an opening for them to heal their own wounds. (And that same sentiment holds true for anyone who’s had a rough relationship with a parent!)

Beau Is Afraid is Recommended If You Like: The Game, The Book of Job

Grade: 4 out of 5 Guilt Trips

I Think ‘Dune’ Gave Me a Message From the Deep

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Dune (CREDIT: Warner Bros. Pictures/Screenshot)

Starring: Timothée Chalamet, Rebecca Ferguson, Oscar Isaac, Josh Brolin, Stellan Skarsgård, Dave Bautista, Stephen McKinley Henderson, Zendaya, David Dastmalchian, Chang Chen, Sharon Duncan-Brewster, Charlotte Rampling, Jason Momoa, Javier Bardem, Babs Olusanmokun, Benjamin Clementine

Director: Denis Villeneuve

Running Time: 156 Minutes

Rating: PG-13

Release Date: October 22, 2021 (Theaters and HBO Max)

I was fully asleep for about the last third of Dune. I thought I was just nodding off, but next thing I know, Timothée Chalamet was heading off into the desert with Zendaya and Rebecca Ferguson as the credits started to roll, and it sure didn’t feel like two and a half hours had passed.

If this sort of thing happened back when I used to work at a movie theater, I would just peek in the next day while working to catch what I missed. Luckily, HBO Max can now serve that purpose for WB flicks, so that’s what I did in this case. Also of note in terms of what happened the day after: I attended an event at my church during which a priest talked about how he’s fine with people nodding off during mass because that means they’re just quietly meditating. Ergo, I was just quietly meditating during the journey on Arrakis.

I don’t think Dune put me to sleep because it was boring. It wasn’t. Rather, it was just so dark and overwhelming. Those spaceships were HUGE! That all contrasts heavily with the protagonist, who’s awfully skinny and named simply Paul. I have an uncle named Paul, and he’s not traversing planets in a quest for the most valuable item in the universe. This is all to say, what we have here is a mix of accessible and gigantic.

Grade: Sure, I’ll Take Another Go-Round in the Desert