A Quick ‘Rental Family’ Review and Then Some Awards-Worthy Thoughts

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Normally I would prefer buying a ticket, but this is one Rental I’ll recommend! (CREDIT: Searchlight Pictures/Screenshot)

Starring: Brendan Fraser, Takehiro Hira, Mari Yamamoto, Shannon Mahina Gorman, Akira Emoto, Shino Shinozaki, Kimura Bun, Sei Matobu

Director: Hikari

Running Time: 110 Minutes

Rating: PG-13 for Some Language Here and There

Release Date: November 21, 2025 (Theaters)

Since Rental Family is already out in theaters by the time I’m posting this review, I’ll be quick with my thoughts and then transition into a related matter. This is one of those movies where the trailer spells out the premise pretty much perfectly, as Brendan Fraser plays the delightfully named American actor Phillip Vandarploeug, who’s living in Japan when he’s hired by the titular company to serve as a stand-in for various clients’ friends and family members. His main gigs involve pretending to be the previously absent father of a young biracial girl (the winning Shannon Mahina Gorman) and a journalist/friend hanging out with a retired actor struggling with the onset of dementia (Akira Emoto). I was worried that this premise could lend itself to an overly cloying adventure, but writer/director Hikari and his cast wisely opt for a generally understated approach. Except when they get madcap! That’s right, this movie is surprisingly silly at times, and I have to admit that I expelled some genuine belly laughs. Overall, Rental Family works as well as it does because it has Fraser at its center, and that’s a big reason why I give it a Grade of 3.5 out of 5 Fake Dads.

And now I’ll segue into taking a pulse on the state of the Oscar race, specifically the Lead Actor category. Fraser won that little gold man just a few years ago for The Whale, so we know he’s on the Academy’s radar, or at least he has been in the past. Weirdly enough, though, I haven’t heard his name batted around at all in this year’s Oscars discussion, despite Rental Family being Certified Fresh on Rotten Tomatoes and being distributed by a studio (Searchlight Pictures) with plenty of experience running awards campaigns. Although maybe he does have a chance, and I’m just caught in the prognosticator echo chamber at the moment.

Spanning outward, I’ll throw my weight behind someone else who appears unlikely to get a nom despite totally deserving one, i.e., Liam Neeson in The Naked Gun: he perfectly fulfilled the assignment! A few names I think could be legitimate contenders include Jeremy Allen White for the Springsteen movie, Joel Edgerton for Train Dreams, Dwayne Johnson for The Smashing Machine, Ethan Hawke for Blue Moon, and maybe even Jesse Plemons for Bugonia.

But ultimately I foresee this race coming down to three dudes: one a former winner, one a former nominee but not yet a winner, and one who’s surprisingly never been nominated. That would be Leo D. in One B. After A., Timmy C. in Marty S., and Michael B. J. in the vampire flick I really, really loved. I’ll be pulling for Mr. Jordan’s double-duty performance, but if I’m a betting man, I’m leaning ever so slightly in the DiCaprio direction (especially considering the repeat acting winners we’ve seen recently with Emma Stone and Adrien Brody).

But wouldn’t it be hilarious if everyone just got Fraser’d in the end? Lol!

‘Warfare’ Leading to ‘The Amateur’

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A Warfarer and an Amateur (CREDIT: A24; 20th Century Studios/Screenshot)

Warfare

Starring: Joseph Quinn, Charles Melton, D’Pharaoh Woon-A-Tai, Will Poulter, Cosmo Jarvis, Kit Connor, Finn Bennett, Taylor John Smith, Michael Gandolfini, Adain Bradley, Noah Centineo, Evan Holtzman, Henry Zaga, Alex Brockdorff, Nathan Altai, Donya Hussen, Aaron Deakins

Directors: Ray Mendoza and Alex Garland

Running Time: 95 Minutes

Rating: R

Release Date: April 11, 2025 (Theaters)

The Amateur

Starring: Rami Malek, Laurence Fishburne, Rachel Brosnahan, Caitríona Balfe, Michael Stuhlbarg, Holt McCallany, Julianne Nicholson, Danny Sapani, Jon Bernthal, Adrian Martinez, Marc Rissmann, Joseph Millson, Barbara Probst, Alice Hewkin, Henry Garrett, Takehiro Hira

Director: James Hawes

Running Time: 124 Minutes

Rating: R

Release Date: April 11, 2025 (Theaters)

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‘Snake Eyes: G.I. Joe Origins’ is Too Much Origins, Not Enough Random B-Grade Delights

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Snake Eyes: G.I. Joe Origins (CREDIT: Ed Araquel/Paramount Pictures/Metro-Goldwyn-Mayer Pictures/Skydance)

Starring: Henry Golding, Andrew Koji, Úrsula Corberó, Samara Weaving, Iko Uwais, Haruka Abe, Takehiro Hira, Peter Mensah

Director: Robert Schwentke

Running Time: 121 Minutes

Rating: PG-13 for Swordplay

Release Date: July 23, 2021 (Theaters)

At one point in Snake Eyes: G.I. Joe Origins*, the titular hero is dropped into a pit where he must face off against some very big and very hungry anacondas. And that’s about the only moment that I understood. Well that, and the other scene with the anacondas. Couldn’t this entire movie have been about Henry Golding fighting snakes? Instead, he and his crew square off against the classic G.I. Joe foe known as Cobra, who I really wish were actual cobras. Now that’s a movie that I would recommend. As it is, though, all I can say is that maybe this will be really fun for G.I. Joe obsessives, but for everyone else, I imagine it will be pretty impenetrable.

(*-It’s a rather unwieldy title, but I’m happy to write out the whole thing to differentiate it from the delightful 1998 Brian De Palma/Nicolas Cage thriller.)

In its bare-bone basics, Snake Eyes: G.I. Joe Origins isn’t too hard to comprehend. It’s a classic origin story, after all: dead parent, living off the grid, training in a foreign country, passing a series of tests to prove warrior bona fides, et cetera, et cetera. In sussing out why I found this so much less compelling than, say, Batman Begins, I determined that it might just have something to do with the amount of time spent on the actual origin of it all. How a hero became a hero in the first place can be interesting, but generally insofar as it provides context for where that hero is headed. And this movie doesn’t really tell us where Snake Eyes is headed, nor do I care to find out.

Anyway, back to those anacondas. They’re absolutely HUGE, in case I didn’t make that clear enough already. If you can  manage to watch only their scenes and then fill out your taxes during the rest of the movie, then I would say go for it. It’s also worth noting that at one point, Cobra is described as employing the tactics of “violence, extortion, and fear,” which is just poetically wonderful. Who knew that such a shadowy collective would focus so much on something as concrete as extortion?

Snake Eyes: G.I. Joe Origins is Recommended If You Like: G.I. Joe lore, I guess?

Grade: 2 out of 5 Dice