Best Movies of 2023

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CREDIT (Clockwise from Top Left): Dana Hawley/Lionsgate; IFC Films; Takashi Seida/A24; Universal Pictures

For this latest annual cinematic Top 10 list, I decided to mix it up a bit and not focus too much on the ranking order. So instead, I’ve listed this decalogue in alphabetical order, along with some thoughts about the impressions they made on me.

(If you DO want to know the order that I’d rank them in, feel free to scroll ahead to the bottom for the big reveal.)

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Entertainment To-Do List: Week of 10/27/23

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Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
Five Nights at Freddy’s (Theaters and Peacock)
Freelance (Theaters) – Alison Brie Alert!
The Holdovers (Theaters)
The Killer (Limited Theaters, Netflix on November 10) –  Da Finchman!

TV
South Park: Joining the Panderverse (October 27 on Paramount+)

Music
-Black Pumas, Chronicles of a Diamond
-DJ Shadow, Action Adventure
-Duran Duran, Danse Macabre
-The Gaslight Anthem, History Books
-The Kills, God Games
-King Gizzard & the Lizard Wizard, The Silver Cord
-Shabazz Palaces, Robed in Rareness

Sports
-World Series (Begins October 27 on FOX) – D-Bags vs. The Rangos

Alexander Payne and Paul Giamatti Reunite for ‘The Holdovers,’ Making a Few New Holiday Friends Along the Way

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Hold it! (CREDIT: Seacia Pavao / © 2023 FOCUS FEATURES LLC)

Starring: Paul Giamatti, Dominic Sessa, Da’Vine Joy Randolph, Carrie Preston, Andrew Garman, Naheem Garcia, Michael Provost, Brady Hepner, Jim Kaplan, Ian Dolley, Gillian Vigman, Tate Donovan

Director: Alexander Payne

Running Time: 133 Minutes

Rating: R for Cranky Curmudgeonliness and Teenage Boys Being Teenage Boys

Release Date: October 27, 2023 (Theaters)

What’s It About?: Merry Christmas! Why, it’s still merely October, you say? Well, having the holidays thrusted upon you a couple months early is surely a more bearable fate than that borne by Barton Academy prep school student Angus Tully (Dominic Sessa) and his hidebound history teacher Paul Hunham (Paul Giamatti) in the early 1970s. Angus is stuck at school over the winter break because his mom (Gillian Vigman) and stepdad (Tate Donovan) are too busy jet-setting, while Paul pulls the short end of the faculty stick as the guardian for all the kids who don’t have anywhere else to go. This is a formula that’s promising an explosive clash of strong personalities, but maybe head of the cafeteria Mary (Da’Vine Joy Randolph) can help to extinguish the eruptions.

What Made an Impression?: Not-So-Hidden Layers: If you’re 18 or younger, then Mr. Hunham will probably strike you as an absolute nightmare. I’m pretty sure everyone had at least one teacher who was so soul-crushingly set in his ways. But older viewers will likely be more willing to extend him if not affection, then certainly understanding. Right from the jump, he reveals that he’s more complicated than the stodgy traditionalist he’s presented as, and obviously a character played by Paul Giamatti and directed by Alexander Payne was always going to be plenty three-dimensional. The specifics of those dimensions mainly have to do with his frustration that’s directed at a world that appears to be falling apart as well as all the young, privileged kids who are blissfully unaware of their inoculation against all that.
Kindred Spirits: When Angus and Paul’s antagonism eventually begins to soften into something resembling mentorship, it’s because of that time-honored tradition of seeing themselves in each other. As it turns out, they’ve both been handicapped by some pretty bum deals in life, and they go about their days with simmering anger shaping pretty much every one of their actions. They’re the kind of people who secretly shoulder burdens all by themselves, only to generate a ton of sympathy when the truths are uncovered. They go through quite a rocky start, but it’s ultimately a blessing that they’ve found each other.
A True Three-Hander: I can imagine a version of The Holdovers that features just Angus and Paul as its only two characters, and that version probably would have been pretty satisfying. But the version we actually get is even more so, thanks to the straight-shooting performance of Da’Vine Joy Randolph. Mary is notably more emotionally open than everyone around her, which allows her to serve as the enzyme to get Paul to open up, at least a little bit. There’s a sweet early scene in which he joins her while she’s watching The Newlywed Game. He’s never watched it before, so he pinpoints the premise as a recipe for disaster, which she assures him is exactly the point. And ultimately this movie demonstrates that being open to even small new experiences like this one can start nudging us towards exactly where we need to go.

The Holdovers is Recommended If You Like: Rushmore, Armageddon Time, The Way Way Back

Grade: 4.5 out of 5 History Exams