‘The Tomorrow War’ Review: Mike Mitchell Edition

Leave a comment

The Tomorrow War (CREDIT: Amazon Studios)

Starring: Chris Pratt, Yvonne Strahovski, J.K. Simmons, Betty Gilpin, Sam Richardson, Edwin Hodge, Jasmine Mathews, Ryan Kiera Armstrong, Keith Powers, Mary Lynn Rajskub, Mike Mitchell

Director: Chris McKay

Running Time: 140 Minutes

Rating: PG-13 for Alien Scum

Release Date: July 2, 2021 (Amazon Prime Video)

The Tomorrow War stars Chris Pratt as the leader of a fight between Earth and invading aliens in which he must be sent 30 years in the future. He teams up with a ragtag crew, including a future version of his young daughter (Yvonne Strahovski). But I’m not here to talk about them. Instead, this review is all about Mike Mitchell, who’s about 12th on the call sheet, but he’s pretty much the only reason I wanted to watch this movie. Mitchell is primarily known as a podcaster and a member of the Birthday Boys sketch comedy group, the latter of which featured him as a friendly alien who sings a jingle at birthday parties. His podcasting duties include co-hosting Doughboys, in which he reviews chain restaurants. The Tomorrow War, meanwhile, does not feature him chowing down on any good grub, which feels like a missed opportunity.

I’m guessing that Mitchell was cast to be the comic relief character, or one of the comic relief characters. And there needed to be multiple ones! Because, you see, the best part involving Mitch happens when Chris Pratt asks Mary Lynn Rajskub’s character what her name is, and she says “Norah,” which is indeed her character’s name. And then he immediately asks Mitch’s character what his name is, and he also says “Norah.” It’s really well-timed, I promise!

If you’re like me and watching The Tomorrow War only for the Mike Mitchell, you’ll have to be patient, because he’s only in a small percentage of it. But luckily today’s technology allows you to fast-forward and rewind as you please.And there’s also perhaps a consolation prize, as Sam Richardson (of Veep and Detroiters fame) has much more screen time, a good portion of which is meant to be funny. There’s one moment in particular when he continuously shouts a certain four-letter word over and over about a couple dozen times in a row. So I guess this review wasn’t entirely focused on Mike Mitchell. I hope you can forgive me.

The Tomorrow War is Recommended If You Like: Fast-forwarding through Amazon Prime Video’s viewing experience

Grade: 2 out of 5 Doughboys

This Is a Movie Review: Shane Black’s Version of ‘The Predator’ Has Some Interesting Ideas, But It Could Have Benefited From a Few More Drafts

1 Comment

CREDIT: Kimberley French/Twentieth Century Fox

This review was originally posted on News Cult in September 2018.

Starring: Boyd Holbrook, Olivia Munn, Sterling K. Brown, Jacob Tremblay, Trevante Rhodes, Keegan-Michael Key, Thomas Jane, Alfie Allen, Augusto Aguilera, Yvonne Strahovski

Director: Shane Black

Running Time: 107 Minutes

Rating: R for Plenty of Blood and Even More Guts, Tourette’s-Style Profanity, and Predator Sex References

Release Date: September 14, 2018

The Predators from Predator aren’t really predators. They’re sportsmen, hunting for the thrill of it instead of for sustenance. If there’s one thing that The Predator wants you to know, it’s this. And also that “The Predator” is a cool name, so it doesn’t really matter that it’s not accurate. This edition is filled with ideas, most of them more high-minded than the title character’s etymology. That is to be expected, considering that writer/director Shane Black (who acted in the 1987 original) has made his career on somewhat self-aware and slightly askew takes on the action genre. But by his standards, the ideas on display here are a little undercooked.

It turns out that some Predators may not be entirely motivated by killing. In fact, there is now at least one rogue Predator who is interested in helping earthlings survive. That is the idea driving the plot, as Army Ranger sniper Quinn (Boyd Holbrook) procures some valuable Predator tech that multiple parties are interested in retrieving. But this film’s most compelling idea is its definitive stance that spectrum disorder is the next step in human evolution. Boyd’s son Rory (Jacob Tremblay), who gets his hands on his dad’s discovery, is somewhere on the spectrum. His condition is not especially debilitating; it mainly manifests itself in an aversion to loud noises and an aptitude towards accurately interpreting alien devices. He becomes a person of interest to all sides in this struggle, and it is a fairly rewarding avenue for this story to take.

But the issue is, for as much as The Predator wants to grapple with these weighty concepts, the majority of its substance consists of cheeky jokes and action set pieces, which are only sporadically satisfying. There is plenty of energy from a motley crew of military prisoners, like Keegan-Michael Key’s aficionado of “Yo momma” jokes and Thomas Jane’s Tourette’s spouter. But getting in the way of it all are inconsistent explanations about how to dispatch Predators. Do you shoot them in the head? Wear them down with multiple hits until they finally start to fall? Do you need to get their armor off? Sometimes each of those options works, but other times they don’t. Also, there are these Predator dogs that are actually kind of cute but I’m not sure what their purpose is. And that’s pretty much how this whole film goes: it’s pretty cool, but I’m not entirely sure what its purpose is.

The Predator is Recommended If You Like: The Hulk Dogs from Ang Lee’s Hulk

Grade: 2.75 out of 5 Predator-Human Hybrids