Jeff’s Wacky SNL Review: John Krasinski/Machine Gun Kelly

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SNL: Machine Gun Kelly, John Krasinski, Heidi Gardner (CREDIT: YouTube Screenshot)

It’s the end of January, and Saturday Night Live has finally aired its first new episode of 2021. I’ll let you numerologists determine what significance those digits have as far as SNL is concerned…

Host John Krasinski and musical guest Machine Gun Kelly are both making their Studio 8H debuts (as will be all the recently announced guests for the coming weeks). Krasinski was actually supposed to host back in March 2020, but that is now neither here nor there.

Here’s where my head was at while watching this episode: most days, I wake up and write my dreams from the night before down in a dream journal, but I didn’t remember them this morning, so I didn’t have to arrange my dream scribbling around my SNL viewing as I normally do. But then later while I was running, a dream came back to me, so I had to pivot a bit. But it was a pretty easy pivot.

Vaccines are being rolled out, but the pandemic is still ongoing, so my reviews will continue to be spaced out.

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That’s Auntertainment! Karaoke Korner 14

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Past (and future?) That’s Auntertainment! guest Marissa Sblendorio has quite the hitmaking lineup for the latest Karaoke Korner: Ms. Ariana Grande, Ms. Carly Rae Jepsen, and Mr.’s and Ms.’s ABBA.

Are We Living in a Simulation? That’s What ‘A Glitch in the Matrix’ is Here to Find Out!

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A Glitch in the Matrix (CREDIT: Magnolia Pictures)

Starring: Proponents of Simulation Theory, including Philip K. Dick, Elon Musk, and even Plato in his own way

Director: Rodney Ascher

Running Time: 108 Minutes

Rating: Unrated (I’d Give it a PG, or Maybe PG-13 for Some Heavy Moments)

Release Date: February 5, 2021 (Theaters and On Demand)

Computers are everywhere nowadays! There’s computers on our desks, computers in our laps, computers in our hands, computers in our pockets, computers in our TVs, computers in our cars, and even (I’m assuming) computers in our toilets. Are there also computers in our heads? Or to phrase it another way: are our brains computers? Or are we just inclined to think that way because computers are the dominant technology of our era? Early on in A Glitch in the Matrix, directed by Rodney Ascher, one interview subject muses how humans tend to conceptualize their bodies according to models analogous to the innovations of the day. When aqueducts were big, it was thought that the body was ruled by humors; when telegraphs had their moment, so too did nerve wires. Now it’s computers’ turn, and with it, the popular emergence of a hypothesis that our reality may just be a simulation.

A Glitch in the Matrix initially positions itself as a scientific-sociological examination, but it soon becomes clear that it is also (and perhaps primarily) a piece of visual film criticism, much like Ascher’s 2012 doc Room 237, which overlaid narration of fan interpretation on clips of The Shining. Now he’s turned his lens to the Wachowskis’ landmark sci-fi franchise, which has set the tone for decades of speculation that we may not exactly be in control of our own existence. The evidence that we’re living in a simulation is mostly a matter of probability: if there’s a civilization with the capacity to create simulated realities, then it’s probably able to create billions and billions of them. Ergo, most of the realities that theoretically exist are probably simulations. Personally, while I’m open to the possibility, I’ve never found Simulation Theory all that convincing, and A Glitch in the Matrix doesn’t do much to change my mind. But it’s not trying to prove the validity of the theory so much as it is examining the consequences of living in a world in which a sizable number already buy into it. And on that score, there is plenty to dig into.

Where Room 237 was a surprisingly rich text devoted to a very niche topic, A Glitch in the Matrix is an unsurprisingly overflowing work devoted to an unruly and expansive topic. Where the former was occasionally infuriating in how its theorizing could venture so far away from anything resembling everyday thinking, the latter holds your attention with an ethos (or at least a veneer) of plausibility and respectability. And even if you’re not too inclined to agree with the likes of Elon Musk or Philip K. Dick, A Glitch in the Matrix can still work as a cinematic experience. The whole thing is so gosh dang enveloping, thanks to the full-body 3D-animated avatars that many of the interview subjects employ, the surround sound of Jonathan Snipes’ plinking electronic score, and the general sense that you’ve fallen down a wormhole that is set to take over your entire life.

Ascher is also ultimately wise to explore the occasionally deadly consequences of embracing Simulation Theory. For some people, the hypothesis is an invitation to commit acts of violence without any consequences. But as certain real-world (or simulated world) examples demonstrate, a lack of agency does not mean a lack of repercussions. That is made terrifyingly clear in the case of Joshua Cooke, who was convicted of killing his parents with a shotgun in 2003 after convincing himself that he was living in a Matrix-style virtual reality. It’s a sobering detour in what first appeared to be a rather playful documentary. As far as I can tell, A Glitch in the Matrix comes down pretty strongly in favor of a relativist approach to its ideas. You can accept Simulation Theory or not, but if you do, there’s no reason that you should dramatically revolutionize your behavior. Go ahead and jump down that rabbit hole if you must, but keep close track of the trail behind and ahead of you.

A Glitch in the Matrix is Recommended If You Like: Room 237, New York Magazine’s February 4, 2019 issue, The “A Clockwork Origin” episode of Futurama

Grade: 4 out of 5 Realities

Entertainment To-Do List: Week of 1/29/21

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The Little Things (CREDIT: Warner Bros./YouTube Screenshot)

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
The Little Things (Theaters and HBO Max) – Denzel Washington and Rami Malek finally on screen together.

Music
-Weezer, OK Human

The Tim and Eric Sketches I Can’t Stop Watching

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I’m a HUGE fan of Misters (Tim) Heidecker and (Eric) Wareheim, but I didn’t fully feel that fandom until after Awesome Show, Great Job! ended its original run. So up until quite very recently, I hadn’t seen a single episode in its entirety (with the exception of the 10 Year Anniversary Special).

So I rectified that in the past year by watching ’em all! (Great job.) And wouldn’t you know it, there were certain sketches that I just had to watch over and over again. The short run times (sometimes sub-one minute) certainly help with that rewatchability. So in the interest of spreading joy out in the world, I decided that I would list the top 10 Tim and Eric Awesome Show, Great Job! sketches I just can’t stop watching!!

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The Religious Madness of ‘Saint Maud’ is Equal Parts Wrenching and Ecstatic

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Saint Maud (CREDIT: A24)

Starring: Morfydd Clark, Jennifer Ehle, Lily Knight, Lily Frazer

Director: Rose Glass

Running Time: 83 Minutes

Rating: R for Disturbing Content, Often Sexually Themed

Release Date: January 29, 2021 (Theaters)/February 12, 2021 (On Demand)

Religiosity is a hell of a drug. That possibility for ecstasy is one of the reasons I’ve remained loyal to my own faith practices. But you can take it too far to the point that it gets a little dangerous, as demonstrated by Morfydd Clark as the titular caretaker of Saint Maud. Jennifer Ehle is also present to play Amanda, a ballet dancer in hospice care. Stage 4 lymphoma has done a number on her body, but it hasn’t taken away her caustic wit. So when new live-in nurse Maud struts in, it’s pretty clear she’s got a lot on her plate to handle.

Hospice care is surely demanding and highly stressful, even for people who are fully committed to the calling. Maud does her best to be fully committed, but how exactly does that commitment manifest? Bloody religious imagery suggests that she may just be falling into a possession. But is this a hellish spirit that is overtaking her, or a heavenly one? Or maybe this is some sort of placebo possession, in which she wants to be such a good little servant of God that she subliminally convinces herself that she’s’ been taken over. She’s got an active mind, and active minds can be quite fabulous when you are devoted to a lonely job and the subject of your devotion is much more distant than you’d like her to be.

By insisting that everyone follows her way of doing things, Maud comes off as a bit of a Pharisee, although she is quite a bit more tortured than that traditionalist biblical group. (Although maybe some Pharisees had agonizing internal lives that we never got to see?) Here’s the deal: Saint Maud starts off pretty straightforwardly, at least as straightforward as you can be when one main character is so close to death and the other one is so close to God. But from the beginning, there is also some bloody mystical business bubbling underneath the surface, and if  you think that is going to lead to some big expressive climax, then your cinematic viewing instincts are in proper working order.

While watching Saint Maud, I found it somewhat difficult to emotionally connect to as I had trouble figuring out just what sort of movie it wanted to be. But having had plenty of time to digest it now, I think that’s less a failing of the film itself and more a feature of its main character. Maud is pretty, pretty sure that she has a rather close relationship with God and that everyone else should as well. But doubt about her own spiritual bona fides is never far away. So she enjoys some indulgences, then she castigates herself, and the final climax enters into another transcendent dimension entirely, as a religiously minded movie like this one is wont to do. Ultimately, I believe Saint Maud wants to teach us that we should have our moments of ecstasy, because people are going to keep succumbing to cancers and other horrible fates and we might as well look skyward while we can.

Saint Maud is Recommended If You Like: The VVitch, Suspiria, Speaking in tongues

Grade: 3.5 out of 5 Caretakers

That’s Auntertainment! Mini-Episode: Aunt Beth Tells Jeff to Watch ‘Detectorists’

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Detectorists (CREDIT: YouTube Screenshot)

In the latest mini-episode, Aunt Beth has assigned Jeff the BBC sitcom Detectorists. What treasures will he find? Let’s find out!

 

Jmunney’s Favorite Songs of 2020

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CREDIT: YouTube Screenshots

Damn, there were plenty of songs that made me go “Damn” in 2020. Check ’em out below!

1. U.S. Girls, “4 American Dollars”: What can I say, I love a good song about economic enlightenment that you can totally shake your little butt to.
2. Miley Cyrus, “Midnight Sky”: Miley is a rock star for the ages. It’s 100% official.
3. Doja Cat, “Say So”: Pure neon-soaked euphoria.
4. Cannons, “Fire for You”: Listen to the words she’s using: “I was on fire for you.” It feels like that to some of us sometimes, doesn’t it?
5. Dua Lipa, “Don’t Start Now”: Oh wow, that’s a lot of disco in the top 5. It’s back, baby! “Don’t Start Now”? More like “Don’t Stop Ever!”
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Entertainment To-Do List: Week of 1/22/21

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Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

TV
mixed-ish Season 2 Premiere (January 26 on ABC)
To Tell the Truth Season Premiere (January 26 on ABC)

Podcasts
Too Long; Didn’t Watch – TV critic Alan Sepinwall invites some famous friends to watch the first and last episodes of shows they’ve never watched before.

Jmunney’s Favorite Albums of 2020

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I didn’t listen to every new album that was released in 2020 – DON’T LET ANYONE TELL YOU OTHERWISE! But I did listen to a few dozen; some were rockin’, some were poppin’, some were hippity-hoppin’, and a few even had some jazzy freakouts. Here are the 15 that most satisfied my ears and my tapping toes:

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