Jmunney’s 2019 Summer TV Preview

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CREDIT: Eric McCandless/ABC

I don’t normally write up a Summer TV Preview, but after looking over what’s set to premiere these coming hot (and sexy) months, I felt compelled to say something.

First off, it really feels like we’re living in a new Golden Era of Game Shows, particularly thanks to ABC, which is enthusiastically committed to its Summer Fun & Games lineup. In addition to returning favorites like Pyramid and Celebrity Family Feud, 2019 is bringing us reboots of Card Sharks (hosted by Joel McHale) and Press Your Luck (hosted by Elizabeth Banks), and on top of that, there’s the premiere of the new “extreme” mini-golf show Holey Moley.

Scanning over what else we’ve got, it seems like there are more scripted series that I watch than ever airing in the summer months. Don’t the networks know I like to get some fresh air? TV gods, please have mercy on me if I can’t keep up-to-date with everything.

And finally, mention must be made of FOX’s What Just Happened??!, an aftershow hosted by Fred Savage. But here’s the catch: it’s an aftershow that consists of discussions of a mothership show that doesn’t actually exist. Sounds perfectly tailor-made for me, and hopefully some of you are intrigued as well.

Listed below are all the shows I am planning on checking out from June through August, along with their premiere dates. For a more complete list of summer shows, click here.

Game Shows
Beat Shazam (Premiered May 20 on FOX)
Celebrity Family Feud (June 9 on ABC)
The $100,000 Pyramid (June 9 on ABC)
Big Little Lies (June 9 on HBO)
Press Your Luck (June 11 on ABC)
Card Sharks (June 12 on ABC)
Match Game (June 12 on ABC)
Holey Moley (June 20 on ABC)
Family Food Fight (June 20 on ABC)
Hollywood Game Night (July 11 on NBC)

Straightforward(ish) Sitcoms and Dramas
Marvel’s Agents of S.H.I.E.L.D. (Premiered May 10 on ABC)
Archer: 1999 (Premiered May 29 on FXX)
Black Mirror (June 5 on Netflix)
grown-ish (June 5 on Freeform)
The Handmaid’s Tale (June 5 on Hulu)
Pose (June 11 on FX)
Baskets (June 13 on FX)
The Detour (June 18 on TBS)
Legion (June 24 on FX)
GLOW (August 9 on Netflix)

Oddballs and Outliers
Whose Line is it Anyway? (June 17 on The CW)
Alternatino (June 18 on Comedy Central)
Drunk History (June 18 on Comedy Central)
What Just Happened??! with Fred Savage (June 30 on FOX)

Entertainment To-Do List: Week of 5/31/19

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CREDIT: Netflix

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
Ma (Theatrically Nationwide)
Rocketman (Theatrically Nationwide) – One of the best music biopics in quite some time!

TV
Miranda Sings Live…Your Welcome (June 4 on Netflix)
Black Mirror Season 5 (June 5 on Netflix) – Miley finally joins the Mirror-verse!
grown-ish Season 2 Midseason Premiere (June 5 on Freeform)
The Handmaid’s Tale Season 3 Premiere (June 5 on Hulu)

Movie Review: ‘Godzilla: King of the Monsters’ Delivers What it Promises, But It’s a Huge Mess

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CREDIT: Warner Bros./YouTube

Starring: Kyle Chandler, Vera Farmiga, Millie Bobby Brown, Bradley Whitford, Sally Hawkins, Charles Dance, Ken Watanabe, Thomas Middleditch, Aisha Hinds, O’Shea Jackson Jr., David Straitharn, Ziyi Zhang

Director: Michael Dougherty

Running Time: 132 Minutes

Rating: PG-13 for Monster-on-Monster Smashing and Even Some Human-on-Human Violence

Release Date: May 31, 2019

As promised, there are plenty of massive beasts in Godzilla: King of the Monsters, but there are also a lot of human beings, and they’ve got plenty on their to-do list. They debate which monsters are friends and which are foe, and they retrieve some objects that may or may not be MacGuffins, and honestly I could not make heads or tails of what they’re trying to do. This is a murderer’s row of heavy hitters wading through incomprehensibility. That’s not necessarily a dealbreaker, though, because when you come to see a Godzilla movie, you’re there for the monsters.

But here’s the thing: the fight scenes are just as incoherent! They’re distressingly dark, and edited way too quickly to make sense of what is going on. Every once in a while, there’s a really satisfying chomp or smackdown, but for the most part the splendor of the kaiju is obscured by too much visual clutter. King of the Monsters put me most in mind of the third Transformers flick, Dark of the Moon, a good chunk of which was an interminable clash of metal on metal. King of the Monsters is marred by sound design that is just as off-putting. In theory, I can understand why people would enjoy Godzilla getting into a battle royale with Mothra, Rodan, and the like a lot more than I can understand the appeal of robots clanging against each other. But this numbing onslaught is far from the best that this genre can offer.

Godzilla: King of the Monsters is Recommended If You Like: Non-stop giant monster battles

Grade: 2 out of 5 Roars

Movie Review: Teenagers Who Just Want to Have Fun Get Caught Up in a Generation-Spanning Revenge Plot in ‘Ma,’ a Tonally Wild and Ambitious Horror Mash-Up

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CREDIT: Universal Pictures

Starring: Octavia Spencer, Diana Silvers, Juliette Lewis, McKaley Miller, Corey Fogelmanis, Luke Evans, Gianni Paolo, Dante Brown, Missi Pyle, Allison Janney, Kyanna Simone Simpson

Director: Tate Taylor

Running Time: 99 Minutes

Rating: R for A Multitude of Torturous Weapons, Sloppy Teen Partying, and Deeply Disturbing Secrets

Release Date: May 31, 2019

In terms of how closely its advertising matches the actual product, Ma fits in one of the most satisfying of cinematic molds. It is very much the movie that the trailers have promised you, but it is also oh so much more. I am reluctant to go into any more detail because of how satisfied I was to discover everything as it was revealed to me. Even my “Recommended If You Like” section below is a bit of a land mine, as the mere mention of predecessors that Ma resembles could constitute a spoiler. But suffice it to say that in this stew of theoretically clashing flavors, Octavia Spencer is more than able to handle all the tones and motivations she is required to convey.

It should go without saying that if you’re a high school student, it’s probably not the best idea to party in the basement of a random woman who you know only because she buys you alcohol. But teenagers are known for making boneheaded decisions, and Sue Ann’s (aka Ma’s) house seems a lot safer than the alternative of drinking in the woods. Also, these kids don’t realize that they are characters in a horror movie and thus being lured into a trap. Furthermore, Sue Ann is remarkably savvy about understanding the way young people communicate, both in person and through social media. Just when you think she is going to go in for the kill right away, you realize that she is actually playing the tangled, multifarious long game. Ultimately, she becomes reckless in ways that threaten her upper hand but that keep the audience satisfyingly stunned and entertained. This is a wild, risk-taking movie that takes inspiration from plenty of classics that have come before it but that also stands on its own as a truly unique and deadly specimen.

Ma is Recommended If You Like: Carrie, Misery, Saw, Sharp Objects

Grade: 4 out of 5 Cases of Booze

Movie Review: ‘Rocketman’ Breathes Fantastical New Life Into Rock Star Biopics

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CREDIT: Paramount Pictures

Starring: Taron Egerton, Jamie Bell, Bryce Dallas Howard, Richard Madden

Director: Dexter Fletcher

Running Time: 121 Minutes

Rating: R for Fabulous Rock Star Indulgences

Release Date: May 31, 2019

Have you ever felt so exhilarated by a movie that you thought, “I never knew it was possible to get this high?” Presumably you have, as you care enough about cinema to read reviews by film buffs who are just as passionate as you are.  But you also, like me, might be worried that you will never experience this feeling again. When it comes, it’s often inspired by a really rousing song-and-dance number, and it seems like those are in short supply these days. Too many music biopics are satisfied with just touching on the nuts and bolts of rock stardom. But I don’t think that’s because they don’t want to capture the spirit of their subjects. It requires a tricky sort of alchemy to make a music movie that really sings, but somehow through the magic combination of Elton John’s discography, Taron Egerton’s cheeky and gleeful and tormented performance, and Dexter Fletcher’s go-for-broke direction, Rocketman has found the right formula.

It helps a great deal that it’s an actual musical. Biopics are often categorized by awards groups as musicals, but that’s often a misnomer, because the performance scenes are generally just that: performances. But in Rocketman, they are instead excuses for flights of fancy. As Egerton adroitly digs into the former Reginald Dwight’s oeuvre, he is buoyed along by sudden losses of gravity, stages that turn into whirlwinds, impromptu interpretive dances, and a general sense that anything could happen. This film is also a tale of triumphing over addiction, as it is framed around a group therapy session in which John recounts how he got to this crazy point in his life. You get the sense that while living alongside parents who never quite understood him, a manager who took advantage of him, and at least one loyal friend and partner who stuck beside him for decades, a corresponding world of chaos and ebullience was constantly bouncing around in his head. Rocketman has captured that part of his psyche marvelously, and it is now a decadent treat for the whole world to feast upon.

Rocketman is Recommended If You Like: The Elton John Songbook, All That Jazz

Grade: 4 out of 5 Feathered Outfits

The Best of SNL Season 44

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CREDIT: Mary Ellen Matthews/NBC

Saturday Night Live Season 44 is over, and somehow we survived! I’ve got my rundown below of what I thought was the best in various categories. As for the top sketches, my in-depth ranking can be found here. If you have your own rankings or other SNL-related thoughts and concerns, please let me know!

Most Valuable Cast Member
The longest-tenured cast member of all time felt perhaps the most essential he ever has, and a trio of ladies consistently delivered lived-in character work.
Kenan Thompson
Runners-Up:
Cecily Strong
Heidi Gardner
Kate McKinnon

Best Hosts
What took so long for the Sandman to return? And for Dame Emma to debut for that matter?
1. Adam Sandler
2. Liev Schreiber
3. John Mulaney
4. Kit Harington
5. Emma Thompson

Best Monologues
SNL has almost completely given up on the monologue, so thank the comedy gods that stand-ups still sometimes stop by.
1. John Mulaney
2. Paul Rudd
3. Seth Meyers
4. Jonah Hill

Best Musical Guests
Guitar skills go a long way.
1. Gary Clark Jr.
2. Tame Impala
3. Paul Simon
4. Maggie Rogers

Best Weekend Update Segments
Drug culture never went away at SNL, it just got weirder.
1. Terry Fink
2. Colin and Michael Swap Jokes
3. Elizabeth Warren

Best Episodes
Early May is often a sweet spot.
1. Adam Sandler/Shawn Mendes
2. Kit Harington/Sara Bareilles
3. Liev Schreiber/Lil Wayne
4. John Mulaney/Thomas Rhett

Best Quotes
Both courtesy of Heidi Gardner.
1. “Pikachu can get it.”
2. “I’m so horny I could cry.”

Best Sketches of SNL Season 44

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CREDIT (Clockwise from Top Left): Rosalind O’Connor/NBC; Will Heath/NBC; Steve Molina Contreras/NBC; Rosalind O’Connor/NBC)

Was 2018-19 a great, or even good, SNL season? I’m inclined to say “not particularly,” but there’s almost always at least one moment per episode that really tickles my funny bone. Thus, it’s not hard to curate a list of the ten, or even twenty, best sketches of the season. So that’s what I’ve done below, with thoughts included on the top ten. (Note: sketches that were cut after dress rehearsal and then posted online were eligible, since they’re posted so frequently and quickly nowadays.)

20. Weezer Argument
19. Frank Sinatra Impersonator
18. A Frightening Tale
17. Colorectal Exam
16. Discover Card
15. Teacher Fell Down
14. Wedding Reception
13. What’s Wrong With This Picture?
12. The Unknown Caller
11. Retirement Party

10. Toilet Death Ejector

Passing away on the commode really speeds up the “Tragedy + Time = Comedy” equation.

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Super-Duper Movie Review: High Life

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© 2013 ALCATRAZ FILMS/WILD BUNCH/ARTE FRANCE CINEMA/PANDORA PRODUKTION

At the beginning of High Life, I was inspired to be wonderstruck by the cosmos, asking the eternal questions like, “How vast is the vastness of space?” and “What existed before existence?” These queries are terrifying in their unanswerability, but also comforting in how they remind us that the construct of the universe is so much bigger than everything we know. But then the rest of High Life is just about living and getting on. And that’s all well and good, and it’s worth exploring that routine in outer space, whether or not it’s populated by convicted criminals. It’s an unstructured viewing experience, and you’ll struggle to care if you’re not especially tuned in to director Claire Denis’ wavelength, though you might occasionally be thrilled by the daring approach. I appreciate High Life for staking out a unique place in cinema, but I don’t particularly ever want to experience it again (at least not most of it).

I give High Life A Medium Lack of Gravity.

Entertainment To-Do List: Week of 5/24/19

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CREDIT: FXX/YouTube

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
Aladdin (Theatrically Nationwide)
Booksmart (Theatrically Nationwide)

TV
Archer: 1999 Season Premiere (May 29 on FXX) – They’re going to outer … space!

Movie Review: ‘Brightburn’ Has Some Chilling Horror Instincts, But It Miscalculates Its Own Stakes

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CREDIT: Boris Martin/Sony Pictures

Starring: Jackson A. Dunn, Elizabeth Banks, David Denman, Matt Jones, Meredith Hagner

Director: David Yarovesky

Running Time: 90 Minutes

Rating: R for Alarmingly Gory and Sadistic Violence

Release Date: May 24, 2019

“What if Superman, but evil?” sounds like a pretty slam-dunk pitch for a superhero horror movie, doesn’t it? Brightburn isn’t an official offshoot of the Man of Steel, though it does hew closely enough for me to wonder if any copyright lawyers need to get involved, considering that it’s about a childless couple living on a Kansas farm who adopt a superpowered baby boy who falls from the sky. This isn’t the first story to propose this sort of switcheroo, as the 2003 comic Red Son (in which Superman is raised in the Soviet Union) and the ’70s SNL Uberman sketch (in which he grows up in Nazi Germany) come to mind. But while those examples suggested that a superbeing’s environment is key, Brightburn comes down squarely on the nature side of the Nature vs. Nurture debate.

Brandon Breyer (Jackson A. Dunn) has two loving and devoted parents (Elizabeth Banks and David Denman), but they mean nothing in the face of a spaceship that sends him telepathic messages to conquer Earth. Brightburn is most effective as a horror mashup of slasher and bad seed flicks, as Brandon quickly turns sadistically bloodthirsty as he discovers his abilities. But ultimately, the film is not equipped to work as a subversion of the superhero narrative. Once Brandon’s parents realize his intentions, it is clear that they (along with everybody else) are no match for him. In the desperation to present some sort of counterattack, Elizabeth Banks is required to deliver some pathetic dialogue that nobody could possibly salvage in the face of such an impossible-to-defeat opponent. The balances are all off-scale, and only little stinkers who want to watch the world burn could enjoy the resolution offered here.

Brightburn is Recommended If You Like: Twisted takes on superheroes, Saw, Slashers at their gnarliest

Grade: 2.5 out of 5 Laser Eyes

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