I Saw ‘One of Them Days’ on One of Them Evenings, and Now I’m Writing One of Them Reviews

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One of them days, Two of them ladies (CREDIT: Sony Pictures Entertainment/Screenshot)

Starring: Keke Palmer, SZA, Vanessa Bell Calloway, Joshua Neal, Aziza Scott, Patrick Cage, Keyla Monterroso Mejia, Katt Williams, Maude Apatow, DeWayne Perkins, Amin Joseph, Gabrielle Dennis, DomiNque Perry, Janelle James, Lil Rel Howery

Director: Lawrence Lamont

Running Time: 97 Minutes

Rating: R

Release Date: January 17, 2025 (Theaters)

Having now watched One of Them Days, would I now like to have one of them days myself? Yes, but minus the financial instability. Although I suppose we all need something to light a fire to get us going. But it’s also important to have a support system to fall back on. Anyway, Dreux (Keke Palmer) and Alyssa (SZA) certainly go through quite the stressful ordeal, but along the way they also make some new friends, meet Katt Williams, and realize new creative and professional horizons. I call that a win! Plus, the honey butter biscuits at Church’s Chicken are SOOO good.* (*-I’ve never actually been to a Church’s, but I’m choosing to trust the ecstasy I saw on screen.)

Grade: The Rent’s Still Too Damn High, Though

Emilia Where-ez?

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What’s up? (CREDIT: Netflix)

Starring: Zoe Saldaña, Karla Sofía Gascón, Selena Gomez, Adriana Paz, Édgar Ramírez, Mark Ivanir

Director: Jacques Audiard

Running Time: 132 Minutes

Rating: R

Release Date: November 1, 2024 (Theaters)/November 13, 2024 (Netflix)

In case anyone was wondering, I did see Emilia Pérez a few days ago. It was pretty ridiculous, and quite frankly I wish it had been even more ridiculous. As it is, it’s caught in a rudderless limbo between respectability and camp. I’ve heard queer audiences criticize it for not truly understanding transgender people and Mexican audiences criticize it for perpetuating a negative stereotype of their country.

To which I say: why not be even less accurate?! Not in an ugly, shallow sort of way, but rather, in a bizarre, incomprehensible manner that’s too confusing to be offensive to anybody. And honestly, it kind of feels like that’s what the makers of Emilia Pérez were attempting. Or maybe that’s just what I wanted them to attempt. Either way, it’s weird how they got so close to that.

Grade: Stuck Somewhere in the Middle of the Atlantic Ocean

‘Flight Risk’ is a Pretty Chillaxing Plane Thriller

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Look at them taking risks! (CREDIT: Lionsgate)

Starring: Mark Wahlberg, Michelle Dockery, Topher Grace

Director: Mel Gibson

Running Time: 91 Minutes

Rating: R for Guns, Knives, and Choking

Release Date: January 24, 2025 (Theaters)

What’s It About?: Deputy U.S. Marshal Madelyn Harris (Michelle Dockery) has found her man! His name’s Winston (Topher Grace), he’s the accountant for the high-profile crime boss Moretti, and he’s hiding out somewhere in the wilds of Alaska, just trying to microwave a cup of soup in peace. But he knows his days outside the grasp of the law are limited, and quite frankly he’s very ready to become a cooperating witness. So Madelyn cuffs him up and charters a private flight from a pilot named Daryl Booth (Mark Wahlberg). But it turns out that Booth isn’t exactly who he says he is. Instead, he’s a hit man sent by Moretti to keep Winston quiet. That’s what we call a Flight Risk!

What Made an Impression?: Autopilot: Flight Risk runs a lean 91 minutes, unfolding more or less in real time. You might think that would make for an edge-of-your-seat, white-knuckle thriller, and I suppose it could be described that way. But more than half of the plot is fairly mellow, or at least as mellow as it can be when you’re thousands of feet up in the air and someone with no pilot experience is forced to navigate the sky. That low-key quality is attributable to the decision to keep the villain unconscious or otherwise incapacitated for most of the film. That’s not necessarily a bad thing; in a way, it’s kind of fascinating how Mel Gibson’s directing and Jared Rosenberg’s script allow us plenty of room to catch our breath. So if you have a heart condition and were worried that you couldn’t handle the stress of a movie like this, well, you might actually be able to give it a chance!
Limiting Stress: The most memorable moment of Flight Risk is surely the reveal that Fake-Booth wears a toupee. It doesn’t have any bearing on the plot and doesn’t reveal anything about his character whatsoever, but I’m glad that it was included because it’s definitely worth the laugh. A significant chunk of the movie operates on that vibe of keeping it light. Dockery spends most of the movie on a headset checking in with her Marshall colleagues, as well as a pilot who’s guiding her through to the landing. Many of these conversations had me thinking, “Are these people aware of the death-defying gravity of this situation?” But I appreciated that they were keeping it light, whether or not it was realistic. And in the case of the pilot, it definitely made sense, as he shamelessly flirts Madelyn to put her at ease and get her through an impossible situation. So weirdly enough, Flight Risk is a breezy, talky hangout flick, which is certainly not what I expected out of a Mel Gibson-directed movie with this premise in 2025, but it’s nice to take little surprises where you can get them.

Flight Risk is Recommended If You Like: Conversations in the sky

Grade: 3 out of 5 Pilots

‘Presence’ Review: It’s Time for the Ghost’s Perspective

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Yay, Presence! (CREDIT: NEON, Courtesy of Sundance Institute)

Starring: Lucy Liu, Chris Sullivan, Callina Liang, Eddy Maday, West Mulholland, Julia Fox, Natalie Woolams-Torres, Lucas Papaelias

Director: Steven Soderbergh

Running Time: 85 Minutes

Rating: R for At-Home Profanity and Malicious Drugging

Release Date: January 24, 2025 (Theaters)

What’s It About?: Rebecca (Lucy Liu) and Chris (Chris Sullivan) are in the market for a fresh start, so they settle into a charming three-bedroom suburban house along with their teenage kids Chloe (Callina Liang) and Tyler (Eddy Maday). Tyler’s trying to focus on the swimming team, while Chloe is reeling from the recent death of a friend. Their parents are also going through a rocky period, with the implication that Rebecca has recently done something illegal, possibly to protect Tyler. Meanwhile, Chloe suspects that there may be a supernatural entity lurking within their walls. And chances are that hunch is very correct, considering that this movie is in fact shot from the POV of the titular presence.

What Made an Impression?: Feels Like Home: As the spectral camera walked along every floorboard and peeked out of every window, I found myself thinking, “This looks so much like my grandparents’ house in southeastern Pennsylvania,” and also, “This reminds me quite a bit of my brother’s house in Westchester County.” Which is to say: it’s a lot like my own childhood home, but not quite. It’s the sort of suburban house right off a busy main road whose origins probably date back a few hundred years, back when the area was all farmland. This is exactly the sort of abode where you’d expect ghosts to be lurking .I imagine I’m not the only one who will find Presence giving them a sense of uncanny familiarity.
Friendly and Curious: If the spirit in Presence operates according to one overriding mission, it is to find the answer to the question “What am I doing here?” Perhaps the most common trope of ghost stories is that the undead have some unfinished business they must take care of before they can fully cross over to the afterlife. That certainly appears to be true of this particular ghost, but it’s taking some effort to figure out exactly what that unfinished business is, beyond the inkling that it has something to do with Chloe. So that results in plenty of aimless activity like just wandering around and moving objects from one spot to another (with the exception of a thrillingly revelatory climax). This existential ghost story requires a fair amount of patience, but it also offers sufficient rewards if you’re willing to stick with it.

Presence is Recommended If You Like: Paranormal Activity, Unsane, Casper

Grade: 3.5 out of 5 Gasps

I’ve Heard of the Wolf Man, But the Last Showgirl?

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Couple Goals? (CREDIT: Roadside Attractions; Nicola Dove/Universal Pictures)

Wolf Man

Starring: Christopher Abbott, Julia Garner, Matilda Firth, Sam Jaeger

Director: Leigh Whannell

Running Time: 103 Minutes

Rating: R

Release Date: January 17, 2025 (Theaters)

The Last Showgirl

Starring: Pamela Anderson, Dave Bautista, Jamie Lee Curtis, Kiernan Shipka, Brenda Song, Billie Lourd, Jason Schwartzman

Director: Gia Coppola

Running Time: 89 Minutes

Rating: R

Release Date: December 13, 2024 (Oscar Qualifying)/January 10, 2025 (Wide Theaters)

What’s going on, movie freaks?!😛Well, I’ll tell you what’s up with me: I saw a couple of movies this past weekend that most people probably don’t associate with each other, beyond the fact that they’re both currently playing in theaters. Interestingly enough, they also both feature (opposite) gendered language in their titles.

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‘The Damned’ is a Fairly Interesting January 2025 Movie Release

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Portrait of The Damned in Snow (CREDIT: Vertical Entertainment)

Starring: Odessa Young, Joe Cole, Rory McCann, Siobhan Finneran, Francis Magee, Turlough Convery, Mícheál Óg Lane, Lewi Gribben, Andrean Sigurgeirsson, Guillermo Uria

Director: Thordur Palsson

Running Time: 89 Minutes

Rating: R

Release Date: January 3, 2025 (Theaters)

I don’t want to be damned! Nor do I want to be in the location where the Thordur Palsson-directed movie The Damned is set, i.e., an Arctic bay that’s days away from the nearest village. Brr, that sounds cold! Although that’s not the biggest problem. I could find a way to survive the below-zero temps, but the lack of sunlight would really just not work for me. Also, the hallucinations that are apparently running rampant don’t sound so great. I enjoy analyzing hallucinations from the outside, but actually interacting with them – and living to tell the tale – is a little trickier.

Grade: Frostbite & Brainfreeze

‘Unstoppable’ is Pretty Much Exactly What You’d Expect Out of a One-Legged Wrestler Biopic

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Photo of a Man Who Can’t Be Stopped (CREDIT: Amazon MGM Studios)

Starring: Jharrel Jerome, Jennifer Lopez, Don Cheadle, Bobby Cannavale, Michael Peña, Anthony Robles

Director: William Goldenberg

Running Time: 123 Minutes

Rating: PG-13 for Troubles at Home

Release Date: December 6, 2024 (Limited Theaters)/January 16, 2025 (Amazon Prime Video)

What’s It About?: Champion wrestler Anthony Robles is one of those athletes with an undeniable underdog appeal. His family struggled to make ends meet, his stepfather was unreliable, and also he was born with only one leg. But eventually he managed to be one of the top college grapplers in the country. So it’s hardly a surprise that there’s now a biopic starring Jharrel Jerome as him, as well as J. Lo as his mom, Bobby Cannavale as his stepdad, and Michael Peña and Don Cheadle as his coaches. It had a limited theatrical run at the end of 2024, and now it’s streaming on Amazon Prime.

What Made an Impression?: Head on Straight, Learning to Pivot: I think the ideal way to experience Unstoppable is for wrestling coaches to screen it for their teams or aspiring wrestlers and then bring in the real Robles for a motivational speech and Q&A session. Sports biopics are often inspirational to a fault, but this one certainly earns that spirit. The world wasn’t exactly designed for one-legged people, after all. Anthony doesn’t make excuses for himself, but he’s also far from perfect. For those of us watching, there are plenty of opportunities to really dig into his decision-making to help anyone who wants to follow in his footsteps to think both ambitiously and practically.
Standard Filmmaking Achieved: Ultimately, Unstoppable is one of those movies that I don’t find myself going absolutely ga-ga for, while also not really wanting to criticize it all that much. The acting is solid, the filmmaking is sufficient, and it gets its themes and emotions across effectively. But it doesn’t do anything spectacular. I doubt it will stick in my mind all that much, but I might stumble across it totally randomly a few years from now and go, “Oh yeah, I saw that movie. I hope Anthony Robles is still doing okay.” And if anyone is doing more than okay thanks to having watched Unstoppable, well then, I’m glad it exists.

Unstoppable is Recommended If You Like: High school wrestling, College wrestling, Olympic wrestling (probably)

Grade: 2.5 out of 5 Pins

From the End of December 2024 Into Early January 2025, I Caught Up on Some Holiday Movie Releases: Here’s What Happened

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CREDIT: A24; Warner Bros. Pictures/Screenshot; Disney/Screenshot; Disney/Screenshot

The Lord of the Rings: The War of the Rohirrim

Starring: Gaia Wise, Brian Cox, Luke Pasqualino, Mirando Otto

Director: Kenji Kamiyama

Running Time: 134 Minutes

Rating: PG-13

Release Date: December 13, 2024 (Theaters)

Babygirl

Starring: Nicole Kidman, Harris Dickinson, Antonio Banderas, Sophie Wilde, Esther McGregor, Vaughan Reilly

Director: Halina Reijn

Running Time: 115 Minutes

Rating: R

Release Date: December 25, 2024 (Theaters)

Moana 2

Starring: Auliʻi Cravalho, Dwayne Johnson, Hualālai Chung, Rose Matafeo, David Fane, Awhimai Fraser, Khaleesi Lambert-Tsuda, Temuera Morrison, Nicole Scherzinger, Rachel House, Gerald Ramsey, Alan Tudyk

Directors: David Derrick Jr, Jason Hand, and Dana Ledoux Miller

Running Time: 100 Minutes

Rating: PG

Release Date: November 27, 2024 (Theaters)

Mufasa: The Lion King

Starring: Aaron Pierre, Kelvin Harrison Jr, John Kani, Seth Rogen, Billy Eicner, Tiffany Boone, Donald Glover, Mads Mikkelsen, Thandiwe Newton, Lennie James, Blue Ivy Carter, Beyoncé Knowles-Carter, Preston Nyman, Anika Noni Rose, Keith David

Director: Barry Jenkins

Running Time: 118 Minutes

Rating: PG

Release Date: December 20, 2024 (Theaters)

Oh hi, there! Well, you know how it goes. That annual time between Thanksgiving and New Year tends to be busy, both in terms of social obligations and new movie releases. So even someone who frequents the cinema as often as I do struggles to catch absolutely everything right when they arrive. But I do my best to catch up with them eventually! So here’s a roundup of my thoughts on recent holiday flicks with a focus on how much they put me in the holiday spirit.

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‘Den of Thieves 2: Pantera’ Adds International Flavor for Surprisingly Strong Results

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A couple of Panteras (CREDIT: Rico Torres)

Starring: Gerard Butler, O’Shea Jackson Jr., Evin Ahmad, Salvatore Esposito, Meadow Williams, Swen Temmel, Michael Bisping, Orli Shuka, Cristian Solimeno, Nazmiye Oral, Yasen Zates Atour, Giuseppe Schillaci, Dino Kelly, Rico Verhoeven, Velibor Topic, Antonio Bustorff, Cyril Gane

Director: Christian Gudegast

Running Time: 144 Minutes

Rating: R for Guns, Fists, Bad Words, and a Few Hits of E

Release Date: January 10, 2025 (Theaters)

What’s It About?: Detective Nicholas O’Brien (Gerard Butler) might go by the nickname “Big Nick,” but they oughta call him Ahab, considering the white whale he just can’t let go of. That Moby Dick would be Donnie Wilson (O’Shea Jackson Jr.), who bested Big Nick and the city of Los Angeles several years ago with a twisty heist, and now he’s arrived in France for his next big score. But Nick is hot on his tail, and it looks like he wants to … help him out? It’s true, or at least it seems that way, as he embeds himself right within Donnie’s crew and talks a big game about abandoning the rule of law. Or, you know, it could be that he’s just finally decided to flex his undercover entrapment skills.

What Made an Impression?: Well, the first thing that made an impression is that I actually kinda liked Den of Thieves 2. Or at the very least I thought it was an improvement over the original Den, which felt like it was cosplaying more acclaimed urban American crime sagas. But Pantera manages to be its own thing by sprucing itself up on a whole new continent. The two-hour plus runtime feels more patient than indulgent, with writer-director Christian Gudagest confidently assembling various factions on his sprawling chess board. The dialogue is a lot less clever than the plotting, but at least there’s a certain self-aware charm to Butler’s macho-overload bluntness at this point in his career.

Den of Thieves 2: Pantera is Recommended If You Like: Cheap vibes crossed with high production values

Grade: 3 out of 5 Diamonds

Robbie Williams Devolves in the Cheeky Rock Biopic ‘Better Man’

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Man! I feel like a Better Man (CREDIT: Paramount Pictures)

Starring: Robbie Williams, Jonno Davies, Steve Pemberton, Kate Mulvany, Alison Steadman, Damon Herriman, Raechelle Banno, Jake Simmance, Liam Head, Jesse Hyde, Chase Hollenweider, Tom Budge, Leo Harvey-Elledge

Director: Michael Gracey

Running Time: 135 Minutes

Rating: R for Sex, Drugs, and Pop Rock ‘n’ Roll

Release Date: December 25, 2024 (Limited Theaters)/January 10, 2025 (Wide Theaters)

What’s It About?: Based on my understanding, Robbie Williams is one of those fellows who’s a whole heck of a lot more popular on the other side of the pond than he ever was in the US of A. I know him best for his pre-Y2K hit “Millennium,” which I have plenty of fond memories of, but he never seemed like the kind of superstar who would get swarmed by rabid fans. But apparently he is in his native land of Merry Ol’ England! His career kicked off in the early 90s as a member of the boy band quintet Take That, and then he eventually broke off for a solo career. In the process, he endured all those vices endemic to the rock star lifestyle: addiction, rocky home life, rollercoaster romances. And eventually, he lived a life worthy of a biopic in which he’s portrayed as a chimp-human hybrid.

What Made an Impression?: Going Ape: Better Man is one of those biopics where the subject plays himself, which you might be surprised about considering what I just said in the last paragraph. To be thorough, though, he didn’t do it on his own! He mostly narrates as his future wiser self, while Jonno Davies provides the bulk of the visual performance with a motion capture routine to set up the CG chimpanzee animation. (Carter J. Murphy contributed child Robbie’s vocals, while Adam Tucker is credited with “additional vocals.”) If you enjoyed the recent LEGO-animated Pharrell documentary Piece by Piece, chances are you’ll also find something to appreciate about Better Man. The narrative is undeniably straightforward and maybe even a little bit cliché, but committing to the chimp gimmick the whole way through is nevertheless a simple and effective trick to increase the freshness a thousandfold.
Single Male Chimp Seeking…: While I was grateful to see Chimpanzee Robbie, I guess it also made me a little greedy, because I couldn’t help but wonder: why wasn’t everyone else a primate? While that may have made for a more visually diverse experience, I must accept that that wasn’t the movie that this creative team wanted to make. Instead, we got what we got because Robbie felt adrift as an ape-man in a sea of ostensibly more normal humans. Still, there was plenty of room for even more flights of fancy. One climactic highlight consists of a concert turning into a chimpanzee battle royale in which Robbie vanquishes various parts of his psyche, and there could have been more of that. The overall gimmick didn’t disappoint, but it did get subsumed into a fairly traditional story. It may have been an honest telling of Robbie’s experience (and perhaps even effective therapy for him), but you kind of get the feeling that Better Man wanted to burst through with even more unbound creativity.

Better Man is Recommended If You Like: Behind the Music, Animal Planet, non-London English accents

Grade: 3 out of 5 Chimpanzees

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