‘A Quiet Place: Day One’ Takes Manhattan

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A Kitty Place (CREDIT: Paramount Pictures)

Starring: Lupita Nyong’o, Joseph Quinn, Alex Wolff, Djimon Hounsou, Eliane Umuhire

Director: Michael Sarnoski

Running Time: 99 Minutes

Rating: PG-13 for Acrobatic Alien Hunting

Release Date: June 28, 2024 (Theaters)

What’s It About?: Remember those blind aliens from A Quiet Place that hunt by sound? Did you wonder what it was like when they first arrived? Perhaps you specifically imagined how it must have gone down in New York City. It’s the city that famously never sleeps. And it also never shuts up either! So the ETs would presumably be able to indulge in quite the feast. And so, in A Quiet Place: Day One, cancer-stricken Sam (Lupita Nyong’o) and her cat Frodo head into Manhattan along with hospice nurse Reuben (Alex Wolff). She only agrees to the trip because she hasn’t had a real New York slice of pizza in a while. But that proves difficult to procure when the aliens show up and also when a law student named Eric (Joseph Quinn) won’t leave her alone amidst the mayhem.

What Made an Impression?: Resourcefulness: One of the signature features of the first Quiet Place was getting to see all the ways that human life had adapted to being as silent as possible. I was concerned that Day One would be utterly devoid of those pleasures, but it turns out that people are pretty resourceful in a crisis. Or at least, enough people are sufficiently resourceful to make a movie out of. It’s hard to calculate exactly due to the chaos of the invasion, but I would estimate that it takes at most an hour for everyone to realize that they need to stop making noise. As Sam navigates the urban landscape as gracefully as possible, it’s enough to make you pine for the early days of the COVID-19 pandemic when otherwise busy city streets were completely empty. Of course, in both cases, the circumstances precipitating the calm were quite devastating. But this movie is still satisfying as a how-to guide to navigate the world being upended by a sudden disaster.
Wait a Minute, the Cat!: Sam’s journey is ultimately one of allowing herself to live again amidst all the death and destruction. That’s not exactly groundbreaking when it comes to terminally ill protagonists, so I’m not surprised that I was far more interested in her stubborn insistence on acquiring one final slice of ‘za. And I think that burning desire partly explains why her feline friend is so loyal to her. Believe you me, Frodo is quite the cat. He knows not to meow! He knows how to avoid being trampled! He even knows how to walk on a leash! The Quiet Place movies are all pretty straightforward in what they promise and deliver, but then occasionally you have little Frodos that are surprisingly sublime.

A Quiet Place: Day One is Recommended If You Like: Being able to hear chatter from the lobby in between the explosions

Grade: 3 out of 5 Shushes

‘The Exorcism’ ‘Used to Be Funny’?

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Having a devil of a time (CREDIT: Vertical Entertainment; LevelFILM/Screenshot)

I Used to Be Funny

Starring: Rachel Sennott, Olga Petsa, Jason Jones, Sabrina Jalees, Caleb Hearon, Ennis Esmer, Dani Kind

Director: Ally Pankiw

Running Time: 106 Minutes

Rating: Unrated

Release Date: June 7, 2024 (Theaters)

The Exorcism

Starring: Russell Crowe, Ryan Simpkins, Adam Goldberg, Sam Worthington, Chloe Bailey, David Hyde Pierce, Marcenae Lynette, Tracey Bonner, Samantha Mathis, Adrian Pasdar

Director: Joshua John Miller

Running Time: 95 Minutes

Rating: R

Release Date: June 21, 2024 (Theaters)

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‘Kinds of Kindness’ is Kind of Out There

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What a racket! (CREDIT: Searchlight Pictures)

Starring: Jesse Plemons, Emma Stone, Willem Dafoe, Margaret Qualley, Hong Chau, Joe Alwyn, Mamoudou Athie, Hunter Schafer, Yorgos Stefanakos, Merah Benoit

Director: Yorgos Lanthimos

Running Time: 165 Minutes

Rating: R for Sexual Nudity, Ritual Nudity, Limb Removal, Petty Animal Cruelty, Etc.

Release Date: June 21, 2024 (Theaters)

What’s It About?: A man tries to break free from the grasp of the controlling boss who micromanages his entire life. Another man who looks just like that man suspects that the woman claiming to be his wife returning from a disappearance isn’t who she claims to be. Members of a cultish group are on a quest to find someone with the power of resurrection. It’s an anthology! And it’s called Kinds of Kindness, but I sure didn’t detect a whole lot of kindness in these vignettes. Maybe writer/director Yorgos Lanthimos and his co-writer Efthimis Filippou have a different conception of what that word means. Anyway, this movie is a real head-scratcher, in the sense that it produces the same sensation as sticking your finger up your nose and poking around in your brain tissue.

What Made an Impression?: O R.M.F., Where Art Thou?: Most of the main Kinds of Kindness cast members have a role in each of the three segments. Their respective roles have vaguely similar personalities, though it’s not clear if that’s how they were directed or if it just happens to be that way because they’re played by the same actors. If you squint, you can probably pick up on some Cloud Atlas vibes in the sense of the same souls existing within different beings. But since each Kinds of Kindness segment appears to take place in the present day, it comes across more as just alternative realities or hypothetical do-overs. The one constant is a guy known only by the initials “R.M.F.,” who serves as the namesake for each chapter despite not doing much of anything. Although, in the last part, entitled “R.M.F. Eats a Sandwich,” he does indeed eat a sandwich, so at least one promise is kept.
In the Mood for Vexation: Good movies often teach you how to watch them, but Kinds of Kindness seems intent on doing just the opposite. That doesn’t make it a bad movie per se, but if you don’t want to get frustrated, then you’ll have to adjust your calibrations and accept that you will almost certainly get frustrated. After releasing the most accessible film of his career last year in the form of Poor Things, Lanthimos has returned to the more impenetrable territory of The Lobster and The Killing of a Sacred Deer. (I haven’t seen his earlier Greek-language flicks, but they have a similar reputation.) I wasn’t expecting a satisfying ending, and I did not get a satisfying ending. I wasn’t expecting a legible message, and I did not get a legible message. There were moments here and there that brought a smile to my face (particularly a world run by dogs set to the tune of Dio’s heavy metal banger “Rainbow in the Dark”), but otherwise, this was a, shall we say, vacation into a land that claims to be speak the languages of English and cinema, and yet it’s not any form of communication that I recognize.

Kinds of Kindness is Recommended If You Like: Constantly opening one of those fake cans of nuts that’s actually a prank snake even though you know it’s going to be the snake every time

Grade: 3.5 out of 5 Changelings

It’s ‘Tuesday’ at the Movies!

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Oh, by the way, which one’s Tuesday? (CREDIT: A24)

Starring: Julia Louis-Dreyfus, Lola Petticrew, Leah Harvey, Arinzé Kene

Director: Daina O. Pusić

Running Time: 111 Minutes

Rating: R

Release Date: June 7, 2024 (Theaters)

I DIDN’T SEE Tuesday on a TUESDAY!!!

I just had to get that out of the way first.

But now that I have seen Tuesday (on a Monday), would I prefer that all days henceforth be Tuesday (even if only metaphorically)? I don’t know, would that mean that a baritone macaw Grim Reaper would always be hovering around? I mean, that sounds cool and all, but it might get a little monotonous. But definitely good on JLD for branching out into dark fairy tale territory!

Grade: 3 Ice Cube Singalongs out of 2 Good Days

‘Inside Out 2,’ Anxiety Boogaloo

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You put the Inside Out, you put the Outside In (CREDIT: Pixar/Screenshot)

Starring: Amy Poehler, Maya Hawke, Phyllis Smith, Kensington Tallman, Tony Hale, Lewis Black, Liza Lapira, Ayo Edebiri, Adèle Exarchopoulos, Paul Walter Hauser, Diane Lane, Kyle MacLachlan, Sumayyah Nuriddin-Green, Grace Lu, Yong Yea, Yvette Nicole Brown, Ron Funches, James Austin Johnson, Steve Purcell, Dave Goelz, Kirk Thatcher, Frank Oz, Paula Pell, June Squibb, Pete Docter

Director: Kelsey Mann

Running Time: 96 Minutes

Rating: PG

Release Date: June 14, 2024 (Theaters)

I often like to ask if the movies that I watch make me want to be what they are. But of course, what Inside Out and Inside Out 2 posit is that, we are all already inside out. How twisted! Just like Pouchy – what a dynamite addition. Speaking of new characters, I’m already nostalgic for Nostalgia. Damn, that anxiety attack was exhilarating. Don’t spin around with a baseball bat for a dizzy race right before watching this movie!

Grade: 4001 Insides out of 5000 Outs

Katherine Parr and Henry VIII Square Off in the Elusive ‘Firebrand’

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This queen is on Fire(brand)? (CREDIT: Larry Horricks)

Starring: Alicia Vikander, Jude Law, Eddie Marsan, Ruby Bentall, Bryony Hannah, Sam Riley, Maia Jemmett, Amr Waked, Erin Doherty, Junia Rees, Patsy Ferran, Patrick Buckley, Simon Russell Beale, Mia Threapleton

Director: Karim Aïnouz

Running Time: 120 Minutes

Rating: R for Rowdy Royalty

Release Date: June 14, 2024 (Theaters)

What’s It About?: Henry VIII is one of the most famous and dramatized kings in British history. That makes sense, as there’s plenty of drama to be mined. He had six wives who met a variety of interesting, often deadly, fates, and he reigned at a time when England was in the midst of world-rearranging religious strife. So there are a variety of potential angles to take if you’re going to make a movie set during his reign. Firebrand focuses on his last wife, Katherine Parr, who finds herself holding court in the midst of daily intrigue and sinister gossip. She ends up caught between her attempts to appease the king and her dalliances with a Protestant preacher who’s deemed a heretic, while also trying to serve as a mother as best she can to her fretful princely stepchildren.

What Made an Impression?: Parr for the Course: For this review, I’m basically going to do a performance analysis for the two leads, because that’s what held my attention. My bet is that most people’s exposure to Katherine in terms of pop culture (if they have any exposure at all) is the musical Six. But of course, that stage show is about all of Henry’s wives as opposed to just Katherine in particular. Either way, Alicia Vikander certainly doesn’t play her like a modern pop star. No, instead her Katherine is in a constant state of dilemma and anguish, fundamentally unable to please anyone she cares about, and with no room to maneuver to allow herself any personal satisfaction. She’s just canny enough to survive, but even that is largely attributable to a lucky twist of fate.
He’s Henry VIII, He Is?: Jude Law would be far from my first choice to play Henry VIII, as he strikes me as a bit too handsome and suave to play the famously rotund king. And in fact, when he first showed up in Firebrand, I had flashbacks to his time as The Young Pope, which had me thinking, “Is this Henry supposed to be… hot?” The rest of the movie quickly disabused me of that notion, as Law’s Henry is mad, brutish, and beset by ulcers. He’s quickly sliding into the grips of the Grim Reaper, and that’s frankly a relief to everyone around him. Law is appropriately devoid of vanity, but this Henry is simply too sick for there to be enough room to make him truly compelling.

Firebrand is Recommended If You’re: Just a big fan of Henry VIII’s wives

Grade: 2.5 out of 5 Heresies

Horror 2-Pack Review: ‘The Watchers’ Are ‘In a Violent Nature’

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Watching Nature (CREDIT: IFC Films/Screenshot; Warner Bros. Pictures/Screenshot)

In a Violent Nature

Starring: Ry Barrett, Andrea Pavlovic, Cameron Love, Reece Presley, Liam Leone, Charlotte Creaghan, Lea Rose Sebastianis, Sam Roulston, Alexander Oliver, Lauren Taylor, Timothy Paul McCarthy

Director: Chris Nash

Running Time: 94 Minutes

Rating: Unrated

Release Date: May 31, 2024 (Theaters)

Stomach was knotted (from ice cream)

The Watchers

Starring: Dakota Fanning, Olwen Fouéré, Georgina Campbell, Oliver Finnegan, Alistair Brammer, John Lynch

Director: Ishana Night Shyamalan

Running Time: 102 Minutes

Rating: PG-13

Release Date: June 7, 2024 (Theaters)

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‘Bad Boys: Ride or Die’ Has Some Lies to Clear Up

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Bad Boys, Bad Boys, what you gonna ride? What you gonna ride, when you ride or die? (CREDIT: Frank Masi/Columbia Pictures)

Starring: Will Smith, Martin Lawrence, Vanessa Hudgens, Alexander Ludwig, Paola Núñez, Eric Dane, Ioan Gruffudd, Jacob Scipio, Melanie Liburd, Tasha Smith, Rhea Seehorn, Joe Pantoliano, Tiffany Haddish, John Salley, DJ Khaled, Dennis Greene, Quinn Hemphill

Directors: Adil El Arbi and Bilall Fallah

Running Time: 115 Minutes

Rating: R for Heavy Artillery and the Dirty Cops That Fire Them

Release Date: June 7, 2024 (Theaters)

What’s It About?: Don’t speak ill of the dead, or a couple of flashy Miami police detectives might just start investigating your ass. When the late Captain Conrad Howard (Joe Pantoliano) is posthumously accused of collaborating with a drug cartel, Detectives Mike Lowrey (Will Smith) and Marcus Burnett (Martin Lawrence) set out to clear their mentor’s good name. It seems stunningly obvious that Howard is innocent, but the cartel’s tendrils of influence are inescapable, and their arsenal is bottomless. Plus, it doesn’t help that the best course of action involves transferring Mike’s incarcerated son Armando (Jacob Scipio) so that he can ID the real perp. Adding to the hurricane is the fact that Captain Howard’s US Marshal daughter Judy (Rhea Seehorn) has her own plan to clear her dad’s name that doesn’t involve trusting Mike or Marcus.

What Made an Impression?: They’re Really Getting Too Old For This S-: The last Bad Boys flick came out four years ago, and it was already the sort of legacy action sequel that was majorly about how its main characters are aging out of their high-octane lifestyles. Ride or Die ramps that angle up right from the get-go, with Marcus suffering a widow maker heart attack after indulging in a few too many Skittles and gas station hot dogs. Meanwhile, Mike is having a series of inexplicable panic attacks. As it plays out, though, this is really more about the odd couple dynamic, as Lawrence was never exactly the action star specimen that Smith has been for most of his career. While this thread could have been more meditative, I appreciate that it’s at least occasionally psychedelic, with Marcus going on a rather visually inventive spiritual journey following his heart attack. The rest of the movie is typical gunfire-filled mayhem, but at least there’s room for the leads to occasionally riff about mystical mumbo-jumbo.
Fancy Bad Boys: Sometimes I just want to spotlight one weird specific moment from a movie without covering too many of the most important details. Ride or Die is pretty much a retread of Bad Boys for Life, after all (at least in terms of vibes, if not necessarily plot). But what For Life didn’t have is Mike and Marcus pretending to be Reba McEntire superfans to get themselves out of a pickle. If you’ve seen the trailer, you already know that they’re forced at gunpoint to sing their favorite song by the country superstar to prove their bona fides. And if that moment had you wondering if we get a Reba rendition of the Inner Circle song that serves as this franchise’s namesake, well, then I must say that you are thinking clearly. And that’s what I’m going to choose to focus on whenever I think about this movie.

Bad Boys: Ride or Die is Recommended If You Like: Martin Lawrence being really silly, Will Smith being really annoyed, Rhea Seehorn being really serious

Grade: 3 out of 5 Posthumous Video Messages

‘Handling the Undead’ Offers a Meditative Scandinavian Spin on the Zombie Genre

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Can you handle it (Courtesy of Sundance Institute. Photo by Pål Ulvik Rokseth)

Starring: Renate Reinsve, Anders Danielsen Lie, Bjørn Sundquis, Bente Børsum, Bahar Pars, Inesa Dauksta

Director: Thea Hvistendahl

Running Time: 97 Minutes

Rating: Unrated (with PG-13-Level Slow-Burn Terror)

Release Date: May 31, 2024 (IFC Center in New York City)/June 7, 2024 (Select Cities)

What’s It About?: A woman finds her catatonic elderly mother in her kitchen. A man is informed that his wife is inexplicably alive after a car accident despite an ostensibly insufficient amount of oxygen. An older man digs up his dead grandson, much to the horror of his daughter who’s also the boy’s mother. In case you haven’t figured it out already, the dead have risen in Oslo. But they’re not the lumbering, ravenous zombies that we’re used to. Instead, they’re enigmas for their loved ones, is there hope that they could be fully resurrected, or is this just a never-ending tragedy?

What Made an Impression?: When to Let Go: For the most part, the undead in Handling the Undead don’t seem to be putting their family in any immediate danger (although that eventually changes). But the emotional stress they inflict is profound and inescapable. When they eventually become bitey, it literalizes the lesson they’re imparting: clinging too tightly to the departed can be lethal. Once you notice your own health withering away in this situation, it’s probably time to let go.
We Need a Prescription: When a zombie film opts for an atypical approach, it often does so from a postmodern lens, with the characters within the movie familiar with the lessons of previous zombie narratives. But in the case of Handling the Undead, it’s not clear if these people have any of that genre savvy. Even if they do, they don’t really realize that they’re dealing with zombies until it’s too late. Doctors are too puzzled to offer anything resembling a diagnosis. Indeed, no experts are available to suggest any helpful course of action. This complicates the lesson of letting go; sometimes it’s not clear when the end has arrived, and in the meantime, we must sit with the existential ambiguity and simmering threat of danger.

Handling the Undead is Recommended If You Like: Let the Right One In, Let Me In, Going heavy on the subwoofer

Grade: 3.5 out of 5 Dead-Eyed Stares

‘Robot Dreams’ Review: Dog is Metal Man’s Best Friend

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A Robot and a Dog Displaying Water Safety Practices (CREDIT: NEON)

Starring: A Dog and a Robot

Director: Pablo Berger

Running Time: 102 Minutes

Rating: Unrated (G-Level with Maybe a Hint of Danger)

Release Date: May 31, 2024 (New York Theaters)/June 7, 2024 (Los Angeles)

What’s It About?: Have you ever seen a movie about a human befriending a machine? Or what about a human befriending a furry fellow? Surely you already know that there’s plenty of both of those! But what Robot Dreams presupposes is: instead of a human, what if an animal and a robot become friends with … each other? And so it goes, as a dog named Dog assembles himself a robot friend, and they quickly become inseparable. They head down to Coney Island one day for a beach outing, but Robot gets stuck in the sand and becomes too heavy for Dog to move him. He tries to come back to retrieve him the next day, but alas, the beach is now closed until next summer, so Dog is forced to be extraordinarily patient if he wants to reunite with his best friend. Will they be able to survive the wait, or does fate have something even more whimsical in store for them? In the meantime, Robot will have to settle for having vivid dreams about their reunion.

What Made an Impression?: Ba-dee-ah: Do you dream in music? Well, Dog and Robot dream in earth, wind, and fire. Specifically, they dream in “September” by Earth, Wind & Fire. It’s also a big part of their waking life as well. It’s the signature song to the soundtrack of their lives, and the potential calling card should they ever be reunited. This is transcendentally joyful funk R&B that strikes right at the connection-forming core of my psyche. I imagine that even viewers who have somehow never heard this song before will have a similar reaction.
No Chance for Reassurance: In between seeing Robot Dreams and writing this review, I read about the efforts to reunite migrant families separated at the border during President Trump’s zero tolerance policy. Some reunions have been successful but also profoundly unsatisfying, as the children were too young to understand that their parents were constantly trying to find them. I couldn’t help but draw parallels to the predicament of Robot, who remains similarly unaware of Dog’s efforts to track him down. To be clear, Robot Dreams is not at all as depressing as that real-world tragedy. Quite frankly, I can only hope that those children can be soothed by an imagination as vibrant as the one that Robot displays. This movie isn’t a matter of life and death, but it does offer a portrait of inspiring resilience, which quite frankly we can never have enough of. So if you have the good fortune of free time, do yourself a favor and allow Robot Dreams to place a balm on your soul.

Robot Dreams is Recommended If You Like: Bittersweet memories of happy days

Grade: 3.5 out of 5 Dreams

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