Best Albums of 2019

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It’s been a few years since I’ve made an Albums of the Year list, but I really felt compelled to make one for 2019. Here are the audio compilations from the recent past that really made an impact on me:

14. Camila Cabello, Romance – Fun and bouncy.
13. Harry Styles, Fine Line – I like where Harry is headed.
12. Beck, Hyperspace – Reliable Beck.
11. Brittany Howard, Jaime – Great, big rockin’ voice goes solo.
10. The Black Keys, Let’s Rock – They never stopped rocking.
9. Ariana Grande, thank u, next – Lots of adventure from Ari.
8. Sleater-Kinney, The Center Won’t Hold – Band broke up, music’s still great.
7. Tyler, the Creator, IGOR – I feel so comfortable inside this album.
6. FKA Twigs, MAGDALENE – FKA reminds me of Bat for Lashes.
5. Vampire Weekend, Father of the Bride – Those Vampire Weekend guys have still got a hold on me.
4. Lana Del Rey, Norman Fucking Rockwell! – What a soundscape!
3. Billie Eilish, When We All Fall Asleep, Where Do We Go? – Just plenty of fun.
2. Lizzo, Cuz I Love You – I love you, too!
1. The Chemical Brothers, No Geography – Apocalyptic concept album.

The Semi-Autobiographical ‘Honey Boy’ Puts Shia LaBeouf’s Decades-in-Coming Therapy on the Big Screen

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CREDIT: Amazon Studios

Starring: Shia LaBeouf, Noah Jupe, Lucas Hedges, FKA Twigs, Maika Monroe, Martin Starr, Natasha Lyonne (but only on the phone)

Director: Alma Har’el

Running Time: 93 Minutes

Rating: R for A Dad and a Young Son Using Way Too Much Profanity with Each Other

Release Date: November 8, 2019 (Limited)

Honey Boy is an almost-biopic, based on Shia LaBeouf’s preteen days as a child actor with a pushy, erratic father. I had not read any synopsis ahead of time, so I was unaware of this fact until the credits started to roll, so for me it was a nice little bonus that put everything into clearer focus. And we needed that perspective, because it’s exhausting to spend so much time in a motel with Shia stand-in Otis Lort (Noah Jupe) being emotionally abused the same way over and over by his balding, pot-bellied father James (LaBeouf doing a riff on his own dad). At least the rehab scenes with an older Otis (Lucas Hedges) offer some opportunities for a breakthrough. A particular highlight is his tête-à-tête with an as-stone-faced-as-usual Martin Starr about the nature of acting and sincerity (Otis, and presumably the real Shia, believes that day-to-day-living is just another form of acting).

While I found much of Honey Boy too unpleasant to fully embrace, its nakedly autobiographical nature is fascinating. It reminded me in particular of the Community Season 1 episode “Introduction to Film,” wherein aspiring filmmaker Abed makes a short documentary-fiction hybrid in which he covertly casts his friends as his divorced parents. Its experimental nature flat-out confounds his study buddies, but it leaves his usually cold father in a puddle of tears. So similarly, while I found Honey Boy off-putting, I can imagine that for LaBeouf and those close to him, this is exactly the sort of therapy they need. When he shows it to his dad, maybe it will prove to be the spark that leads to their relationship being healthier than it’s ever been.

Honey Boy is Recommended If You Like: Artists working through their familial demons in their art, That time when Shia LaBeouf watched his own movies

Grade: 3 out of 5 Cheap Motels