‘Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D)’ Aims for Full Immersion

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Billie on the Stage (CREDIT: Paramount Pictures)

Starring: Billie Eilish

Directors: Billie Eilish and James Cameron

Running Time: 114 Minutes

Rating: PG-13 for Lyrics and Singalongs That Would Get a Parental Advisory Label

Release Date: May 8, 2026 (Theaters)

What’s It About?: Her baroque soundscapes and famously baggy fashion may not fit the typical pop musician mold, but Billie Eilish has nevertheless managed to become one of the biggest superstars in the world. So that means that she has the cachet to front a theatrically released concert documentary with some unique creative choices. That includes co-directing alongside James Cameron and shooting the whole thing in three dimensions. So the result is an immersive experience in multiple ways, gathered from footage of Eilish’s performances in Manchester, England as part of her “Hit Me Hard and Soft: The Tour.” And in typical concert doc fashion, there are also behind-the-scenes bits sprinkled in of Billie revealing what’s been going on in her world and fans confessing how much she means to them.

What Made an Impression?: What a Mouthful: This isn’t a big deal in terms of the viewing experience, but what are people going to say when buying a ticket for this movie (as the entirety of “Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D)” will probably take multiple breaths to get through)? I suppose this doesn’t matter too much, as so much ticket-buying takes place online ahead of time nowadays. Still, with a title that requires as much punctuation as this one, it’s a good idea to have an abbreviation that everyone can agree upon. In conclusion, I love ungainly Methuselan titles like this, and I’m glad that it’s what they went with!
Making Sense of the Setlist: I consider myself a little bit more than a casual fan of Billie’s, but watching this doc was a stark reminder that even superstars are somewhat niche in our post-monoculture era. I’ve only listened to the album that the tour is named after once in its entirety, so there were plenty of songs performed here that I wasn’t terribly familiar with. Eventually, Billie does bust out some of her most inescapable hits like “Bad Guy” and “everything i wanted”, so those of us who only check with her every once in a while won’t feel totally adrift. This is not to say that including the newer and lesser-known tracks is a bad idea (far from it, in fact), but it was a little unnerving to realize that I wouldn’t be able to sing along as much as I thought I could.
The 3D Verdict: I still firmly contend that 3D movies are best when treated like a gimmick in the form of projectiles firing at the audience, rather than serving the goal of creating the most visually immersive atmosphere possible, even when you have the master of the latter approach behind the camera. Nevertheless, Hit Me Hard and Soft‘s extra-dimensionality is memorable, especially when boisterous concert attendees appear like they’re in the movie theater, and when falling confetti threatens to make a mess of your popcorn. So ultimately, it is enough of a gimmick for putting on the goofy glasses to be as fun and as silly as I could hope for.
The Parasociality of It All: I’ve never been the type of fan to say that I’ve been saved by my favorite artist’s music, so when I hear others express that sentiment, as so many of Billie’s devotees do here, it can feel a little overwhelming. However, if the connections they’ve formed with these songs truly did pull them back from the brink of darkness, then that’s a net positive for the world. The declarations of what the artist means to so many are nothing new in this genre, but they’re in the final cut for a reason.

Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D) is Recommended If: You’re a Fan/True Believer in Any of the Names, Words, and/or Formats in That Title

Grade: 3 out of 5 Ankle-Length Shorts

Jeff’s Wacky SNL Review: Michael Keaton/Billie Eilish

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A screenshot for the promo of this episode (CREDIT: NBC/Screenshot)

Jeff “jmunney” Malone watches every new episode of Saturday Night Live and then reviews all the sketches and segments according to a “wacky” theme.

Hellooooo, my SNL family! Well, it’s time to talk about the October 19, 2024 episode of this here sketch comedy program that we all love to laugh at. The guest lineup, in case you weren’t paying attention, consisted of Michael Keaton and Billie Eilish. Interestingly enough, this was both his fourth time as host AND her fourth time as musical guest. But there was much more time elapsed in his case, as he first stopped by in 1982, while she made her Studio 8H debut in 2019.

As for my reviewing style this week, I’m going to stick with a classic, as I transcribe the notes I wrote in my notebook while watching the episode.

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Entertainment To-Do List: Week of 5/17/24

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CREDIT: Paramount Plus/Screenshot

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
Babes (Theaters)
Back to Black (Theaters)
IF (Theaters)
The Strangers: Chapter 1 (Theaters)

TV
RuPaul’s Drag Race All Stars Season 9 Premiere (May 17 on Paramount+)
-Marvel Studios’ Assembled: The Making of X-Men ’97 (May 22 on Disney+) – I don’t always watch these BTS docs, but I do when they’re about X-Men ’97.
Don’t Forget the Lyrics Season Premiere (May 23 on FOX)
Evil Season 4 Premiere (May 23 on Paramount+) – To be followed by a mini Season 5 (the Final Season) soon thereafter).

Music
-Cage the Elephant, Neon Pill
-Billie Eilish, Hit Me Hard and Soft
-Beth Gibbons, Lives Outgrown – Lead singer of Portishead.
-Slash, Orgy of the Damned

Sports
-Preakness Stakes (May 18 on NBC)

Jeff’s Wacky SNL Review: Kate McKinnon/Billie Eilish

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Billie Eilish is in her Mechanic Era (CREDIT: NBC/Screenshot)

It’s the last new SNL of 2023, former cast member Kate McKinnon has returned to host, Billie Eilish is the musical guest for the third time, Kristen Wiig and Maya Rudolph also stopped by – clearly, everyone just wants to have fun.

A few times in the past, I’ve adopted a reviewing strategy themed around a holiday. But I’ve never done it for New Year’s Day before, seeing as SNL tends to bypass that time of the year. But I’m going to go ahead and not bypass it. Thus for this episode, I’m reviewing each sketch by declaring “Happy New Year!” to someone or something.

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Entertainment To-Do List: Week of 4/22/22

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Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
The Duke (Theaters)
The Northman (Theaters)
Petite Maman (Theaters)
The Unbearable Weight of Massive Talent (Theaters) – Cage for Cage.
We’re All Going to the World’s Fair (Theaters) – This came out in limited release last week, and I should have included it then.

TV
The Simpsons: When Billie Met Lisa (April 22 on Disney+) – “Billie” as in “Eilish.”
Barry Season 3 Premiere (April 24 on HBO)
Three Busy Debras Season 2 Premiere (April 24 on Adult Swim)

Music
-Bonnie Raitt, Just Like That…
-King Gizzard & the Lizard Wizard, Omnium Gatherum
-Psychedelic Porn Crumpets, Night Gnomes

 

Jeff’s Wacky SNL Review: Billie Eilish/Billie Eilish

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SNL: Billie Eilish, Kate McKinnon (CREDIT: NBC/Screenshot)

The eighth episode of Saturday Night Live Season 47 features the same person as both host and musical guest, and that person is Billie Eilish Pirate Baird O’Connell (or just Billie Eilish, for short). This is the first time this season that the same person has been both host and MG. If you were worried that this sort of double duty was never going to happen again, then that was quite an overreaction.

Last episode, I listed the sketches in order of running time, from longest to shortest, so this time I will go from shortest to longest.

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Entertainment To-Do List: Week of 7/30/21

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The Demi Lovato Show (CREDIT: The Roku Channel/Screenshot)

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
The Green Knight (Theaters)
Jungle Cruise (Theaters and Premier Access on Disney+) – Can Jaume Collet-Serra work his magic with Disney?
Stillwater (Theaters)

TV
The Demi Lovato Show Season 1 (July 30 on The Roku Channel) – This was originally supposed to be a Quibi.

Music
-Billie Eilish, Happier Than Ever
-Prince, Welcome 2 America

Best Albums of 2019

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It’s been a few years since I’ve made an Albums of the Year list, but I really felt compelled to make one for 2019. Here are the audio compilations from the recent past that really made an impact on me:

14. Camila Cabello, Romance – Fun and bouncy.
13. Harry Styles, Fine Line – I like where Harry is headed.
12. Beck, Hyperspace – Reliable Beck.
11. Brittany Howard, Jaime – Great, big rockin’ voice goes solo.
10. The Black Keys, Let’s Rock – They never stopped rocking.
9. Ariana Grande, thank u, next – Lots of adventure from Ari.
8. Sleater-Kinney, The Center Won’t Hold – Band broke up, music’s still great.
7. Tyler, the Creator, IGOR – I feel so comfortable inside this album.
6. FKA Twigs, MAGDALENE – FKA reminds me of Bat for Lashes.
5. Vampire Weekend, Father of the Bride – Those Vampire Weekend guys have still got a hold on me.
4. Lana Del Rey, Norman Fucking Rockwell! – What a soundscape!
3. Billie Eilish, When We All Fall Asleep, Where Do We Go? – Just plenty of fun.
2. Lizzo, Cuz I Love You – I love you, too!
1. The Chemical Brothers, No Geography – Apocalyptic concept album.

Best Songs of 2019

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CREDIT: Tove Lo/YouTube Screenshot

The following are the singles that had enough of an impact on me in 2019 to make me go, “I’ll have to mark that one down for posterity.” A few of them were originally released before 2019, but they didn’t reach their full cultural impact until 2019. And for the first time in the decade or so since I’ve been doing this, I’ve got a repeat winner, as I also coronated Tove Lo in 2017.

1. Tove Lo – “Glad He’s Gone”: Such friendship, such storytelling. We are all so blessed to have Tove Lo in our lives.
2. Lana Del Rey – “Mariners Apartment Complex”: Four minutes of musical madness that feels like hours of bliss.
3. The Chemical Brothers – “Eve of Destruction”: If you think the world’s gone to hell, have a dance party!
4. Vampire Weekend – “Sunflower”: There have been multiple (good) songs named “Sunflower” the past few years; this is the one that’s most likely to make you feel like a sunflower waking up in the morning.
5. Lizzo -“Truth Hurts”: 100% that mix of references that clearly hold deep emotional resonance for Lizzo.
6. Gary Clark Jr. – “This Land”: Can tasty guitar solos solve racism? Can’t hurt.
7. Hozier – “Dinner and Diatribes”: A galloping piece of soulfulness.
8. Dua Lipa – “Swan Song”: An original track from Alita: Battle Angel, and clearly the sound of future sci-fi feminism.
9. Sara Bareilles – “Armor”: Listen to Sara Bareilles getting down with her jazzy bad self and the rest of us getting down with her!
10. Kimbra – “Lightyear”: Space wonder Kimbra has a message to beam down to us earthbound folks.
11. Shaed – “Thunder”: One of those indie rock “This is who we are!” statements of declaration.
12. Billie Eilish – “Bad Guy”: Billie sings about the joys of being devious, but by all accounts, her personal life is quite wholesome. I think that’s a great way to live.
13. Meg Myers – “Running Up That Hill”: I’m just glad that Kate Bush covers are on the radio in 2019.
14. Lana Del Rey – “Doin’ Time”: Is Lana the current Queen of Remix? She just knows how to summon the past into her modern legacy.
15. Tones and I – “Dance Monkey”: We can always use some monosyllabic shouts amidst the more word-like lyrics to convince us to get up there and bust a move.
16. Camila Cabello – “Cry for Me”: Sometimes you need to make an insistent demand for emotional connection to get the message across.
17. Lil Nas X – “Old Town Road”: The epitome of Gen Z’s total lack of recognition of genre constraints.
18. Absofacto – “Dissolve”: A little skitter-skatter of chillax rock.
19. Benny Blanco, Tainy, Selena Gomez, and J Balvin – “I Can’t Get Enough”: A pleasure moan produced into nugget-size song form.
20. Starcrawler – “Pet Sematary”: It really is the perfect unassailable opening guitar riff to kick off some opening credits, no matter which version.

2/15/20 UPDATE: In the spirit of comprehension, I may have overlooked a few songs that I loved enough to be top 20-worthy from a band that had already made the cut. So, to correct the record, some more-than-honorable mentions go to “MAH” and “Got to Keep On” by the Chemical Brothers.

Jeff’s Wacky SNL Review: Woody Harrelson/Billie Eilish

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CREDIT: Rosalind O’Connor/NBC

This is my tenth season reviewing SNL episodes, and it feels like a good time to mix up the format. So that’s what I’m doing for Season 45! Here’s how it will work: I’ll provide my thoughts on all the sketches, while also kind of painting the story of me watching the show.

We kick off Season 45 with a couple of new featured cast members (it was almost three, but getting into that is a whole ‘nother thing), Mr. Woody Harrelson hosting for the fourth time, and young’un Billie Eilish making her musical guest debut. I ran a 10-mile race early on Sunday, so this was one of those times where I went to sleep early on Saturday, watched a couple of sketches early in the morning, and then caught the rest after my race. It’s actually a formula for plenty of laughs!

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