July 11, 2024
jmunney
Cinema, Movie Reviews
Alicia Witt, Ava Kelders, Blair Underwood, Carmel Amit, Dakota Daulby, Jason Day, Kiernan Shipka, Lauren Acala, Lisa Chandler, Longlegs, Maika Monroe, Maila Hosie, Michelle Choi-Lee, Nicolas Cage, Osgood Perkins, Peter James Bryant, Rryla McIntosh
TFW you see Longlegs (CREDIT: NEON)
Starring: Maika Monroe, Nicolas Cage, Blair Underwood, Alicia Witt, Lauren Acala, Michelle Choi-Lee, Dakota Daulby, Kiernan Shipka, Maila Hosie, Jason Day, Lisa Chandler, Ava Kelders, Rryla McIntosh, Carmel Amit, Peter James Bryant
Director: Osgood Perkins
Running Time: 101 Minutes
Rating: R for Psychologically Disturbing Violence and Gore
Release Date: July 12, 2024 (Theaters)
What’s It About?: There’s a serial killer out there confounding the FBI in the mid-90s. Known as “Longlegs” (Nicolas Cage), he appears to be responsible for a series of gruesome massacres in the last 20 years without ever actually being physically present for any of them. But the pattern is undeniable, as fathers are brainwashed into brutally killing themselves and their families within six days of their daughters’ birthdays. Also, creepy lifelike dolls keep appearing at the crime scenes. But a breakthrough emerges via the efforts of young agent Lee Harker (Maika Monroe), who is really, really intuitive, or maybe even a little bit psychic. Her investigation is occasionally interrupted by cryptic phone calls from her mother Ruth (Alicia Witt). It looks like Longlegs is going to strike again very soon, and the key to stopping him may just be Lee understanding the deep connection that she has with this boogeyman.
What Made an Impression?: Caught in a Haze: The reality of Longlegs exists somewhere between the earthbound and the mystical. Occasionally there appear to be rational explanations for all the deviant behavior on display, but a more compelling explanation is that the devil is behind it all. Accordingly, Monroe, Cage, and Witt all offer performances that are different versions of possessed. Blair Underwood (as Lee’s FBI mentor) offers a more straitlaced grounding presence, but even he can’t resist the lure of the surreal eventually. Little details (a dark object here, a puff of smoke there) pop up that promise to be the skeleton key to revealing the truth, only to be flummoxed by profound uncertainty. The crimes are solved, and yet an infinite number of questions remain.
Pack Up That Gong: It’s possible that Longlegs could be read as a metaphor for repressed trauma, and I’m sure there’s something to that reading. But this is a movie that resists any straightforward interpretation, despite the easy-to-follow plot and clear resolution. However, what I can say without any doubt is that you will never listen to T. Rex’s glam rock classic “Bang a Gong (Get It On)” the same way ever again. In fact, I suspect that Longlegs may have somehow henceforth assumed ownership of that entire genre. If you’re planning on seeing this movie even though you love that song – or others like it – then consider this your first and only warning.
Longlegs is Recommended If You Like: The Silence of the Lambs, Prisoners, Using presidential portraits to establish the time period
Grade: 4 out of 5 Dolls
July 10, 2024
jmunney
Cinema, Movie Reviews
Anna Garcia, Art Newkirk, Ashley Kings, Chad Crowe, Channing Tatum, Christian Zuber, Colin Wooddell, Donald Elise Watkins, Eva Pilar, Fly Me to the Moon, Greg Berlanti, Jesse Mueller, Jim Rash, Joe Chrest, Jonathan Orea Lopez, Lauren Revard, Melissa Litow, Nick Dillenburg, Noah Robbins, Ray Romano, Scarlett Johansson, Will Jacobs, Woody Harrelson
To the moon, Scarlett! (CREDIT: Dan McFadden/Columbia Pictures)
Starring: Scarlett Johansson, Channing Tatum, Jim Rash, Ray Romano, Woody Harrelson, Anna Garcia, Donald Elise Watkins, Noah Robbins, Colin Wooddell, Christian Zuber, Nick Dillenburg, Joe Chrest, Art Newkirk, Ashley Kings, Jonathan Orea Lopez, Eva Pilar, Chad Crowe, Will Jacobs, Melissa Litow, Lauren Revard, Jesse Mueller
Director: Greg Berlanti
Running Time: 132 Minutes
Rating: PG-13 for Some Language and a Few Cigarettes
Release Date: July 12, 2024 (Theaters)
What’s It About?: To quote a certain iconic fictional extraterrestrial family, “Astronauts to the moon? Ha ha ha ha.” A lot of Americans felt the same way in the buildup to the Apollo 11 mission in 1969. In the years since John F. Kennedy’s promise of a manned lunar landing, the team at NASA is just as enthusiastic as ever about blasting off into space, if a little frustrated over a series of setbacks. But the general public is much more restless, so shady government figure Moe Berkus (Woody Harrelson) hires advertising genius Kelly Jones (Scarlett Johansson) to fix the agency’s public image. She butts heads with the resolutely unflashy Cole Davis (Channing Tatum), who insists that the work should stand for itself. But that’s far from the biggest challenge, as Kelly is also tasked with shooting a fake moon landing as a backup in case they can’t get any usable footage from the real version.
What Made an Impression?: Don’t Worry!: Going into Fly Me to the Moon, I was more than a little concerned that this trifle of alterna-history was going to guilelessly perpetuate one of the most persistent conspiracy theories in American history. It looked clear enough to me that it wasn’t actually claiming that the moon landing was faked, but why play with fire? Fortunately, it ultimately pulls off the screwy trick of confirming that the landing was real while demonstrating how it could have been faked. I don’t expect the most resolutely conspiratorial among us to have their minds changed, but the message is nonetheless clear and on the side of the verified historical record.
Falling Madly in Love?: But what does it matter what’s even happening on the moon if we’re not falling in love back on Earth? Director Greg Berlanti and screenwriter Rose Gilroy certainly see things this way, as Fly Me to the Moon is really a throwback screwball workplace rom-com at heart. Weirdly enough, though, the main love story takes a lot of its cues from the decidedly un-screwball Mad Men, with Kelly serving as a distaff spin on Don Draper, right down to the invented identity backstory. The constant deception makes her romance with Cole much more agonizing than is typically advisable, although this whole routine is old hat for Johansson and Tatum at this point. However, I found myself more invested in the chemistry bubbling underneath the surface between Kelly’s second-in-command, defiantly feminist Ruby (Anna Garcia), and young and awkward NASA engineer Don (Noah Robbins, probably best known as Zach from Unbreakable Kimmy Schmidt). Overall, it adds up to a somewhat overlong, mostly pleasant diversion that also features bang-up supporting turns by a harried Jim Rash and a thoughtful Ray Romano.
Fly Me to the Moon is Recommended If You Like: Skinny ties, De-emphasizing Channing Tatum’s handsomeness, Playing the hits of the 60s
Grade: 3 out of 5 Rocket Cameras
July 9, 2024
jmunney
Cinema, Movie Reviews
Baltasar Kormákur, Benedikt Erlingsson, Charles Nishikawa, Egill Ólafsson, Kieran Buckeridge, Kōki, María Ellingsen, Masahiro Motoki, Masatoshi Nakamura, Meg Kubota, Pálmi Kormákur, Ruth Sheen, Sigurður Ingvarsson, Tatsuya Tagawa, Touch, Touch 2024, Touch movie, Yoko Narahashi
I remember Touch (CREDIT: Lilja Jonsdottir/© 2024 FOCUS FEATURES LLC)
Starring: Egill Ólafsson, Kōki, Pálmi Kormákur, Masahiro Motoki, Yoko Narahashi, Meg Kubota, Tatsuya Tagawa, Charles Nishikawa, Sigurður Ingvarsson, Benedikt Erlingsson, Kieran Buckeridge, Ruth Sheen, María Ellingsen, Masatoshi Nakamura
Director: Baltasar Kormákur
Running Time: 120 Minutes
Rating: R for Explicit-Enough Sexuality
Release Date: July 12, 2024 (Theaters)
What’s It About?: Kristófer (Egill Ólafsson) has lived a pretty good life, if I may be so bold to say so. His daughter might call him too often in a constant state of worry for his liking, but it’s nice to know that he has family that cares about him, especially now that he’s a widower. He could simply while away his golden years in his native Iceland, but there’s a chapter from his story many decades ago that he never officially closed the book on. And so, he treks off to England and Japan to track down a woman named Miko (Yoko Narahashi), his long-lost first love. Meanwhile, we get some flashbacks to flesh out this backstory, as an idealistic Kristófer (Pálmi Kormákur) woos a young Miko (Kōki) while working together in her dad’s (Masahiro Motoki) restaurant. And it should be noted that the latter part of this journey is happening in early 2020.
What Made an Impression?: Getting Back in Touch: A special someone from so many decades ago that you just can’t shake: it do be like that sometimes, doesn’t it? There’s nothing especially remarkable about Kristófer and Miko’s love story. Circumstances made them spend a lot of time together, and then they realized that they had similar values, so they naturally grew fond of each other. That’s about it! And that’s pretty good. But her father envisioned a very different life for her, and the technology of the day didn’t really afford them any opportunities to keep in touch. But let’s make it clear that Kristófer isn’t desperate. When we meet the older version of him at the beginning of Touch, he’s a man at peace. This adventure is just a little extra adventure before he ventures off this plane of existence. After all, who could resist a little dessert before leaving the banquet?
Mask Up: A lot of pop culture produced in 2020 and 2021 was rather frustrating in its misplaced obligation to say something all-encompassing about the COVID-19 era. Fortunately, it sometimes takes just a few years to become a little more clear-eyed. And so, Touch is happy to occupy its own tiny corner of the pandemic, and nothing more. Kristófer arrives in England on the exact cusp of lockdowns and finds himself the very last guest of a hotel that’s eager to close its doors as soon as possible. His stubbornness and bad timing allow him to revel in the surreal beauty of a world shutting down for a much-needed break. Altogether, it adds up to a reminder to simply never lose touch with our hearts.
Touch is Recommended If You Like: Japanese food, Dining alone, Understated tenderness
Grade: 3 out of 5 Shutdowns
July 8, 2024
jmunney
Cinema, Movie Reviews
Abbey Lee, Alejandro Edda, Angus Macfadyen, Austin Archer, Charles Halford, Chase Ramsey, Colin Cunningham, Dale Dickey, Dalton Baker, Danny Huston, Douglas Smith, Elizabeth Dennehy, Ella Hunt, Etienne Kellici, Georgia MacPhail, Giovanni Ribisi, Gregory Cruz, Hayes Costner, Horizon, Horizon: An American Saga, Horizon: An American Saga – Chapter 1, Isabelle Fuhrman, James Russo, Jamie Campbell Bower, Jeff Fahey, Jena Malone, Jon Beavers, Kevin Costner, Larry Bagby, Luke Wilson, Michael Angarano, Michael Rooker, Naomi Winders, Owen Crow Shoe, Sam Worthington, Scott Haze, Sienna Miller, Tatanka Means, Tim Guinee, Tom Payne, Wasé Chief, Will Patton
CREDIT: Warner Bros. Pictures/Screenshot
Starring: Kevin Costner, Sienna Miller, Sam Worthington, Michael Rooker, Danny Huston, Jena Malone, Michael Angarano, Abbey Lee, Jamie Campbell Bower, Jon Beavers, Owen Crow Shoe, Tatanka Means, Luke Wilson, Ella Hunt, Tom Payne, Georgia MacPhail, Will Patton, Isabelle Fuhrman, Jeff Fahey, Gregory Cruz, Scott Haze, Angus Macfadyen, Etienne Kellici, Charles Halford, Dale Dickey, Wasé Chief, Elizabeth Dennehy, Hayes Costner, Alejandro Edda, Tim Guinee, Colin Cunningham, James Russo, Douglas Smith, Larry Bagby, Dalton Baker, Chase Ramsey, Naomi Winders, Austin Archer, Giovanni Ribisi
Director: Kevin Costner
Running Time: 181 Minutes
Rating: R
Release Date: June 28, 2024 (Theaters)
Many of my movie reviews operate by a simple question. And it goes a little something like this: do I want to have the sort of life portrayed in the movie that I’m reviewing? And so, now that I’ve seen Chapter 1, it must be asked: would I like to live in Horizon? Eh, I can pretty confidently say, “No, thanks.” I’ll see if I can summon back up some interest for Chapters 2-4. Maybe if it turns out the whole story was based in-universe on the drawings of the dopey English couple, then I’ll be satisfied.
Grade: Too Many Horizonites in the Horizon Spoil the Western Broth
July 3, 2024
jmunney
Cinema, Movie Reviews
Bobby Cannavale, Chloe Farnworth, Elizabeth Debicki, Giancarlo Esposito, Halsey, Kevin Bacon, Lily Collins, MaXXXine, Mia Goth, Michelle Monaghan, Moses Sumney, Ned Vaughn, Pearl, Simon Prast, Sophie Thatcher, Ti West, X
Blinded by the starpower (CREDIT: Justin Lubin/A24)
Starring: Mia Goth, Kevin Bacon, Giancarlo Esposito, Elizabeth Debicki, Moses Sumney, Michelle Monaghan, Bobby Cannavale, Halsey, Lily Collins, Sophie Thatcher, Ned Vaughn, Chloe Farnworth, Simon Prast
Director: Ti West
Running Time: 104 Minutes
Rating: R for Extravagant Gore, A Fair Amount of T&A, and Some Hits of Blow
Release Date: July 5, 2024 (Theaters)
What’s It About?: Maxine Minx (Mia Goth) will simply never, never, never, never, never, never, EVER accept a life that she doesn’t deserve. It’s a lesson that her father instilled deep into her psyche from a very young age. Cut ahead to 1985, when she’s now one of the biggest names in adult entertainment, but anxious to cross over into mainstream cinema. Her talent is undeniable, especially to the casting team of “The Puritan II.” It’s a schlocky demonsploitation horror sequel, but the director (Elizabeth Debicki) is trying to make an artistic statement, and she sees a kindred spirit in Maxine. Everything she’s dreamed of looks like it’s about to come true, but a mysterious figure who knows her backstory as the lone survivor of a bloody massacre six years earlier threatens to derail everything by killing the people closest to her.
What Made an Impression?: It’s the 80s, Do A Lot of Coke And…: MaXXXine is the satisfying culmination of writer-director Ti West’s bloody little trilogy starring Mia Goth that began in 2022 with X and Pearl. While the former captured the early slasher era of Texas Chainsaw Massacre, the latter adopted a sheen of Old Hollywood melodrama but with just as much gore. MaXXXine expands its slasher trappings by taking inspiration from the exploitative thrillers of Brian De Palma, while also situating itself amidst the Satanic Panic of the Day Glo decade. The soundtrack blasts classics of the era from the likes of Animotion and Frankie Goes to Hollywood, while also boogieing unexpectedly hard with an opening credits sequence set to ZZ Top’s “Gimme All Your Lovin’.” And the pastiche is more than surface-level. Indeed, it’s engagingly lived-in, with conversations that are both of the moment and eternal representations of the characters’ deepest desires.
Plenty of Scenery to Chew: Mia Goth pulled double duty in X, but she’s been able to flex her acting muscles a lot more in the solo spotlights of those two characters. Pearl wasn’t quite a one-woman show, but the inimitable titular farm girl was pretty detached from the rest of humanity. Maxine Minx, meanwhile, is just as fiercely independent, and Goth once again delivers a transcendent degree of steely resolve. But this time around, even though she may be reluctant to admit it, Maxine has people that she cares about and who care about her. And accordingly, this is quite the ensemble piece, with West giving his players plenty of space to find notes that they’ve never reached before. That’s especially true of Kevin Bacon as a private investigator tracking Maxine who’s saturated in the molasses of the New Orleans bayou. His performance absolutely gives a whole new meaning to the phrase”I smell bacon.”
A Cautionary Tale?: Without getting into too many spoiler-y specifics, I’ll tease that Maxine kind of does achieve exactly what she’s driving towards. But I hesitate to call it a happy ending. Nor would I call it a pseudo-happy ending. It’s complicated. Yeah, she gets the star-making gig, but she also has a cocaine habit that I don’t think she has under control. And while the future looks bright for her, I’m worried that her obsession with fame will leave her empty. But we do get enough moments of vulnerability to suggest that Maxine realizes she’s never quite fully allowed herself to just be a human. It’s been a great joy to watch her story unfold these past couple years, but I’m ready to simply hope that she can find some peace after escaping all the horror that wouldn’t let her go.
MaXXXine is Recommended If You Like: Video nasties, Escaping and confronting the past, Righteous defiance
Grade: 4.5 out of 5 Star Turns
July 2, 2024
jmunney
Cinema, Movie Reviews
Annie Baker, Clark Gregg, Coral Peña, Elias Koteas, Fred Hechinger, Janet Planet, Josh Margolin, Julianne Nicholson, June Squibb, Malcolm McDowell, Nicole Byer, Parker Posey, Richard Roundtree, Sophie Okonedo, Thelma, Thelma 2024, Will Patton, Zoe Ziegler
Thelma Being Thelma (CREDIT: Magnolia Pictures)
Thelma
Starring: June Squibb, Fred Hechinger, Richard Roundtree, Parker Posey, Clark Gregg, Malcolm McDowell, Nicole Byer, Coral Peña
Director: Josh Margolin
Running Time: 98 Minutes
Rating: PG-13
Release Date: June 21, 2024 (Theaters)
Janet Planet
Starring: Julianne Nicholson, Zoe Ziegler, Elias Koteas, Sophie Okonedo, Will Patton
Director: Annie Baker
Running Time: 110 Minutes
Rating: PG-13
Release Date: June 21, 2024 (Theaters)
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July 1, 2024
jmunney
Cinema, Movie Reviews
Chloe Fineman, Chris Renaud, Dana Gaier, Despicable Me, Despicable Me 4, DM4, Gru, Joey King, Kristen Wiig, Madison Polan, Mega Minions, Mike White, Minions, Miranda Cosgrove, Pierre Coffin, Sofia Vergara, Stephen Colbert, Steve Carell, Steve Coogan, Will Ferrell
Still Despicable after all these years (CREDIT: Illumination & Universal Pictures)
Starring: Steve Carell, Kristen Wiig, Will Ferrell, Joey King, Miranda Cosgrove, Pierre Coffin, Sofía Vergara, Stephen Colbert, Chloe Fineman, Steve Coogan, Dana Gaier, Madison Polan
Director: Chris Renaud
Running Time: 95 Minutes
Rating: PG for Mega Mayhem
Release Date: July 3, 2024 (Theaters)
What’s It About?: Despicable Me 4, eh? Did you ever think all those years ago that we’d ever make it this far? In the latest antic adventure from Illumination, reformed baddie Gru (Steve Carell) continues his work with the Anti-Villain League by targeting Maxime Le Mal (Will Ferrell), an old school rival who’s now bent on achieving world domination by employing an army of cockroaches and turning himself into a human/roach hybrid. But when Maxime promises revenge, Gru and his family (including new arrival Gru Jr.) are forced to assume fake identities and go into hiding in the “lovely, safe, boring” town of Mayflower. And of course, as usual, the Minions also get up to their shenanigans.
What Made an Impression?: Multiple Movies Per Movie: If you’ve been paying close attention to the DM4 marketing blitz, then you may have noticed that the advertisements seem to be having an identity crisis. We’ve got the Maxime Le Mal promos, we’ve got the Gru Jr. promos, and most eye-catchingly, we’ve got the Mega Minion promos. And that’s not even mentioning a new character voiced by Joey King named Poppy who idolizes Gru for his early hits and seeks to be trained in the ways of supervillainy, or how Gru’s wife Lucy (Kristen Wiig) and their girls are stuck navigating country club suburbia. Each of these threads is siloed into its own little area that hardly interacts with the rest of the movie. That doesn’t exactly make for the most satisfying storytelling, but that doesn’t matter too much when the gags are good. And hot banana, the gags are as fresh as ever!
Wit and Timing: Is Mike White Illumination’s new in-house punch-up guy? After getting the vegan message out with last year’s Migration, the guy behind School of Rock and The White Lotus joins the Gru family with a co-writing credit alongside Ken Daurio. The DM flicks have never really been known for their crackling screenplays, instead relying mostly on cuteness overload and chaotic hijinks. Those latter elements are still fully stocked up, but there’s also some zingier-than-usual dialogue that I suspect may be due to White’s influence. They make for a well-balanced cinematic meal alongside the reliable visual wit of those little yellow guys. The aforementioned Mega Minions are the result of some superhero engineering experiments that result in powers like strength, flight, stretchiness, the ability to eat anything, and ocular laser beams. They deploy these newfound skills with a wealth of enthusiasm and a profound lack of training, and if you know anything about the Minions, then you know just how delightfully promising that formula is.
What’s to Come?: The ending of DM4 features cameos from the rogues’ gallery that this series has assembled over the years, and it had me looking towards this franchise’s potential future. I sensed a Fast & Furious-esque vibe that hinted at the possibility that these villains could perhaps turn into anti-villains and team up with the heroes on their next adventures. That would make a certain sense, considering how this franchise began with a story about a reformed baddie. I’m a loyal fan, and if the box office receipts are any indication, I’m clearly not the only one. So if we continue to get new entries from this crew for the next hundred years or so, I’m confident that they’ll have fun turning the knobs in new directions.
Despicable Me 4 is Recommended If You Like: Stretch Armstrong, Kid-friendly Cronenberg body horror, Mild Stepford vibes
Grade: 4 out of 5 Vending Machines
June 27, 2024
jmunney
Cinema, Movie Reviews
A Quiet Place, A Quiet Place: Day One, Alex Wolff, Djimon Hounsou, Eliane Umuhire, Joseph Quinn, Lupita Nyong’o, Michael Sarnoski
A Kitty Place (CREDIT: Paramount Pictures)
Starring: Lupita Nyong’o, Joseph Quinn, Alex Wolff, Djimon Hounsou, Eliane Umuhire
Director: Michael Sarnoski
Running Time: 99 Minutes
Rating: PG-13 for Acrobatic Alien Hunting
Release Date: June 28, 2024 (Theaters)
What’s It About?: Remember those blind aliens from A Quiet Place that hunt by sound? Did you wonder what it was like when they first arrived? Perhaps you specifically imagined how it must have gone down in New York City. It’s the city that famously never sleeps. And it also never shuts up either! So the ETs would presumably be able to indulge in quite the feast. And so, in A Quiet Place: Day One, cancer-stricken Sam (Lupita Nyong’o) and her cat Frodo head into Manhattan along with hospice nurse Reuben (Alex Wolff). She only agrees to the trip because she hasn’t had a real New York slice of pizza in a while. But that proves difficult to procure when the aliens show up and also when a law student named Eric (Joseph Quinn) won’t leave her alone amidst the mayhem.
What Made an Impression?: Resourcefulness: One of the signature features of the first Quiet Place was getting to see all the ways that human life had adapted to being as silent as possible. I was concerned that Day One would be utterly devoid of those pleasures, but it turns out that people are pretty resourceful in a crisis. Or at least, enough people are sufficiently resourceful to make a movie out of. It’s hard to calculate exactly due to the chaos of the invasion, but I would estimate that it takes at most an hour for everyone to realize that they need to stop making noise. As Sam navigates the urban landscape as gracefully as possible, it’s enough to make you pine for the early days of the COVID-19 pandemic when otherwise busy city streets were completely empty. Of course, in both cases, the circumstances precipitating the calm were quite devastating. But this movie is still satisfying as a how-to guide to navigate the world being upended by a sudden disaster.
Wait a Minute, the Cat!: Sam’s journey is ultimately one of allowing herself to live again amidst all the death and destruction. That’s not exactly groundbreaking when it comes to terminally ill protagonists, so I’m not surprised that I was far more interested in her stubborn insistence on acquiring one final slice of ‘za. And I think that burning desire partly explains why her feline friend is so loyal to her. Believe you me, Frodo is quite the cat. He knows not to meow! He knows how to avoid being trampled! He even knows how to walk on a leash! The Quiet Place movies are all pretty straightforward in what they promise and deliver, but then occasionally you have little Frodos that are surprisingly sublime.
A Quiet Place: Day One is Recommended If You Like: Being able to hear chatter from the lobby in between the explosions
Grade: 3 out of 5 Shushes
June 25, 2024
jmunney
Cinema, Movie Reviews
Adam Goldberg, Adrian Pasdar, Ally Pankiw, Caleb Hearon, Chloe Bailey, Dani Kind, David Hyde Pierce, Ennis Esmer, I Used to Be Funny, Jason Jones, Joshua John Miller, Marcenae Lynette, Olga Petsa, Rachel Sennott, Russell Crowe, Ryan Simpkins, Sabrina Jalees, Sam Worthington, Samantha Mathis, The Exorcism, Tracey Bonner
Having a devil of a time (CREDIT: Vertical Entertainment; LevelFILM/Screenshot)
I Used to Be Funny
Starring: Rachel Sennott, Olga Petsa, Jason Jones, Sabrina Jalees, Caleb Hearon, Ennis Esmer, Dani Kind
Director: Ally Pankiw
Running Time: 106 Minutes
Rating: Unrated
Release Date: June 7, 2024 (Theaters)
The Exorcism
Starring: Russell Crowe, Ryan Simpkins, Adam Goldberg, Sam Worthington, Chloe Bailey, David Hyde Pierce, Marcenae Lynette, Tracey Bonner, Samantha Mathis, Adrian Pasdar
Director: Joshua John Miller
Running Time: 95 Minutes
Rating: R
Release Date: June 21, 2024 (Theaters)
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June 20, 2024
jmunney
Cinema, Movie Reviews
Emma Stone, Hong Chau, Hunter Schafer, Jesse Plemons, Joe Alwyn, Kinds of Kindess, Mamoudou Athie, Margaret Qualley, Merah Benoit, Willem Dafoe, Yorgos Lanthimos, Yorgos Stefanakos
What a racket! (CREDIT: Searchlight Pictures)
Starring: Jesse Plemons, Emma Stone, Willem Dafoe, Margaret Qualley, Hong Chau, Joe Alwyn, Mamoudou Athie, Hunter Schafer, Yorgos Stefanakos, Merah Benoit
Director: Yorgos Lanthimos
Running Time: 165 Minutes
Rating: R for Sexual Nudity, Ritual Nudity, Limb Removal, Petty Animal Cruelty, Etc.
Release Date: June 21, 2024 (Theaters)
What’s It About?: A man tries to break free from the grasp of the controlling boss who micromanages his entire life. Another man who looks just like that man suspects that the woman claiming to be his wife returning from a disappearance isn’t who she claims to be. Members of a cultish group are on a quest to find someone with the power of resurrection. It’s an anthology! And it’s called Kinds of Kindness, but I sure didn’t detect a whole lot of kindness in these vignettes. Maybe writer/director Yorgos Lanthimos and his co-writer Efthimis Filippou have a different conception of what that word means. Anyway, this movie is a real head-scratcher, in the sense that it produces the same sensation as sticking your finger up your nose and poking around in your brain tissue.
What Made an Impression?: O R.M.F., Where Art Thou?: Most of the main Kinds of Kindness cast members have a role in each of the three segments. Their respective roles have vaguely similar personalities, though it’s not clear if that’s how they were directed or if it just happens to be that way because they’re played by the same actors. If you squint, you can probably pick up on some Cloud Atlas vibes in the sense of the same souls existing within different beings. But since each Kinds of Kindness segment appears to take place in the present day, it comes across more as just alternative realities or hypothetical do-overs. The one constant is a guy known only by the initials “R.M.F.,” who serves as the namesake for each chapter despite not doing much of anything. Although, in the last part, entitled “R.M.F. Eats a Sandwich,” he does indeed eat a sandwich, so at least one promise is kept.
In the Mood for Vexation: Good movies often teach you how to watch them, but Kinds of Kindness seems intent on doing just the opposite. That doesn’t make it a bad movie per se, but if you don’t want to get frustrated, then you’ll have to adjust your calibrations and accept that you will almost certainly get frustrated. After releasing the most accessible film of his career last year in the form of Poor Things, Lanthimos has returned to the more impenetrable territory of The Lobster and The Killing of a Sacred Deer. (I haven’t seen his earlier Greek-language flicks, but they have a similar reputation.) I wasn’t expecting a satisfying ending, and I did not get a satisfying ending. I wasn’t expecting a legible message, and I did not get a legible message. There were moments here and there that brought a smile to my face (particularly a world run by dogs set to the tune of Dio’s heavy metal banger “Rainbow in the Dark”), but otherwise, this was a, shall we say, vacation into a land that claims to be speak the languages of English and cinema, and yet it’s not any form of communication that I recognize.
Kinds of Kindness is Recommended If You Like: Constantly opening one of those fake cans of nuts that’s actually a prank snake even though you know it’s going to be the snake every time
Grade: 3.5 out of 5 Changelings
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