November 19, 2025
jmunney
Cinema, Movie Reviews
Ariana Grande, Bowen Yang, Bronwyn James, Colman Domingo, Cynthia Erivo, Ethan Slater, Jeff Goldblum, Jon M. Chu, Jonathan Bailey, Marissa Bode, Michelle Yeoh, Sharon D. Clarke, Wicked, Wicked: For Good

To have and to Wicked, For Good and for worse (CREDIT: Giles Keyte/Universal Pictures)
Starring: Cynthia Erivo, Ariana Grande, Jonathan Bailey, Jeff Goldblum, Marissa Bode, Ethan Slater, Michelle Yeoh, Sharon D. Clarke, Bowen Yang, Bronwyn James, Colman Domingo
Director: Jon M. Chu
Running Time: 137 Minutes
Rating: PG for Steamy Sensuality and Broom Fights
Release Date: November 21, 2025 (Theaters)
What’s It About?: Oz is of course a wonderful and magical place, but it isn’t always filled with honesty. That is what Elphaba Thropp (Cynthia Erivo) is desperately trying to tell us at the beginning of Wicked: For Good. Now that she knows the dark truth about what the Wizard (Jeff Goldblum) and Madame Morrible (Michelle Yeoh) are up to, she’s gone off into hiding into the woods as she plots to lift the curtain and free the animals. Meanwhile, Glinda (Ariana Grande) is taking a much less revolutionary approach as an official representative of Oz, though she still holds out hope that she and Elphaba can reconcile. On top of all that, Fiyero (Jonathan Bailey) is caught in the middle between these witchy ladies, Elphaba’s sister Nessarose (Marissa Bode) is now governor of Munchkinland, her Munchkin friend Boq (Ethan Slater) is bristling at his position working for her, and a certain visitor from the Midwestern United States is about to get dumped into the middle of all this finagling.
What Made an Impression?: Another Way of Looking at Things: It’s a simple realization, but worth drawing out: the whole endeavor of Wicked on the big screen is a matter of shifting perspectives. Indeed, that was already true about this franchise when it previously existed in just book form and then as a stage musical examining a decades-old and oft-revisited property from exciting new angles. As someone who’s never read Gregory Maguire’s novel (or any of its sequels) or ever seen the show, I’m only catching a whiff of the panorama expansion that these big screen adaptations have established. But even that lack of perspective is another perspective! So I understand your frustration, Elphaba, when everyone else is unable or unwilling to see the bigger picture. And you too can have that realization! All you have to do is open your eyes to how much your eyes remain closed.
We’ve Made Mistakes, Now What Do We Do?: Everything comes home to roost in this conclusive chapter, which is how things tend to go in conclusive chapters, after all. In this case that means we see a much more dour Wizard, a warier dynamic between friends and former friends, and a thoroughly less whimsical populace. That equals a significantly less fun outing compared to the first Wicked movie, though the upside is that the psychological depths are more acutely felt and impossible to miss. There’s a sense of inevitability that at times can come off as deflating but that also feels honest and necessary. Now’s not the time to soar but to carve out a compromise you can live with in an imperfect world. Is that a formula for keeping the fire of cinematic magic fully aflame? I have mixed thoughts on that matter, but the final warnings we’re left to reckon with nevertheless remain timeless.
Wicked: For Good is Recommended If You Like: Filling in the edges
Grade: 3 out of 5 Bubbles
November 18, 2025
jmunney
Cinema, Movie Reviews
Cameron Brown, Dan Trachtenberg, Dimitrius Schuster-Koloamatangi, Elle Fanning, Keeper, Mike Homik, Osgood Perkins, Predator, Predator: Badlands, Reuben de Jong, Rossif Sutherland, Tatiana Maslany

Which one is the real Predator and the real Keeper? (CREDIT: NEON/Screenshot; 20th Century Studios/Screenshot)
Keeper
Starring: Tatiana Maslany, Rossif Sutherland
Director: Osgood Perkins
Running Time: 99 Minutes
Rating: R
Release Date: November 14, 2025 (Theaters)
Predator: Badlands
Starring: Dimitrius Schuster-Koloamatangi, Elle Fanning, Reuben de Jong, Mike Homik, Cameron Brown
Director: Dan Trachtenberg
Running Time: 107 Minutes
Rating: PG-13
Release Date: November 7, 2025 (Theaters)
Yes, the rumors are true, I have seen both Keeper and Predator: Badlands (in that order). Now it’s time to answer the question on the tips of everyone’s tongues: do I yearn to live in the worlds of these movies? Both are inhospitable in their own ways, but is there any upside?
In the former, Tatiana Maslany plays the object of Rossif Sutherland’s affection, but all the spooky goings-on at the cabin he takes her to makes her doubt that he’s truly affectionate. Meanwhile, the titular “Badlands” in the latter refers to the planet Genna, which is home to some majorly dangerous flora and fauna. Now even if I weren’t a Predator, I certainly wouldn’t want to jump into that unprepared, so maybe I could first dip my toes into it Avatar-style or via a simulator. I reckon I could make it work eventually, especially if I brought along some friends.
Back to the Keeper Cabin, the ghosts and specters are fun to experience from a distance, but if I were actually in their midst, I’m worried I’d be a little too unfamiliar to them and they just wouldn’t know what to do with me. So we’ll give P:B the edge in the Making a Home Department. But they’re both worthwhile movies in their own ways!
Grades:
Keeper: 5 Flashbacks out of 3 Stretchy Heads
Predator: Badlands: I Especially Liked It When Elle Fanning Wouldn’t Stop Yammering
November 13, 2025
jmunney
Cinema, Movie Reviews
Ben Foster, boxing, Chad L. Coleman, Christy, Christy Martin, Christy Salters, Christy Salters Martin, Coleman Pedigo, David Michôd, Ethan Embry, Jess Gabor, Katy O'Brian, Merritt Wever, Sydney Sweeney, Tony Cavalero

Think Pink? (CREDIT: Black Bear/Screenshot)
Starring: Sydney Sweeney, Ben Foster, Merritt Wever, Katy O’Brian, Ethan Embry, Coleman Pedigo, Jess Gabor, Chad L. Coleman, Tony Cavalero
Director: David Michôd
Running Time: 135 Minutes
Rating: R
Release Date: November 7, 2025 (Theaters)
If you’ve been reading my reviews for a while, then perhaps you are already familiar with my approach of asking myself, “Would I like to live in the world of this movie and/or be the protagonist?” In the case of the sports biopic Christy, in which Sydney Sweeney stars as pioneering boxer Christy Salters Martin, the answer is a definitive split decision of “Yes in some ways” and “No in other ways.” On the one hand, professional athletic glory sounds like something I’d love to bask in. But on the other hand, being a queer woman in a homophobic world who’s married to a controlling and abusive man sounds much less appealing. So since that strategy didn’t result in a singular response, I’ll instead think of this movie as an advertisement for what a great friend Christy surely is to all those who have the good fortune to be a part of her life now and in the future.
Grade: 5 Belts out of 8 Mullets
November 12, 2025
jmunney
Cinema, Movie Reviews
Colman Domingo, Daniel Ezra, David Zayas, Edgar Wright, Emilia Jones, Glen Powell, Jayme Lawson, Josh Brolin, Karl Glusman, Katy O'Brian, Lee Pace, Martin Herlihy, Michael Cera, Sean Hayes, The Running Man, The Running Man 2025, William H Macy

What if his name were Rudolph, though? (CREDIT: Paramount Pictures)
Starring: Glen Powell, Josh Brolin, Colman Domingo, William H. Macy, Lee Pace, Michael Cera, Emilia Jones, Daniel Ezra, Jayme Lawson, Sean Hayes, David Zayas, Katy O’Brian, Martin Herlihy, Karl Glusman
Director: Edgar Wright
Running Time: 133 Minutes
Rating: R for Officially Sanctioned Hardcore Violence and the Profanity That Tends to Accompany It
Release Date: November 14, 2025 (Theaters)
What’s It About?: It’s time for one of those dystopian futures where a select few are fabulously rich while everyone else scrapes and scrounges through daily desperation. Society is pretty much completely controlled by a TV network known simply as “The Network,” whose slate mostly consists of dangerous and demeaning game shows. The crown jewel of their lineup is The Running Man, in which a trio of contestants try to avoid being killed by either a group of professional hunters or ordinary citizens for 30 days in the hopes of winning a billion “New Dollars.” Nobody’s ever made it all the way to the very end, though Killian (Josh Brolin), the show’s producer, believes he may have just found a legitimate contender in the form of Ben Richards (Glen Powell). Ben initially insists that he would rather just make some quick bucks and then get home safely to his wife and sick young daughter. But fae is asking him to not only emerge victorious, but also spark a revolution. That is, unless of course The Network just fully manipulates the narrative to its own specifications.
What Made an Impression?: I’d Buy That for a New Dollar!: This Running Man is the second adaptation of the 1982 novel of the same name by Stephen King (under his pen name Richard Bachman), following the 1987 version starring Arnold Schwarzenegger. Interestingly enough, I wasn’t picking any of the typical King vibes (Save for a reference to Derry, Maine). Instead, this update directed by Edgar Wright feels more like a spiritual sequel to another 1987 movie: i.e., RoboCop. No wonder, as the dystopian-but-cool energy was strong in that era. And now I shall wrap up my initial point, as this paragraph has been a setup for me to say: I don’t want to live in a world in which The Running Man game show actually exists, though I do kind of want to live in the world where the MrBeast version exists.
That’s Ice Cold, Man: The official story propagated by The Network would have us believe that the Running Man contestants are unapologetically violent, depraved criminals, while their executors are true American criminals. But of course that’s a bunch of b.s., as Wright makes sure to show us the stark differences between Ben’s actual behavior and the Network’s fakery. I would like to tell you that the shameless lengths they go to are totally unrealistic, except that I’ve seen some of the propaganda perpetuated on my own TV by my own government. So I’ll instead say that these moments are occasionally a little too blunt for my taste, though I nevertheless appreciated the message.
Capitalism is Unavoidable: Occasionally The Running Man pulled me out of its invented reality with incursions by real life brands and stores. Yes indeed, there’s a lot of product placement in this movie, including a trip to a Shake Shack and a few other examples that I don’t remember specifically, but I can promise you that they were there. These moments are especially striking when juxtaposed with the fake products on display (like “Fun Twinks Cereal”) that feel more fitting in a fictional dystopia. I don’t know if this placement was a way to secure full financing for a perhaps risky blockbuster movie release, or if it was somehow part of the satire, or an attempted combination thereof. This is far from the most egregious example ever of this consumerist practice, but it did make me go “Hmm” much more than it made me go “You got ’em!”
One Last Hurrah: Before I conclude this review, I want to quickly say that overall, the cast is pretty commendable, especially Michael Cera, whose introduction is likely to catch you delightfully off-guard!
The Running Man is Recommended If You Lust For: The Golden Age of Dystopia
Grade: 3.5 Billion out of 5 Billion New Dollars
November 11, 2025
jmunney
Cinema, Movie Reviews
Bruce Springsteen, David Krumholtz, Gaby Hoffman, Grace Gummer, Jeremy Allen White, Jeremy Strong, Marc Maron, Odessa Young, Paul Walter Hauser, Scott Cooper, Springsteen: Deliver Me From Nowhere, Stephen Graham

Like a Boss, even when you’re not feeling like it (CREDIT: 20th Century Studios/Screenshot)
Starring: Jeremy Allen White, Jeremy Strong, Paul Walter Hauser, Stephen Graham, Gaby Hoffman, Odessa Young, Marc Maron, David Krumholtz, Grace Gummer
Director: Scott Cooper
Running Time: 119 Minutes
Rating: PG-13
Release Date: October 24, 2025 (Theaters)
Folks, I feel compelled to say something, and I’m going to be totally honest here: Springsteen: Deliver Me From Nowhere isn’t really a biopic. Well, okay, I guess it does technically fit the definition of a biographical motion picture, insofar as it features actors playing real people (primarily Jeremy Allen White as American singer-songwriter Bruce Springsteen) based on situations that actually happened. But in this case, the question of how closely the portrayals match the real deal feels especially beside the point. Instead, this whole movie is really a feature-long work of advocacy about the importance of mental health services. Bruce was in a dark place in the buildup to his 1982 album Nebraska, and it eventually becomes clear that he needs professional help if he’s going to make it through. That realization sneaks up on you, but it’s also what the story is building up to the entire time, and I hope whoever needs to see it gets to see it.
Grade: Good on You, Bruce and Everyone Looking Out for You
November 8, 2025
jmunney
Cinema, Movie Reviews
Die My Love, Jennifer Lawrence, Lakeith Stanfield, Lynne Ramsay, Nick Nolte, Robert Pattinson, Sissy Spacek

A movie to die for? (CREDIT: MUBI/Screenshot)
Starring: Jennifer Lawrence, Robert Pattinson, Sissy Spacek, Nick Nolte, LaKeith Stanfield
Director: Lynne Ramsay
Running Time: 118 Minutes
Rating: R
Release Date: November 7, 2025 (Theaters)
Now that I have watched the Lynne Ramsay-directed film Die My Love, I feel compelled to ask myself, “Would I ever like to live in Montana?” That’s because this particular movie is about a couple played by Jennifer Lawrence and Robert Pattinson who move to the Treasure State, where postpartum depression and general isolation start making themselves felt in a big way. And I do have a personal connection to the area, as one of my aunts used to live there, and she recommends it as absolutely beautiful in the summer months. So I see some pros, and I see some cons. Ultimately, though, I think I’ll have to conclude that Montana is just not for me. And in fact Die My Love only served to underscore that, even if it was actually filmed in Calgary. So I guess I don’t want to move to Alberta, either! Nevertheless, I’m glad I saw this movie, since it was appreciably surreal. On the other hand, it was also fairly enervating, so it probably won’t make it to the top of any of my personal lists anytime soon.
Grade: 53 Big Skies out of 99 Trees
November 6, 2025
jmunney
Cinema, Movie Reviews
A$AP Rocky, Christian Slater, Conan O'Brien, Danielle Macdonald, Delaney Quinn, If I Had Legs I'd Kick You, Ivy Wolk, Mary Bronstein, Rose Byrne

Honestly? There’s more screaming than kicking in this movie (CREDIT: Logan White/A24)
Starring: Rose Byrne, Delaney Quinn, Conan O’Brien, A$AP Rocky, Christian Slater, Danielle Macdonald, Mary Bronstein, Ivy Wolk
Director: Mary Bronstein
Running Time: 114 Minutes
Rating: R
Release Date: October 10, 2025 (Theaters)
A few months ago, New York Magazine published a cover story about kids with ARFID, an eating disorder caused not by body image issues but rather by the sensory characteristics of food, or fears of choking and/or vomiting, or a combination of these and other similar factors. In If I Had Legs I’d Kick You, Rose Byrne plays Linda, a therapist in therapy with a daughter (Delaney Quinn) who sure seems to have ARFID. On top of that, they’re living in a motel because of a spectacularly massive hole in Linda’s bedroom ceiling. With her husband away on work, daily life for Linda becomes more and more stressfully surreal and surreally stressful, with no end or relief to her struggles in sight. The hole feels like a portal to another dimension, while the daughter feels like an alien in a way that strong-willed kids often do. Eventually, though, some tactile and Earth-based solutions present themselves, offering at least a little bit of hope for the future. But I’ll never forget how If I Had Legs I’d Kick You succeeds best insofar as it captures how hallucinatory nightmares are lurking in just the tiniest slip of our typical realities.
Grade: Two Legs Up!
November 5, 2025
jmunney
Cinema, Movie Reviews
Andrew Scott, Blue Moon, Blue Moon movie, Bobby Cannavale, Ethan Hawke, Jonah Lees, Lorenz Hart, Margaret Qualley, Patrick Kennedy, Simon Delaney

CREDIT: Sony Pictures Classics/Screenshot
Starring: Ethan Hawke, Margaret Qualley, Bobby Cannavale, Andrew Scott, Jonah Lees, Simon Delaney, Patrick Kennedy
Director: Richard Linklater
Running Time: 100 Minutes
Rating: R
Release Date: October 17, 2025 (Theaters)
Was I born under a blue moon? Well, considering how much I enjoyed the movie Blue Moon, I would have to answer “yes.” Is that how these things work?
Anyway, I didn’t know a whole hell of a lot about Lorenz Hart before I watched this biopic about him, other than a general awareness that he was a significant contributor to the Great American Songbook. But I did know that I’m a fan of watching Ethan Hawke do whatever he does on screen, whether or not he’s collaborating with Richard Linklater. And I also had a strong suspicion that him teaming up with Margaret Qualley would result in some crackling chemistry. I wish she had been in more of it, but the parts without her were capably filled by other quip-throwers, like Bobby Cannavale and the guy playing E.B. White (Patrick Kennedy).
Should I now move into a house and nickname it the Blue Moon? I think it would fit me nicely.
Grade: Living Up to the “Blue” in Its Title in More Ways Than One
November 4, 2025
jmunney
Cinema, Movie Reviews
Anders Danielsen Lie, Andreas Stoltenberg Granerud, Øyvind Hesjedal Loven, Catherine Cohen, Cory Michael Smith, Elle Fanning, Inga Ibsdotter Lilleaas, Joachim Trier, Renate Reinsve, Sentimental Value, Stellan Skarsgård

Pictured: Plenty of sentimental value (CREDIT: Christian Belgaux/NEON)
Starring: Renate Reinsve, Stellan Skarsgård, Inga Ibsdotter Lilleaas, Elle Fanning, Anders Danielsen Lie, Cory Michael Smith, Catherine Cohen, Andreas Stoltenberg Granerud, Øyvind Hesjedal Loven
Director: Joachim Trier
Running Time: 133 Minutes
Rating: R for Language, Brief Nudity, and Suicide References
Release Date: November 7, 2025 (Theaters)
What’s It About?: Let’s just say, theater actress Nora Borg (Renate Reinsve) doesn’t exactly have the best relationship with her filmmaker father Gustav (Stellan Skarsgård). Unfortunately for her, he’s determined to make his way back into her life following the death of her mother. She at least has an ally when it comes to family affairs in the form of her younger sister Agnes (Inga Ibsdotter Lilleaas), though Agnes has plenty on her own plate with her husband and young son. So Nora will just have to make her own decisions when Gustav tries to cast her in the lead role of his new movie that he wants to film in the family house. It’s inspired by the life of his mother, who was tortured by the Nazis during World War II and eventually killed herself. Nora doesn’t really have any interest in collaborating with her dad, so instead he casts the super-famous American actress Rachel Kemp (Elle Fanning). But he’s still pretty deadset on having his daughters be an integral part of the process as he tries to fix their broken relationships.
What Made an Impression?: Fresh Despite the Familiarity: How many movies have I seen about families repairing their dysfunction, or about people making movies, or about people making movies while repairing their dysfunctions? Well, I see a lot of movies, and those subjects come up a lot in this medium, so the answer is undoubtedly: more than a few. Sentimental Value is certainly operating in deeply familiar territory, but it doesn’t feel like the same-old, same-old. Perhaps we can credit that to the deeply felt performances, the thoroughly plugged-in chemistry (especially between Reinsve and Skarsgård),the sensitive direction from Joachim Trier, or some combination of all of the above. Whatever the formula is, it works.
Dangerous, But Ultimately Comforting: In case it wasn’t clear already, there’s a lot of trauma and anxiety in this family. And it hangs heaviest on Nora. So much so that you fear that another terrible tragedy could be looming. Indeed, Trier structures the story in such a way that you sense the tension of potential disaster inviting itself into the house just as things kick into the final gear. But then, we come in for a safe landing. It all adds up to a simultaneously invigorating and calming cinematic reward.
Sentimental Value is Recommended If You Like: Old home movies, Genealogy research, Film screening Q&A’s
Grade: 4 out of 5 Daughters
October 31, 2025
jmunney
Cinema, Movie Reviews
A House of Dynamite, Abubakr Ali, After the Hunt, Andrew Garfield, Angel Reese, Anthony Ramos, Arielle Friedman, Arturo Castro, Ayo Edebiri, Aziz Ansari, Ben Leonberg, Brian Tee, Brittany O'Grady, Chloë Sevigny, Damian Lewis, Evan Peters, Francesca Carpanini, Gabriel Basso, Gbenga Akinnagbe, George Orwell, Gillian Anderson, Good Boy, Good Fortune, Greta Lee, Hasan Minhaj, Idris Elba, Indy the Nova Scotia Duck Tolling Retriever, Jared Harris, Jared Leto, Jason Clarke, Jeff Bridges, Joachim Rønning, Jodie Turner-Smith, Jonah Hauer-King, Julia Roberts, Kaitlyn Dever, Kathryn Bigelow, Keanu Reeves, Keke Palmer, Kyle Allen, Larry Fessenden, Lío Mehiel, Luca Guadagnino, Malachi Beasley, Michael Stuhlbarg, Moses Ingram, Noah Oppenheim, Orwell 2+2=5, Raoul Peck, Rebecca Ferguson, Renée Elise Goldsberry, Sandra Oh, Seth Rogen, Shane Jensen, Stuart Rudin, Tracy Letts, Tron, TRON: Ares, Willa Fitzgerald

Good Boy, Good Times at the Movies (CREDIT: Ben Leonberg/Independent Film Company and Shudder)
Okay, here we go. It’s time for me to release my thoughts about the new movies that I saw in the month known as October 2025 that I haven’t explicated until now. Trick-or-treat furever!
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