‘Fire of Love’? Sounds Dangerous

July 27, 2022

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Fire of Love (CREDIT: National Geographic/Screenshot)

Starring: Katia Krafft, Maurice Krafft, Miranda July

Director: Sara Dosa

Running Time: 93 Minutes

Rating: PG

Release Date: July 6, 2022 (Theaters)

Oh hey, by the way, I saw Fire of Love this past weekend, and I gotta say … I think we should maybe ban people from becoming volcanologists. It’s just too dangerous! I understand the value in gathering data about those lava-gushers, but the risk-reward ratio appears to just be way too out of whack. That’s the biggest takeaway for me from Katia and Maurice Krafft’s story, I must say. Anyway, Miranda July is a soothing narrator.

Grade: Lo-Fi Natural Disaster to Chillax To

B.J. Novak Heads Down to Texas to Orchestrate Some Vengeance

July 26, 2022

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Vengeance (CREDIT: Patti Perret/Focus Features)

Starring: B.J. Novak, Boyd Holbrook, Issa Rae, Dove Cameron, J. Smith-Cameron, Isabella Amara, Ashton Kutcher, Lio Tipton, Eli Abrams Bickel, John Mayer

Director: B.J. Novak

Running Time: 108 Minutes

Rating: R for A Few Bursts of Language and Violence

Release Date: July 29, 2022 (Theaters)

What’s It About?: New York-based journalist Ben Manalowitz (B.J. Novak) would really love to host a podcast that gets people talking. If you’ve ever met someone whose response to listening to Serial was “I could do that!”, then you know the kind of guy we’re dealing with here. As serendipity would have it, he gets a call from the family of Abilene Shaw (Lio Tipton), an old hookup of his. They inform him that she’s died of an overdose, as they’ve confused him for a serious boyfriend, so he suddenly finds himself flying down to Texas for the funeral. Abilene’s brother Ty (Boyd Holbrook) suspects that there’s more to the story, so he recruits Ben into his plan to track down who’s really responsible and deliver some Lone Star-style vengeance. And so, Ben now has his podcast premise: a probing examination into the American opioid crisis through the lens of conspiracy theories that are more comforting than the truth.

What Made an Impression?: If that synopsis has you screaming, “This sounds like the most insufferable movie ever!!!”, I can see where you’re coming from. But those alarm bells should be tempered by the creative guiding hand of Novak, who writes, directs, and stars. But maybe you’re worried that even a self-aware version of this story would still be pretty insufferable. Understandable! But here’s the thing: it’s all played pretty sincerely. This isn’t satire, but rather, an engrossing tale of a messy tragedy. Ben certainly starts off a little condescending, but he allows himself to be drawn into Abilene’s family. They have their fair share of Deep South middle-of-nowhere quirks, but they also have access to modern amenities, so they know what’s what in the 21st century. (If you were looking for something more mean-spirited, you can at least relish John Mayer’s self-mocking cameo as himself.) Ben is won over by the clan, and he eventually gets drawn in enough to realize that Abilene really doesn’t seem like the type of girl who would have OD’d and that her death indeed warrants further investigation.

In a very strongly cast movie, the one performance in Vengeance that really blew me away was a career-best turn from Ashton Kutcher as local record producer Quinten Sellers. He could easily have more clients in a bigger city, but he’s an idealist who doesn’t want to see talent go to waste in this little town. Ben is all ready to dismiss him as a flim-flam man, but Quinten wins him over with a stunning monologue about how writers are the translators of life. (I was inspired quite a bit as well!) I’ve never seen Kutcher’s charm put to such profound use before, and it’s kind of intoxicating.

While most of Vengeance is disarmingly openhearted, it ultimately barrels forward to a sour, ugly conclusion befitting its title. That doesn’t negate all the hope-filled moments that preceded it, but it does cast a pall over the optimistic scenes. I’m not going to dismiss the whole movie for that questionable swerve, but it is worth noting that it’s stuck in my craw despite my generally satisfied experience.

Vengeance is Recommended If You Like: Looking past stereotypes

Grade: 4 out of 5 Whataburgers

‘Nope’ Looks to the Skies and Identifies a Flying and Flummoxing Object

July 20, 2022

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Nope (CREDIT: Universal Pictures)

Starring: Daniel Kaluuya, Keke Palmer, Steven Yeun, Brandon Perea, Michael Wincott, Keith David

Director: Jordan Peele

Running Time: 135 Minutes

Rating: R for Stunning Bloody Moments and Aw-Hell-No-Style Profanity

Release Date: July 22, 2022 (Theaters)

What’s It About?: Siblings OJ and Emerald Haywood (Daniel Kaluuya and Keke Palmer) work as horse wranglers on their family ranch out in the middle of nowhere. But they’re also Hollywood royalty, in a way. Their great-great-great-grandfather was the jockey riding a horse on the first strip of film ever assembled as a motion picture. But that’s just background info for the main attraction, as random debris starts falling out of the sky and a cloud begins behaving rather strangely. If you’ve seen the trailer, you’ve probably already said to yourself, “Jordan Peele and aliens? I’m down for that.” But befitting Peele’s cerebral filmmaking style, this isn’t your typical take on UFOs and ETs.

What Made an Impression?: OJ and Emerald’s dad Otis Sr. is played by Keith David, who 40 years earlier starred in my favorite sci-fi horror film of all time, The Thing. That connection eventually helped me crack the tough egg that is Nope. Typically in scary movies, characters react to the monsters by screaming and running away. There’s a decent amount of that in Nope, but as in The Thing, there’s also a lot of stunned silence. The terror is just too confounding for everyone to know how to react to it. There are several moments in Nope when I couldn’t quite understand what was happening, because people were seemingly under a spell of Zen acceptance when they should have been taking cover from something threatening to devour them. Similarly, I’m not bothered by how much Nope confused me, as I was also fully consumed by Peele’s unique and clever vision.

To be clear, there’s also a lot of energy and verve in response to the unidentified creature. Which is to say, the title is blurted out multiple times in the “I’m not dealing with that $h!t” vibe we were all surely hoping for. But even among the characters who recognize the danger, there’s plenty of excitement about capturing alien activity on film. Michael Wincott plays an eccentric filmmaker who at one point is overcome by a life-threatening urge to capture a moment with the creature with golden hour lighting. Maybe this is just a world where everyone has accepted that they could die at any minute, and they want to go in as thrilling a manner as possible.

But perhaps my favorite scene is one that has nothing to do with the premise, at least not directly. Steven Yeun stars as a local carnival barker and former child actor who shares a story about the time his chimpanzee co-star went berserk on a sitcom set. Or actually, he tells the story about the Saturday Night Live parody about that incident (with era-appropriate cast members, including Chris Kattan as the chimp) in chillingly matter-of-fact detail. It has the surreal energy of a nightmare that also feels like a dream world I never want to leave.

Nope is Recommended If You Like: “The Spielberg Face,” Signs, Declassified alien evidence, Mr. Peepers from SNL

Grade: 4 out of 5 Clouds

Doggone It, ‘Paws of Fury’ Insists That You Laugh at Its Self-Aware Samurai Animals

July 13, 2022

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Paws of Fury: The Legend of Hank (CREDIT: Paramount Pictures and Nickelodeon Movies)

Starring: Michael Cera, Samuel L. Jackson, Ricky Gervais, Aasif Mandvi, Djimon Hounsou, Mel Brooks, Gabriel Iglesias, George Takei, Michelle Yeoh, Kylie Kuioka

Directors: Rob Minkoff, Mark Koetsier, Chris Bailey

Running Time: 97 Minutes

Rating: PG for The Type of Shenanigans You’d Expect in a Place Named “Kakamucho”

Release Date: July 15, 2022 (Theaters)

What’s It About?: What if feudal Japan had been populated entirely by anthropomorphic cats? Do you think that dogs would be allowed to visit? Of course not, right! And those pooches certainly couldn’t be samurai in this scenario, now could they? But what Paws of Fury: The Legend of Hank dares to ask is: what if they could? And that’s how eager beagle Hank (Michael Cera) finds himself under the tutelage of reclusive sensei Jimbo (Samuel L. Jackson) in the village of Kakamucho. But it’s all a setup! You see, Hank was given the assignment of village samurai by the sneaky Ika Chu (Ricky Gervais) as a ploy to lay waste to the land. But this is an animated Nickelodeon movie, so we can rest easy knowing that the doggo and the kindhearted kitties are going to rally together in the end.

What Made an Impression?: Paws of Fury delivers all the typical slapstick gags and generally silly vibes of your average talking animal movie. But it distinguishes itself with a thorough strain of meta humor, as characters assure us that the running time is long enough to fit in the big finale and the action of a major set piece spills out into a virtual theater. At first, I thought those gags were all just done to honor the presence of Mel Brooks, who voices Shogun, the leader of Kakamucho. But then when I saw the late Richard Pryor’s name listed in the “Story By” credits (alongside Brooks and a few others), I realized it ran deeper than that.

As it turns out, Paws of Fury has had quite the winding pre-production history. Loosely inspired by Brooks’ indelible 1974 western sendup Blazing Saddles, it was originally known as Blazing Samurai before it arrived in its more generic cats-versus-dog setup, though the fourth wall breaking still remains. That made this thirtysomething viewer perfectly happy, but I wondered if any of the kiddos were picking up on those riffs. It’s not like they needed to, as there are also plenty of scatological jokes and bright colors to keep them otherwise occupied. But hey, I first fell in love with Brooks and his ilk when I was in this movie’s target age group. So yeah, Paws of Fury isn’t exactly revolutionizing anything the way that Saddles did, but it might just point some budding comedy nerds in the right direction.

Paws of Fury: The Legend of Hank is Recommended If You Like: Various shades of red and orange, Kid-friendly versions of sophisticated humor, George Takei shamelessly saying “Oh my” as often as possible

Grade: 3 out of 5 Blades

I Saw ‘Thor: Love and Thunder’ and ‘Flux Gourmet’ on the Same Weekend, and Somehow I Survived

July 12, 2022

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CREDIT: Marvel Entertainment/Screenshot; IFC Films

Thor: Love and Thunder

Starring: Chris Hemsworth, Natalie Portman, Christian Bale, Taika Waititi, Tessa Thompson, Jaimie Alexander, Russell Crowe

Director: Taika Waititi

Running Time: 119 Minutes

Rating: PG-13

Release Date: July 8, 2022

Flux Gourmet

Starring: Asa Butterfield, Gwendoline Christie, Ariane Labed, Fatima Mohamed, Makis Papaditriou, Leo Bill, Richard Bremer

Director: Peter Strickland

Running Time: 111 Minutes

Rating: Unrated

Release Date: June 24, 2022 (Theaters and On Demand)

Wow, here I am, a few days older and a few days wiser from having taken in a couple of the latest cinematic offerings. As Thor: Love and Thunder began, I felt invigorated by the current state of the MCU in which we’re not just building up to the latest chapter. Or, we are, but it’s not thuddingly obvious what direction we’re headed in. That felt freeing! But then after a while, I was worried that I had lost the plot – what was the deal with the kids again? At least we had a lot of fun with Russell Crowe’s Zeus. I wondered why he was doing an Italian accent, and then I realized it must be Greek, so that was a journey.

As for Flux Gourmet, the uncertainty was even more ever-present. Partly that was because I’ve never seen any other movie quite like this, but more pertinently it was because I kept nodding off. I guess I need to institute precautions when drinking vodka lemonades during a mid-afternoon show. Anyway, this flick ultimately struck me as most relevant in dramatizing what it’s like to be diagnosed with celiac disease. And any part not expressly about that was probably still metaphorically about it.

Grades:
Thor: Love and Thunder: More Love, Decent Thunder
Flux Gourmet: Straightforward Flatulence, Everything Else in Flux

‘Mrs. Harris Goes to Paris’ and Makes a Pit Stop in Our Hearts

July 11, 2022

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Mrs. Harris Goes to Paris (CREDIT: Dávid Lukács/© 2021 Ada Films Ltd – Harris Squared Kft)

Starring: Lesley Manville, Isabelle Huppert, Lambert Wilson, Alba Baptista, Lucas Bravo, Ellen Thomas, Jason Isaacs

Director: Anthony Fabian

Running Time: 115 Minutes

Rating: PG for Rudeness and Arrogance

Release Date: July 15, 2022 (Theaters)

What’s It About?: The widowed Ada Harris (Lesley Manville) is generally happy with her life as a cleaning lady in 1950s London. But there’s one thing she’s always dreamed of doing: embark to the City of Lights so that she can purchase her very own Dior dress. When a series of fortunate events provide her with a windfall of quick cash, she takes the opportunity to make the fantasy come true. Alas, despite her ability to pay immediately at the point of purchase, she is sneered at by the snooty haute couture establishment. But she also wins over the more progressive elements under Dior’s employ and barrels over everyone else with her sheer indefatigability.

What Made an Impression?: A few years ago, Lesley Manville starred in another finely stitched-together fashion-centric film. That would be Phantom Thread, a movie that features remarkable craftsmanship but which I have no desire to ever see again because I found it so profoundly unpleasant. Mrs. Harris Goes to Paris, on the other hand, is worthy of a rewatch, as it is charming from beginning to end, no matter how much anybody tries to beat that out of it. And it’s a good thing, too, because in the movie’s telling, she pretty much singlehandedly saves Dior from oblivion. I doubt that that’s historically accurate, but I kind of want it to be now.

In addition to getting fitted for her dress and saving an entire fashion house, Mrs. Harris also finds time to encourage a budding romance between a Dior employee (Lucas Bravo) and one of the models (Alba Baptista). It’s built on a foundation of existentialism and socialism, so that’s good to see. And, you might be wondering, is there also room for Mrs. Harris’ own love to blossom? Well, she does meet a fancy marquis (Lambert Wilson) who finds her adorable, and then there’s her friend Archie (Jason Isaacs) back home at the race track. She seems a little uncertain when it comes to affairs of the heart, though, but I suspect her late husband would be happy for her to give it a go, and you know what? I bet movie theater audiences would be as well. Oh well, I’m sure she’ll take it all at whatever speed she needs to for herself.

Anyway, in summary, preternaturally strong-willed characters like Mrs. Harris could easily become exhausting, but that’s not the case here, as Manville knows how to calibrate every one of her acting decisions just so.

Mrs. Harris Goes to Paris is Recommended If You Like: Paying in full in cash, Getting your measurements taken, Discussing Sartre over dinner

Grade: 3.5 out of 5 Dresses

‘The Rise of Gru’ Lifts All Minions

June 29, 2022

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Minions: The Rise of Gru (CREDIT: Illumination Entertainment & Universal Pictures)

Starring: Pierre Coffin, Steve Carell, Taraji P. Henson, Alan Arkin, Michelle Yeoh, RZA, Jean-Claude Van Damme, Lucy Lawless, Dolph Lundgren, Danny Trejo, Russell Brand, Julie Andrews

Director: Kyle Balda

Running Time: 88 Minutes

Rating: PG for Death-Defying Cartoon Action

Release Date: July 1, 2022 (Theaters)

What’s It About?: It’s 1976, and those tiny tater tots with a seemingly endless supply of denim are headed to the city by the bay! The Minions are already living with their “mini boss” Gru (Steve Carell), though he’s only 11 years old and thus not yet exactly the bigshot supervillain we met in the original Despicable Me. But he’s eager to prove himself, and he gets his chance when a spot opens up in the villainous collective the Vicious 6. He ends up running afoul of them and then gets kidnapped by Wild Knuckles (Alan Arkin, in a Little Miss Sunshine reunion) the Vicious member who was kicked out. But that’s all just an excuse for anarchic shenanigans! Because Kevin, Stuart, Bob, Otto, and the rest of the loyal yellow crew (all voiced by Pierre Coffin) are on their way to San Francisco to save Gru and get up to plenty of nutty business along the way.

What Made an Impression?: I’m an unabashed fan of the Despicable Me franchise, especially the Minions, so rest assured that what I’m about to say should not be taken lightly: This just might be the best entry in the entire franchise. What we have is the platonic ideal of what this type of cartoon should be, i.e., boundlessly joyous chaos. The first Minions spinoff had the weight of an origin story to take care of before it could just get to the gags. You might think that this outing is now an origin story for Gru, as it is called The Rise of Gru after all. And it is that, certainly, but it’s all in service of the Minions being the fullest, most delightful versions of themselves.

What does that mean, exactly, you might be wondering? Well, primarily it means they get to speak their motor-mouthed brand of unique gibberish, which has me automatically cackling whenever Gru or anyone else can somehow understand what they’re saying. It also means that they hijack a commercial plane with no repercussions in the most hilariously madcap manner imaginable! They learn kung fu and in the process discover that they’re basically indestructible! A few of them are transformed into animals, which somehow leads to the birthing of a baby Minion chicken! And they cap it all off with an unforgettably beautiful Minion-ish rendition of the Rolling Stones’ “You Can’t Always Get What You Want.” Which is ironic, because this movie gave me just about everything I wanted.

I also must mention that one Minion adorably falls in love with a pet rock! Remember pet rocks? They were big in the 70s. Speaking of the 70s, this movie has a killer soundtrack featuring modern artists making their own renditions of the era’s disco, funk, and rock classics. St. Vincent heading to “Funkytown,” anyone? Heck, yeah!

I did have one concern, though, that I feel compelled to bring up: where was Gru’s twin brother Dru? Shouldn’t he have been present during this period of their life? Maybe that was all explained in Despicable Me 3 (I do recall Dru being a sibling of the “long-lost” variety and all), and I just need to rewatch that. It’s not a big deal, just something that popped into my head amidst all the mayhem.

Minions: The Rise of Gru is Recommended If You Like: Road Runner and Wile E. Coyote, Secret sibling languages, Non-stop disco dance parties

Grade: 4 out of 5 Bananas

Mr. Malcolm Made a List, and I’m Reviewing it Once

June 28, 2022

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Mr. Malcolm’s List (CREDIT: Ross Ferguson/Bleecker Street)

Starring: Freida Pinto, Ṣọpẹ́ Dìrísù, Zawe Ashton, Oliver Jackson-Cohen, Ashley Park, Theo James

Director: Emma Holly Jones

Running Time: 117 Minutes

Rating: PG for A Few Moments of Mild Offense

Release Date: July 1, 2022 (Theaters)

What’s It About?: It’s 1802 England, and let’s just acknowledge the truth: there are plenty of single men who would love a wife, and a lot of single ladies who would love a husband. But keeping an eye on your social standing can get in the way of that pursuit. Just ask Julia Thistlethwaite (Zawe Ashton), who has a fantastically bad first date with Jeremiah Malcolm (that’s the Mr. of the title, played by Ṣọpẹ́ Dìrísù) and then just can’t stop crowing about how her reputation has been ruined. When she discovers that he has a series of qualifications that his potential brides must meet (that’s the list of the title), she concocts a scheme along with her cousin Lord Cassidy (Oliver Jackson-Cohen) wherein her financially lowly friend Selina (Freida Pinto) will perfectly embody all of Mr. Malcolm’s requirements. But then they’ll pull the ol’ switcheroo and reveal that Selina has her own list that he doesn’t live up to. Although, we’d be wise to remember that schemes like these don’t always go according to plan…

What Made an Impression?: If you’re getting major Pride and Prejudice vibes from that synopsis, then congratulations! You might just be the target audience for Mr. Malcolm’s List. It even features a marriage proposal accompanied by the promise that it will not be offered a second time! Any romantic period piece in this particular setting is going to get caught in the shadow of Jane Austen’s classic, and this example is no different. So just keep your expectations in check. If you’re not demanding one of the most influential English-language stories of all time, you should be mostly satisfied.

Now, I must say, though, there were some infuriating elements, although I reckon that maybe they were supposed to be that way. First of all, Julia Thistlethwaite is absolutely, positively, 100% ridiculous. There is zero evidence that anyone else cares about or even notices this mythical damage to her reputation. As for Mr. Malcolm, he’s a mostly all right bloke, though maybe a little too stolid. But when he discovers the truth about the scheme, he overreacts in a way that just screams “Screenwriter’s Contrivance!” Sure, he’s meant to be prideful, but I think he’s smart enough to realize that he ought to wait for an explanation.  So yeah, these bits of characterization had me going, “What’s the DEAL with that?!” But if this genre is right up your alley, then you might just be reveling in all the bothers and to-dos.

Mr. Malcolm’s List is Recommended If You Like: Pride, Colorful shirts and dresses, Making time for tea, Crunchy eaters, Prejudice

Grade: 3 out of 5 Requirements

‘The Black Phone’ is Calling: Do You Answer It, or Take the Call From ‘Elvis’?

June 23, 2022

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CREDIT: Fred Norris/Universal Pictures; Warner Bros. Pictures/Screenshot

The Black Phone:

Starring: Mason Thames, Ethan Hawke, Madeleine McGraw, Jeremy Davies, E. Roger Mitchell, Troy Rudeseal, James Ransone

Director: Scott Derrickson

Running Time: 102 Minutes

Rating: R for Brutal Home Lives and Bloody Escapes

Release Date: June 24, 2022 (Theaters)

Elvis:

Starring: Austin Butler, Tom Hanks, Helen Thomson, Richard Roxburgh, Olivia DeJonge

Director: Baz Luhrmann

Running Time: 159 Minutes

Rating: PG-13 for Rock Star Excess and Rock Fan Excess

Release Date: June 24, 2022 (Theaters)

I recently saw The Black Phone and Elvis on consecutive days, so it’s time for another two-for-one movie review! Do these two flicks have anything in common besides opening in theaters on the same day? Well, they’re both kind of overwhelming in their own particular ways. If you’re like me and enjoy any and every cinematic genre, you might be struggling to figure out which of these to prioritize this weekend, or maybe you’re planning to make time for both of them. So I’ll go ahead and let you know what I think while throwing in a bit of comparing/contrasting, and hopefully that’ll give you a bit of a confidence boost.

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Wondering Where All the Whimsy Went? Watch ‘Marcel the Shell with Shoes On’ and Find Out

June 22, 2022

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Marcel the Shell with Shoes On (CREDIT: A24)

Starring: Jenny Slate, Dean Fleischer-Camp, Isabella Rossellini, Rosa Salazar, Thomas Mann, Lesley Stahl

Director: Dean Fleischer-Camp

Running Time: 90 Minutes

Rating: PG for A Few Arguments and Brushes with Mortality

Release Date: June 24, 2022 (Theaters)

What’s It About?: While staying at an Airbnb, a documentary filmmaker (director Dean Fleischer-Camp as himself) makes a fascinating discovery: one inch-tall anthropomorphic shell Marcel (Jenny Slate) and his grandmother Connie (Isabella Rossellini. They’ve been living in the house for as long as they can remember amidst a rotating door of human roommates. Dean is so taken by Marcel and his unique worldview that he uploads footage of him to YouTube. It immediately becomes the most viral thing on the Internet, which leads Marcel to wonder if this is the perfect opportunity to track down his missing family members, who were removed from the house during an incident a couple of years earlier. Luckily for Marcel, his story attracts the attention of his beloved 60 Minutes, whose crew is excited to interview him and investigate any leads related to his family. But is Marcel truly ready to venture out into the wider world?

What Made an Impression?: Marcel originated as a 3-minute video that Slate and Fleischer-Camp posted onto YouTube back in 2010, just a few months after her one and only season on Saturday Night Live. At the time it was a boon for her career (which has continued to chug along steadily in the decade-plus since), but it never seemed like it was anything more than a one-off goof, at least not from my vantage point. Who could ever have thought that something so whimsical and (literally) lightweight could ever bear the weight of a feature-length story? Well apparently, Slate and Fleischer-Camp thought it could, and I’m glad they believed, because I’m now obligated to report that Marcel the Shell with Shoes On is absolutely delightful.

What really holds it all together is the fact that nobody ever questions the existence of Marcel and his family. They’re a little surprised and plenty entertained, but the world is just profoundly accepting of the fact that creatures like this can exist. And why wouldn’t you be, when they’re just so guileless and openhearted? He might be small in stature, but a visit from Marcel is like a big hug from the universe reminding you that true wonderment is still possible. Also, investigative journalism is a big deal to plenty of people for good reason. To paraphrase a certain superhero classic, you’ll believe a man can be a shell.

Marcel the Shell with Shoes On is Recommended If You Like: Aardman Animation, Grey Gardens, Documentary Now!

Grade: 4 out of 5 YouTube Views

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