Lucy Liu Shines in the Devastating True Story ‘Rosemead’

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Lucy Liu in Rosemead (CREDIT: Vertical/Screenshot)

Starring: Lucy Liu, Lawrence Shou, Orion Lee, Jennifer Lim, Madison Hu, James Chen

Director: Eric Lin

Running Time: 97 Minutes

Rating: R for Language and Mature Themes

Release Date: December 5, 2025 (New York)/December 12, 2025 (Los Angeles)

What’s It About?: In an urgent tale based on unsettling true events, Lucy Liu plays a mother named Irene who’s very worried about her schizophrenic teenage son Joe (Lawrence Shou) and his increasingly erratic behavior. When she discovers that he’s been looking up information about infamous mass shootings, she starts to suspect that he’s planning to pull off the same thing at his school. Unfortunately, she cannot devote all of the energy that she would need to prevent this, because she is also dealing with a terminal cancer diagnosis. As Irene feels Joe drifting further and further out of her grasp and she becomes more and more isolated from the rest of the world, irreversibly drastic action starts to seem like the only possible solution.

What Made an Impression?: Praying That It Doesn’t End This Way: After reading that synopsis, perhaps you’re scared that Rosemead is running headlong in the most tragic direction. Of course, you could look up the real story to find out if those suspicions are warranted. But in the interest of avoiding spoilers, I’ll leave that resolution to the theater. However, I’ll also make sure to note that whether or not the worst does indeed happen, the dread hanging over that possibility is unbearably palpable throughout the entire movie. This definitely isn’t the sort of film you should be watching at your most emotionally vulnerable. Conversely, it is the kind of movie that makes you question if it’s even worth putting absolutely devastating stories like this up on the big screen. Hopefully they can foster understanding and play at least some small part towards preventing further tragedies.

That’ll Do: To redirect things over to a more technical discussion, Rosemead didn’t exactly thrill me with its daring or bowl me over with its aesthetic choices. Above all else, I’m glad that Lucy Liu really got the opportunity to flex her dramatic chops. She’s been putting in consistently great work for more than three decades, and I can’t remember her ever getting a spotlight quite like this one. It would just be nice if it were in a movie I could rave about more breathlessly. As it is, though, this is a perfectly fine cinematic contribution that everyone involved should be appropriately proud of.

Rosemead is Recommended If: “Lucy Liu’s Career-Best  Performance” was on your 2025 Bingo Card

Grade: 3 out of 5 Diagnoses

jmunney’s Top Cinematic Choices for December 2025

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I’m ready! How ’bout you? (CREDIT: Paramount Animation and Nickelodeon)

They keep making new movies, and some of them are even worth watching. Here’s what’s at the top of the slate for December 2025:

Dust Bunny: A cute-looking horror pic about a little girl dealing with a monster under her bed. Bryan Fuller writes and directs, while his very own Hannibal (Mads Mikkelsen) stars as a hitman.

You can find a Dust Bunny in movie theaters on December 12.

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Entertainment To-Do List: Week of 11/28/25

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Happy Holidays! (CREDIT: Hulu/Screenshot)

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
Eternity (Theaters)
Hamnet (Theaters)
Wake Up Dead Man: A Knives Out Mystery (Theaters; On Netflix December 12)
Zootopia 2 (Theaters)

TV
Family Guy, “Disney’s Hulu’s Family Guy’s Hallmark Channel’s Lifetime’s Familiar Holiday Movie” (November 28 on Hulu) – Another holiday special from the Griffins!

Music
-Jessie J, Don’t Tease Me with a Good Time

Video Games
Jackbox Party Pack 11 (Released October 23 on Steam, PlayStation, Switch, Xbox, Apple TV & iPad, Epic Games Store, and Humble Bundle)

Is There Anything Real to Grasp Onto in ‘Now You See Me: Now You Don’t’?

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I see them! … Or do I? (CREDIT: Lionsgate)

Starring: Jesse Eisenberg, Dominic Sessa, Justice Smith, Ariana Greenblatt, Woody Harrelson, Dave Franco, Isla Fisher, Rosamund Pike, Lizzy Caplan, Morgan Freeman

Director: Ruben Fleischer

Running Time: 112 Minutes

Rating: PG-13

Release Date: November 14, 2025 (Theaters)

I would LOVE to live in the world of the Now You See Me movies! Here’s why: nothing makes a lick of sense, but somehow everything always works out perfectly in the end. Just so long as you’re not one of those selfish Master of the Universe types, that is. Is this what justice looks like? Well, it’s at least what Justice Smith looks like, considering that he’s one of the main new stars arriving for the third entry, Now You Don’t. And in case you’re wondering, here’s my response to that subtitle: yes, they do, and they probably always will!

Grade: Actually, Though, This One’s a Little Too Illusory

Entertainment To-Do List: Week of 11/21/25

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Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
Rental Family (Theaters)
Sisu: Road to Revenge (Theaters)
Wicked: For Good (Theaters)
Jingle Bell Heist (November 26 on Netflix) – Starring Olivia Holt and Sex Education‘s Connor Swindells.

TV
Holiday Touchdown: A Bills Love Story (November 22 on Hallmark) – I watched the Chiefs version of this last year (which starred Hunter King, sister of Joey), so now I’ll watch the Bills version (which stars Matthew Daddario, brother of Alexandra).
A Saturday Night Live Thanksgiving (November 26 on NBC)
-National Dog Show (November 27 on NBC) – Which breed do you think will win this year?!

Music
-De La Soul, Cabin in the Sky

‘Sisu: Road to Revenge’ Review: Strap In and Watch the Fireworks Go Off!

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The Road to Revenge is filled with so many explosions (CREDIT: Heikki Leis)

Starring: Jorma Tommila, Stephen Lang, Richard Brake

Director: Jalmari Helander

Running Time: 89 Minutes

Rating: R for Blood and Guts

Release Date: November 21, 2025 (Theaters)

What’s It About?: Following the end of World War II, after a chunk of Finland is ceded to the Soviet Union, former Finnish Army commando Aatami Korpi returns to this territory to dismantle his family house and then rebuild it elsewhere. But when the Soviets catch wind of his presence, they’re not exactly content to let him just do his own thing. Because, you see, after Aatami’s family was slaughtered by Red Army officer Igor Draganov (Stephen Lang), he went on quite the killing spree of his own, which means of course now the Soviets have hired Draganov to finish the job. I’ve never seen the first Sisu, so I don’t know how much of this backstory is set up in that chapter. But it doesn’t particularly matter. Once that bare-bones premise is established, Road to Revenge is just nonstop action, and that’s pretty much all you need to know.

What Made an Impression?: Boom Launch: Does it ever get old launching a missile at close range and watching it gloriously explode upon impact? Jalmari Helmander sure hopes not! If the world of Sisu represents the writer/director’s cinematic philosophy, then the big screen shouldn’t go more than 30 minutes without such a climactic outburst. And hey, I’m not complaining, because at least he also takes the time to patiently build up to all that mayhem with (relatively) smaller moments of cascading chaos. Are Megadeth’s ears ringing? Because this is undeniably a symphony of destruction!
It’s Cold Over There: Road to Revenge features one of my favorite establishing chyrons in quite a while, as it whisks away to a foreboding location with the text message “Meanwhile in Siberia.” It could’ve just said “Siberia,” but that simple-yet-no-by-means-undervalued “Meanwhile in” really took it to another level, and I hope it tickles everyone else as much as it did me.
A Final Release: When discussing such a simple, straightforward adrenaline-delivery machine like this one, I don’t have much more to add to what I’ve already said beyond “Boom, boom, boom!” But before I conclude, there is another reaction that I ought to share, as Helmander and Tommila take a breath and then make sure to leave us with another sort of catharsis. I won’t go into detail too much in case you want to be surprised, but just know that if you somehow find yourself getting swept into a heartfelt connection amidst all the carnage, your fragile emotional state will be handled with care.

Sisu: Road to Revenge is Recommended If You Like: The Idea of Inglourious Basterds crossed with Looney Tunes

Grade: 3 out of 5 Kabooms

‘Wicked: For Good’ Touches Down and Gets Some Things Off Its Chest

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To have and to Wicked, For Good and for worse (CREDIT: Giles Keyte/Universal Pictures)

Starring: Cynthia Erivo, Ariana Grande, Jonathan Bailey, Jeff Goldblum, Marissa Bode, Ethan Slater, Michelle Yeoh, Sharon D. Clarke, Bowen Yang, Bronwyn James, Colman Domingo

Director: Jon M. Chu

Running Time: 137 Minutes

Rating: PG for Steamy Sensuality and Broom Fights

Release Date: November 21, 2025 (Theaters)

What’s It About?: Oz is of course a wonderful and magical place, but it isn’t always filled with honesty. That is what Elphaba Thropp (Cynthia Erivo) is desperately trying to tell us at the beginning of Wicked: For Good. Now that she knows the dark truth about what the Wizard (Jeff Goldblum) and Madame Morrible (Michelle Yeoh) are up to, she’s gone off into hiding into the woods as she plots to lift the curtain and free the animals. Meanwhile, Glinda (Ariana Grande) is taking a much less revolutionary approach as an official representative of Oz, though she still holds out hope that she and Elphaba can reconcile. On top of all that, Fiyero (Jonathan Bailey) is caught in the middle between these witchy ladies, Elphaba’s sister Nessarose (Marissa Bode) is now governor of Munchkinland, her Munchkin friend Boq (Ethan Slater) is bristling at his position working for her, and a certain visitor from the Midwestern United States is about to get dumped into the middle of all this finagling.

What Made an Impression?: Another Way of Looking at Things: It’s a simple realization, but worth drawing out: the whole endeavor of Wicked on the big screen is a matter of shifting perspectives. Indeed, that was already true about this franchise when it previously existed in just book form and then as a stage musical examining a decades-old and oft-revisited property from exciting new angles. As someone who’s never read Gregory Maguire’s novel (or any of its sequels) or ever seen the show, I’m only catching a whiff of the panorama expansion that these big screen adaptations have established. But even that lack of perspective is another perspective! So I understand your frustration, Elphaba, when everyone else is unable or unwilling to see the bigger picture. And you too can have that realization! All you have to do is open your eyes to how much your eyes remain closed.
We’ve Made Mistakes, Now What Do We Do?: Everything comes home to roost in this conclusive chapter, which is how things tend to go in conclusive chapters, after all. In this case that means we see a much more dour Wizard, a warier dynamic between friends and former friends, and a thoroughly less whimsical populace. That equals a significantly less fun outing compared to the first Wicked movie, though the upside is that the psychological depths are more acutely felt and impossible to miss. There’s a sense of inevitability that at times can come off as deflating but that also feels honest and necessary. Now’s not the time to soar but to carve out a compromise you can live with in an imperfect world. Is that a formula for keeping the fire of cinematic magic fully aflame? I have mixed thoughts on that matter, but the final warnings we’re left to reckon with nevertheless remain timeless.

Wicked: For Good is Recommended If You Like: Filling in the edges

Grade: 3 out of 5 Bubbles

When ‘Keeper’ and ‘Predator: Badlands’ Invite You Home, How Should You RSVP?

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Which one is the real Predator and the real Keeper? (CREDIT: NEON/Screenshot; 20th Century Studios/Screenshot)

Keeper

Starring: Tatiana Maslany, Rossif Sutherland

Director: Osgood Perkins

Running Time: 99 Minutes

Rating: R

Release Date: November 14, 2025 (Theaters)

Predator: Badlands

Starring: Dimitrius Schuster-Koloamatangi, Elle Fanning, Reuben de Jong, Mike Homik, Cameron Brown

Director: Dan Trachtenberg

Running Time: 107 Minutes

Rating: PG-13

Release Date: November 7, 2025 (Theaters)

Yes, the rumors are true, I have seen both Keeper and Predator: Badlands (in that order). Now it’s time to answer the question on the tips of everyone’s tongues: do I yearn to live in the worlds of these movies? Both are inhospitable in their own ways, but is there any upside?

In the former, Tatiana Maslany plays the object of Rossif Sutherland’s affection, but all the spooky goings-on at the cabin he takes her to makes her doubt that he’s truly affectionate. Meanwhile, the titular “Badlands” in the latter refers to the planet Genna, which is home to some majorly dangerous flora and fauna. Now even if I weren’t a Predator, I certainly wouldn’t want to jump into that unprepared, so maybe I could first dip my toes into it Avatar-style or via a simulator. I reckon I could make it work eventually, especially if I brought along some friends.

Back to the Keeper Cabin, the ghosts and specters are fun to experience from a distance, but if I were actually in their midst, I’m worried I’d be a little too unfamiliar to them and they just wouldn’t know what to do with me. So we’ll give P:B the edge in the Making a Home Department. But they’re both worthwhile movies in their own ways!

Grades:
Keeper: 5 Flashbacks out of 3 Stretchy Heads
Predator: Badlands: I Especially Liked It When Elle Fanning Wouldn’t Stop Yammering

‘Christy’ Movie Review, AKA ‘Wow, They’re Sure Are a Lot of Boxing Biopics, Aren’t There?’

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Think Pink? (CREDIT: Black Bear/Screenshot)

Starring: Sydney Sweeney, Ben Foster, Merritt Wever, Katy O’Brian, Ethan Embry, Coleman Pedigo, Jess Gabor, Chad L. Coleman, Tony Cavalero

Director: David Michôd

Running Time: 135 Minutes

Rating: R

Release Date: November 7, 2025 (Theaters)

If you’ve been reading my reviews for a while, then perhaps you are already familiar with my approach of asking myself, “Would I like to live in the world of this movie and/or be the protagonist?” In the case of the sports biopic Christy, in which Sydney Sweeney stars as pioneering boxer Christy Salters Martin, the answer is a definitive split decision of “Yes in some ways” and “No in other ways.” On the one hand, professional athletic glory sounds like something I’d love to bask in. But on the other hand, being a queer woman in a homophobic world who’s married to a controlling and abusive man sounds much less appealing. So since that strategy didn’t result in a singular response, I’ll instead think of this movie as an advertisement for what a great friend Christy surely is to all those who have the good fortune to be a part of her life now and in the future.

Grade: 5 Belts out of 8 Mullets

Edgar Wright and Glen Powell Team Up for a Blunt and Brisk Re-Do of ‘The Running Man’

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What if his name were Rudolph, though? (CREDIT: Paramount Pictures)

Starring: Glen Powell, Josh Brolin, Colman Domingo, William H. Macy, Lee Pace, Michael Cera, Emilia Jones, Daniel Ezra, Jayme Lawson, Sean Hayes, David Zayas, Katy O’Brian, Martin Herlihy, Karl Glusman

Director: Edgar Wright

Running Time: 133 Minutes

Rating: R for Officially Sanctioned Hardcore Violence and the Profanity That Tends to Accompany It

Release Date: November 14, 2025 (Theaters)

What’s It About?: It’s time for one of those dystopian futures where a select few are fabulously rich while everyone else scrapes and scrounges through daily desperation. Society is pretty much completely controlled by a TV network known simply as “The Network,” whose slate mostly consists of dangerous and demeaning game shows. The crown jewel of their lineup is The Running Man, in which a trio of contestants try to avoid being killed by either a group of professional hunters or ordinary citizens for 30 days in the hopes of winning a billion “New Dollars.” Nobody’s ever made it all the way to the very end, though Killian (Josh Brolin), the show’s producer, believes he may have just found a legitimate contender in the form of Ben Richards (Glen Powell). Ben initially insists that he would rather just make some quick bucks and then get home safely to his wife and sick young daughter. But fae is asking him to not only emerge victorious, but also spark a revolution. That is, unless of course The Network just fully manipulates the narrative to its own specifications.

What Made an Impression?: I’d Buy That for a New Dollar!: This Running Man is the second adaptation of the 1982 novel of the same name by Stephen King (under his pen name Richard Bachman), following the 1987 version starring Arnold Schwarzenegger. Interestingly enough, I wasn’t picking any of the typical King vibes (Save for a reference to Derry, Maine). Instead, this update directed by Edgar Wright feels more like a spiritual sequel to another 1987 movie: i.e., RoboCop. No wonder, as the dystopian-but-cool energy was strong in that era. And now I shall wrap up my initial point, as this paragraph has been a setup for me to say: I don’t want to live in a world in which The Running Man game show actually exists, though I do kind of want to live in the world where the MrBeast version exists.
That’s Ice Cold, Man: The official story propagated by The Network would have us believe that the Running Man contestants are unapologetically violent, depraved criminals, while their executors are true American criminals. But of course that’s a bunch of b.s., as Wright makes sure to show us the stark differences between Ben’s actual behavior and the Network’s fakery. I would like to tell you that the shameless lengths they go to are totally unrealistic, except that I’ve seen some of the propaganda perpetuated on my own TV by my own government. So I’ll instead say that these moments are occasionally a little too blunt for my taste, though I nevertheless appreciated the message.
Capitalism is Unavoidable: Occasionally The Running Man pulled me out of its invented reality with incursions by real life brands and stores. Yes indeed, there’s a lot of product placement in this movie, including a trip to a Shake Shack and a few other examples that I don’t remember specifically, but I can promise you that they were there. These moments are especially striking when juxtaposed with the fake products on display (like “Fun Twinks Cereal”) that feel more fitting in a fictional dystopia. I don’t know if this placement was a way to secure full financing for a perhaps risky blockbuster movie release, or if it was somehow part of the satire, or an attempted combination thereof. This is far from the most egregious example ever of this consumerist practice, but it did make me go “Hmm” much more than it made me go “You got ’em!”
One Last Hurrah: Before I conclude this review, I want to quickly say that overall, the cast is pretty commendable, especially Michael Cera, whose introduction is likely to catch you delightfully off-guard!

The Running Man is Recommended If You Lust For: The Golden Age of Dystopia

Grade: 3.5 Billion out of 5 Billion New Dollars

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