Entertainment To-Do List: Week of 3/15/24

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Baller. (CREDIT: Marvel Animation. © 2024 MARVEL)

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
The American Society of Magical Negroes (Theaters)
Arthur the King (Theaters) – Dog.
Irish Wish (Streaming on Netflix) – Starring Lindsay Lohan!

TV
X-Men ’97 Series Premiere (March 20 on Disney+) – A sequel to the 90s cartoon!

Music
-The Black Crowes, Happiness Bastards
-Kacey Musgraves, Deeper Well
-Justin Timberlake, Everything I Thought I Was
-Tierra Whack, World Wide Whack

Sports
-Men’s March Madness (March 19-April 8 on CBS, TBS, TNT, and truTV) – Selection Sunday is on the 17th on CBS.
-Women’s March Madness (March 20-April 7 on ABC, ESPN, ESPN2, ESPNU, and ESPNEWS) – Selection Sunday is on the 17th on ESPN.

‘One Life’ Review: Anthony Hopkins Plays One of the Most Notable Humanitarians of the 20th Century

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How to Live One Life (CREDIT: Bleecker Street)

Starring: Anthony Hopkins, Lena Olin, Johnny Flynn, Romola Garai, Alex Sharp, Marthe Keller, Jonathan Pryce, Helena Bonham Carter

Director: James Hawes

Running Time: 110 Minutes

Rating: PG for The Looming Threat of Nazism

Release Date: March 15, 2024 (Theaters)

What’s It About?: In 1988 England, Nicholas Winton (Anthony Hopkins) spends most of his days at home while his wife Grete (Lena Olin) insists that he clean up all the clutter in his office before their family comes over to visit. But there are some important documents in there, particularly records of the time he spent in Czechoslovakia right before World War II, during which he helped German and Austrian Jewish refugees secure passports to escape the clutches of the Nazis. One Life flashes back to that time in the life of the young Winton (Johnny Flynn), which ends all too abruptly. He’s haunted by those he couldn’t save, though he did manage to get more than 600 children to safety. For decades, his story remains untold, but once he starts sharing his records, it suddenly becomes clear how much of a difference he’s made in the world.

What Made an Impression?: The National Tidiness: You don’t feel a ton of urgency in the 1930s portion of One Life, despite the clear crisis at hand. Surely that can be chalked up to the reserved national character of England. Furthermore, there’s a sense that nobody knows who is responsible for these refugees. Winton’s connection to them is tenuous, but striking. His parents were German Jewish immigrants who changed their last names and converted to Christianity, but he still feels enough of a kinship to do something. And while he’s far from emotionless, that feels like more of a logical calculation than anything. In that same vein, while the job is obviously dangerous, the audience never quite feels that danger viscerally.
Small But Effective: But that small-scale suddenness is kind of the point. Winton surely would have liked to have been in Czechoslovakia longer, but it just wasn’t in the cards. If you asked him point blank, he probably would have apologized for saving too few souls. And while those 600 or so may pale in comparison to the millions who were killed in concentration camps, they’re not nothing. When Winton’s story gets out, he’s booked on the BBC current affairs program That’s Life, which he and Grete initially dismiss as a silly little show. But when he’s reunited with some of the now-grown survivors, he realizes the deep and lasting value of the life he’s lived.
Suddenly Overwhelming: One Life culminates by recreating a moment from the real Winton’s appearance on That’s Life, and the effect is profoundly overwhelming. If you don’t know the story, I won’t describe it too specifically, but let’s just say that Winton is given a gift in the form of a tangible representation of the impact of his humanitarian work. It reminded me of the transcendent ending of Places in the Heart, which features a reunion in a church that effectively dramatizes a vision of heaven on Earth. Like the man at its center, One Life is a mostly unassuming movie, with a sublime conclusion.

One Life is Recommended If You Like: Places in the Heart, Holocaust documentaries, British chat shows

Grade: 3.5 out of 5 Passports

‘The American Society of Magical Negroes’ is Trying to Make Us All Feel Better. Does It Put in the Right Effort?

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Do they find the magic? (CREDIT: Focus Features)

Starring: Justice Smith, David Alan Grier, An-Li Bogan, Drew Tarver, Michaela Watkins, Aisha Hinds, Nicole Byer, Rupert Friend, Aaron Jennings, Tim Baltz

Director: Kobi Libii

Running Time: 105 Minutes

Rating: PG-13 for Inflammatory and Cathartic Comments

Release Date: March 15, 2024 (Theaters)

What’s It About?: You know those movies with Black supporting characters who seem to only exist to help the white main characters realize their full potential? The Legend of Bagger Vance is often cited as the apex example. Morgan Freeman practically made an entire career out of it. It’s called the “Magical Negro,” and what the makers of The American Society of Magical Negroes presuppose is: what if people like that actually existed, and what if they indeed had access to real magic? Their newest recruit is struggling yarn sculpture artist Aren (Justice Smith), whose first assignment is babysitting up-and-coming tech worker Jason (Drew Tarver). Aren is certainly up for the task, as he has a lot of experience deferentially navigating privileged people’s cluelessness. But when both he and Jason develop romantic feelings for their co-worker Lizzie (An-Li Bogan), things get a little complicated.

What Made an Impression?: How to Be Supportive: When Aren is introduced to the Society, his mentor Roger (David Alan Grier) explains that the purpose of magical Negroes is making sure that white people stay calm and don’t become a danger to everyone else in the world. The implication is that everyday insecurities could eventually lead to a serial killer, so it’s best to nip that in the bud as soon as possible, although what we see in the movie is fairly low-stakes. But even when the threat of danger isn’t immediately urgent, the support that Aren, Roger, and their colleagues offer is always welcome. It mostly amounts to helping people fight against their self-doubts. In many ways, that’s just good friendship. Of course, a truly genuine friendship would consist of that support going both ways.
Bearing Too Much Weight?: While The American Society of Magical Negroes is clearly self-aware in its handling of this trope, I imagine it will be fighting an uphill battle against some viewers. Why, after all, should the burden of white fragility fall upon Black shoulders, magical though they be? That arrangement obviously isn’t fair, but it is often true to life, as the responsibility of cleaning up a mess frequently gets passed to those with the expertise of cleaning it up, rather than those who created the mess in the first place. But writer/director Kobi Libii doesn’t expect his characters to simply accept this state of affairs. They grapple with the dignity that they’re forced to give up, while also wondering if their methods really are the most effective option.
Finding an Alternate Solution: Ultimately, it quickly becomes abundantly clear that simply making Jason feel better is not Aren’s best course of action. But explicitly calling him out on his prejudices is liable to backfire. Furthermore, while Roger advises Aren to let the girl go, it’s clear that Lizzie is a lot more into Aren than she is Jason. Supporting Jason’s stated desires in favor of everyone’s else’s feels like it won’t make anyone happy, including Jason. Escaping the common strictures of society and thriving as a nourished individual clearly requires some creative thinking, whether or not you have access to superpowers. As for my verdict, I’m pleased to report that The American Society of Magical Negroes navigates that dilemma with a firm, but also playful touch.

The American Society of Magical Negroes is Recommended If You Like: American Fiction, Grand Crew, Turning the other cheek with a witty rejoinder

Grade: 4 out of 5 Teleportations

How ‘Imaginary’ Shall We Be?

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Da Bear (CREDIT: Parrish Lewis/Lionsgate)

Starring: DeWanda Wise, Pyper Braun, Tom Payne, Taegen Burns, Betty Buckley, Matthew Sato, Verónica Falcón, Dane DiLiegro

Director: Jeff Wadlow

Running Time: 104 Minutes

Rating: PG-13

Release Date: March 8, 2024 (Theaters)

I imagine you might like to know what I thought about Imaginary, and if perhaps we should all spend some time in our own Imaginationlands. Well, that depends on how active your imagination is! Mine’s pretty active, and I’ve made a concerted effort to remain in touch with it into adulthood. Seeing Imaginary has helped to fuel that desire once more, even if it wasn’t as super-duper as I hoped it could have been. So thank you, Chauncey Bear! Maybe you shouldn’t play with young Alice anymore, but you were definitely exactly what I needed you to be.

Grade: Baby Bear

96th Oscars Predictions/Preferences

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I am become Oscar, destroyer of Academies (CREDIT: Melinda Sue Gordon/Universal Pictures)

Here’s a right quick rundown of the Oscar race’s likeliest winners on Sunday, March 10, 2024, and whom I would vote for if I had a ballot.

Best Picture
Prediction: Oppenheimer
Preference: Oppenheimer

Best Director
Prediction: Christopher Nolan
Preference: Christopher Nolan

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Lead vs. Supporting Conundrums: 2023 Edition

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Take the Lead? (CREDIT: IFC Films/Screenshot; Apple TV/Screenshot)

Whenever the Oscars come around, I like to enter the discussion about whether certain acting performances should be categorized as Lead or Supporting. There’s not too many I felt compelled to talk about this year, just a couple:

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The 2023 jmunney Academy Awards

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Are the Oscars on TikTok? (CREDIT: Universal Pictures)

If I were in charge of unilaterally selecting the Oscars, here is who would be selected. Nominees are listed alphabetically, winners in bold.

Best Picture
All of Us Strangers
American Fiction
Are You There God? It’s Me, Magaret.
The Holdovers
M3GAN

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Entertainment To-Do List: Week of 3/8/24

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What’s the weirdest thing about hosting the Oscars? (CREDIT: Eric McCandless/Disney)

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
Imaginary (Theaters)
Love Lies Bleeding (Theaters)

TV
-96th Academy Awards (March 10 on ABC) – This year the Oscars start an hour earlier than usual!
Password Season Premiere (March 12 on NBC)
Apples Never Fall Miniseries Premiere (March 14 on Peacock) – I might check this out since Alison Brie’s in it.
Girls5eva Season 3 (March 14 on Netflix) – Streaming switch.

Music
-Bleachers, Bleachers
-Dion, Girl Friends
-Kim Gordon, The Collective
-Ariana Grande, Eternal Sunshine
-Norah Jones, Visions
-Judas Priest, Invincible Shield

‘Kung Fu Panda 4’ Review: What Has Po Gotten Himself Into This Time?

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Skadoosh Skadoosh Skadoosh Skadoosh (CREDIT: DreamWorks Animation)

Starring: Jack Black, Awkwafina, Dustin Hoffman, James Hong, Bryan Cranston, Ian McShane, Ke Huy Quan, Lori Tan Chinn, Ronny Chieng

Director: Mike Mitchell

Running Time: 94 Minutes

Rating: PG for Typical Cartoon Mayhem

Release Date: March 8, 2024 (Theaters)

What’s It About?: Giant panda Po’s (Jack Black) status as the Dragon Warrior has always been met with skepticism by some of the other talking animals around him. But now he’s actually expected to retire and find a successor, as he settles into a role as more of a local wise man. That feels like even less of a natural fit for this rotund goofball, but luckily Kung Fu Panda 4 is more interested in sending him on one last great adventure. A shapeshifting reptile known as The Chameleon (Viola Davis) is stealing all the kung fu masters’ powers, so Po teams up with streetwise fox Zhen (Awkwafina) for what might be his most dangerous mission yet. Fortunately (or annoyingly), his biological dad (Bryan Cranston) and his adoptive goose dad (James Hong) are sneakily following right behind to make sure nothing too deadly happens to their boy.

What Made an Impression?: Locating the Lore: Before this fourth cinematic outing, I’d only ever seen the first Kung Fu Panda. I was hoping to catch up with 2 and 3, but alas, I didn’t get around to it. I wasn’t too worried about those shortcomings, though, because this series isn’t exactly beholden to impenetrably dense mythology the way that less kid-friendly franchises often are. Still, in addition to the big screen sequels, it has spawned multiple TV spin-offs that add up to more than a hundred total episodes. So while I didn’t exactly feel lost in the Kung Fu Panda lore, I did get the sense that there have probably been more fulfilling adventures in Po and Co.’s pasts. Jack Black is infinitely charming (and he delivers a killer cover of a certain late 90s pop hit during the end credits), but my mind drifted to all sorts of other topics while I watched KFP4.
Rolling Around: So while KFP4 didn’t exactly make me immediately seek out my own martial arts training, at least the animation is reliably colorful and engaging. It makes solid use of the geography, with Po and his cohorts rolling around and causing mayhem on cobbled streets and imposing castles. And there are some solid visual gags dispersed throughout, including a riff on that old saying about bulls in a china shop, as well as a moment with Po summoning his (multiple) inner voice(s). They didn’t exactly release my inner child, but they were worth a few chuckles.
Who’s That Voice?: My mental energy during this viewing was mostly spent on trying to identify the actor behind Po’s dad Li Shan. I was pretty sure I knew him primarily as a sitcom dad. And while that did turn out to be accurate, it’s been nearly two decades since that was his signature gig. Meanwhile, my viewing companion confessed that it took her nearly the entire running time to pinpoint Viola Davis’ inimitable purr as the voice of the big baddie. Honestly, film culture doesn’t talk often enough about the great joy of trying to identify voiceover performances without looking at the credits. We should rectify that.

Kung Fu Panda 4 is Recommended If You Like: The underdog (or the underpanda, as it were) remaining the underdog forever

Grade: 2.5 out of 5 Skadooshes

Entertainment To-Do List: Week of 3/1/24

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Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
Dune: Part Two (Theaters)
Problemista (Theaters)

TV
The Masked Singer Season 11 Premiere (March 6 on FOX) – Rita Ora takes over for Nicole as a judge this season.

Music
-Bruce Dickinson, The Mandrake Project – Iron Maiden singer.
-STRFKR, Parallel Realms

Sports
The Tennis Slam (March 3 on Netflix) – Exhibition match between Rafael Nadal and Carlos Alcaraz. (But are they 100%, though?)

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